My mother was furious; she embarked on a nightlong analysis of everything I was doing wrong in my life, as she often did. Halfway into her thesis, however, her anger turned to tears. It was a big deal, she said, her voice cracking, because by changing my tickets to later in the day, I would arrive at Tokyo close to midnight, and would be forced to find my way around a foreign country carrying two large suitcases in the dark, on my own. It was a big deal, because I was twisting myself to fit into the contour of the world around me, even if it meant bending myself so far I was hurting myself, as if all I deserved was the leftover nook of whatever people threw at me. I would make myself small and try to crawl into that space, and I would crawl with my head down, with my arms tucked by my sides, worried about accidentally poking someone with my elbows.
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Ming-Ying is a human interested in the intersection of art, education, and activism. Her art centers around social justice, the feminine, and all things cute. She is passionate about: Black Lives Matter, Asian Pacific-Islander representation, queer counter-narratives, and educational equity. She also loves cheeseburgers, despite half-hearted aspirations to be vegetarian.
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