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delicious new poetry
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
Nov 29, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
Nov 28, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
Oct 31, 2025
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
Oct 31, 2025
'poet as tarantula, poem as waste' — poetry by Ewen Glass
Oct 31, 2025
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
Oct 31, 2025
goddess energy.jpg
Oct 26, 2025
'Hotter than gluttony' — poetry by Anne-Adele Wight
Oct 26, 2025
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
Oct 26, 2025

A Review of Kristin Garth's 'Shut Your Eyes, Succubi'

January 23, 2020

BY MONIQUE QUINTANA

Kristin Garth’s chapbook, shut your eyes, succubi ( Maverick Duck Press, 2019) , is both delightful and frightening, a conjuring of girlhood with a form inclined to romance-- the sonnet. A prolific sonneteer in a digital age, Garth understands that while some memories seem as distant as old TV sets and radio fuzz, certain characters are bright and alive and fun in our psyche and they turn up in the most opportune places.

This was the first time I read poetry with handwritten annotations, which added a poignant whimsy to the experience. As I moved further and further into the poems, each character seemed to be linked together by the same dark energy. In “Eat Me”, objects, fashion, and delicacies push each line to a sexual moment. There is no meek girl Alice of yesteryear, rather a woman who has autonomy in a scene. Stripped of masquerade, she dominates and commands as a true queen of hearts.

Two other standout sonnets are “ Claudia” and “Veruca Wants”. Both pieces reckon with the image and the sentiments of the brat girl, a girl decked with material things, who is much too grown-up for the world that she lives in. “Claudia” tells of Interview with the Vampire’s doomed enfant, a character who remains elusive in both Rice’s novel and the cinematic dreamscape of Neil Jordan’s 1994 take: “ Resolve to keep her safe at hand, but she / is something you don’t understand .”

The poem seems to acknowledge that we, the grand audience, both love and detest Claudia because she’s an unlikable girl, but also our beloved. Like “Claudia”, “Veruca Wants” made me take pause and look back at my girlhood. When I was small and I asked for material things or complained about things that were making me unhappy, my grandmother called me “Veruca” and waited for the sweet and stoic parts of me to return. Garth’s sonnet carries the want for decadence over to womanhood: “ Men / who’ll jump before she screams.” The sonnet plays with the idea that we create the very decadence that we need. It’s not the reaching for rich things, but when we’re compelled to articulate desire to the point of screaming.


Monique Quintana is the author of Cenote City (Clash Books, 2019) and holds an MFA in Creative Writing from CSU Fresno. Her work has appeared in Winter Tangerine, Queen Mobs Tea House and Acentos Review, among other publications. She is a Senior Editor at Luna Luna Magazine, Fiction Editor at Five 2 One Magazine, and writes about Latinx literature at her blog, Blood Moon. You can find her at moniquequintana.com

In Art, Poetry & Prose Tags Poetry, Book Review, Feminism, female sexuality
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Via the Film School Rejects

Via the Film School Rejects

A Lippie List Inspired by Fairy Tale Films and Books

March 14, 2019

BY MONIQUE QUINTANA

Fairy tales have gorgeous aesthetics. Why not paint our mouths with them? Here’s a short list of fun fairy tale art and lippies that coordinate to their fantastical colors. 

1. Cartoons in the Suicide Forest by Leza Cantoral (Bizarro Pulp Press, 2016). A smart psychedelic and shocking punk rock doll of a short story collection.

The lippie: “Unusual” by Pretty Zombie Cosmetics

Order Cartoon’s in the Suicide Forest Here.

2. The Last Unicorn, 1982 A mythical beauty meets demon fantastical in this animated film adaptation of Peter S. Beagle novel.

The lippie: “Boy Trouble” by The Lip Bar   

3. The Tale of Tales, 2015 A trio of dark and decadent yarns inspired by the works of Giambattista Basile make up this film directed by Matteo Garrone. Starring Salma Hayek as a monster-heart-eating queen.

 The lippie: “1922- Blood Red” by Beseme Cosmetics  

4. Heavenly Creatures, 1994 Peter Jackson’s film of teenage angst, the writer’s dreamscape, and bloody matricide.

The lippie: “Paper Flowers” by Necromancy Cosmetics

4. The Lais of Marie de France, Penguin Books. A collection of narrative poems that explore the beautiful and grotesquely shape-shifting nature of love.

The lippie:  “Street Dreams” by Lipmatic

Order this book here.

Lais of Marie de France.jpeg

Monique Quintana is a Senior Associate Editor at Luna Luna Magazine and the Fiction Editor for Five 2 One Magazine. Her work has appeared in Queen Mob's Tea House, Winter Tangerine, Huizache, and the Acentos Review, among other publications. She is a fiction fellow of the Community of Writers at Squaw Valley Workshop, an alumna of the Sundress Academy of the Arts, and has been nominated for Best of the Net. Her debut novella, Cenote City, is newly released from Clash books. You can find her at moniquequintana.com

In Beauty, Art, Lifestyle Tags fairy tales, cosmetics, Feminism, books, film, wellness
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Via Film Equals

Via Film Equals

Strange Beauty: The Female Body Spectacle in Jodorowsky's, Santa Sangre

January 22, 2018

Her body is an “exotic” thing that cannot rest within the boundaries of appropriateness.

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In Art, Beauty Tags Beauty, Film, Art, Body Image, Feminism, Horror Films, Santa Sangre, violence, Sexual Assault
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Michael Ramstead

Michael Ramstead

Community, Murder & Feminism on the Podcast My Favorite Murder

January 15, 2018

I have discovered a pretty well known podcast called My Favorite Murder. Two women, Georgia Hardstark and Karen Kilgariff, host the show. It’s considered a comedy podcast. Most people wonder: Where’s the humor in murder? Most would also argue that there is none. However, the humor comes from somewhere else. It’s part of this idea that in order to understand something better we have to get close it. In order to understand why people like Dennis Rader kill we have to pay attention and get closer. So, the humor then, it comes from a place of trying to conquer fear and come to a point of understanding.

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In Personal Essay, Poetry & Prose, Social Issues Tags My Favorite Murder, True Crime, Feminism, Podcast
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via Los Angeles Times

via Los Angeles Times

5 Love Witch Inspired Items to Help You Wait Patiently for Anna Biller's next Release

August 30, 2017

So, basically, she had me at "Bluebeard." But since films, especially those created with the deliberate artistic and critical intent that Biller is known for, can take lots of time, here’s a list of items to tide you over until the big release.

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In Art, Beauty Tags Anna Biller, The Love Witch, Bluebeard, 1960s, Vintage, Hollywood, Witchy, Cinema, Feminism, Film
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Via Alma Rosa Rivera

Via Alma Rosa Rivera

Brown Is Boss: Poet and Zinester, Alma Rosa Rivera of Frijolera Press

July 26, 2017

"We exchanged energy and it was definitely a trade I’m grateful for."

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In Art, Interviews, Lifestyle, Beauty Tags Zines, Poets, Feminism, People of Color, writer, wellness
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Not Just Roses & Regrets, Tattoos Are a Way to Reclaim Your Body

May 19, 2017

...I decide when they become what they are.

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In Art, Beauty, Lifestyle Tags Body Positivity, tattoos, beauty, Feminism
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Via @tigermouth

Via @tigermouth

Five Instagram Accounts for and by WOC Pinup Girls

April 17, 2017

There are many reasons why the pinup aesthetic appeals to women of color.

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In Beauty, Lifestyle Tags Beauty, Fashion, body image, Feminism, Women of Color
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Yayoi Kusama

Yayoi Kusama

On My Unapologetic Mother

March 28, 2017

My mother was furious; she embarked on a nightlong analysis of everything I was doing wrong in my life, as she often did. Halfway into her thesis, however, her anger turned to tears. It was a big deal, she said, her voice cracking, because by changing my tickets to later in the day, I would arrive at Tokyo close to midnight, and would be forced to find my way around a foreign country carrying two large suitcases in the dark, on my own. It was a big deal, because I was twisting myself to fit into the contour of the world around me, even if it meant bending myself so far I was hurting myself, as if all I deserved was the leftover nook of whatever people threw at me. I would make myself small and try to crawl into that space, and I would crawl with my head down, with my arms tucked by my sides, worried about accidentally poking someone with my elbows.

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In Social Issues, Poetry & Prose, Personal Essay Tags People of Color, Women of Color, Mothers, Feminism
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HIDDEN: Coming out About Domestic Violence in LGBTIQ Relationships

January 24, 2017

In late 2014 Australian-based photographer Maya Sugiharto and her partner Aviva Minc began to notice the lack of mainstream media attention dedicated to domestic and family violence within the LGBTIQ community.

"There has been a huge amount of imagery and campaigns over recent years depicting heterosexual relationships where the man is the abuser," Sugiharto says, "however there was no representation of this happening within my own community, and I began to question why".

It was this curiosity that inspired Sugiharto to probe further, and the result is HIDDEN – a stirring conceptual photography project of poignant images that captures participants re-enacting situations perceived to emanate real-life scenarios of violence in LGBTIQ relationships.

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In Art, Social Issues Tags LGBTIQ, Domestic Violence, Domestic Abuse, HIDDEN, Photography, Feminism
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Watching Disney as a Millennial Brown Girl

January 19, 2017

I could see the difference in our skin colors. I couldn’t pretend anymore.

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In Art, Social Issues Tags Feminism, beauty, Race, fairy tales, Body image, Body Positivity
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Via Favim

Via Favim

Beauty Mantras by Jacklyn Janeksela

January 4, 2017

jacklyn janeksela is a wolf and a raven, a cluster of stars, &  a direct descent of the divine feminine.  she can be found @ Thought Catalog, Luna Magazine, Talking Book, DumDum Magazine, Visceral Brooklyn, Anti-Heroin Chic, Public Pool, Reality Hands,  The Feminist Wire, Word For/Word, Pank, Split Lip; Civil Coping Mechanism anthology A Shadow Map & Outpost Rooted anthology; & elsewhere. she is in a post-punk band called the velblouds. her baby @ femalefilet.  she is an energy.  find her @ hermetic hare for herbal astrological readings.

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In Social Issues Tags Beauty, Fashion, Feminism, witches, Occult, Punk
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Beautiful Resistance: A Tiny Altar for Mia Barraza Martinez

December 23, 2016

She always looked for beauty. She looked for beauty everywhere. 

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In Art, Social Issues Tags Beauty, Fashion, art, Feminism, Alters, Death
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Dietmaha

Dietmaha

How to Honor Her Body When She Menstruates

November 29, 2016

Don’t ask a woman to not talk about her period... 

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In Social Issues Tags Feminism, self-care, Body Positivity, menstruation
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Why You and I Still Need Feminism: A Partial List of Reasons

November 18, 2016

BY CESCA WATERFIELD

Those who speak loudest against feminism usually offer an opinion festering in ignorance and oozing misinformation. Feminism does not demand special rights. Feminism demands equal political, economic, and social rights. 

1. You and I need feminism because women still earn 79 cents for each dollar men earn, even taking into account education level, even when they’re in the same job, and across industries. In pink collar jobs traditionally dominated by women, women earn less than men. In jobs traditionally held by men, women earn less there too. That is a pay gap of 21 percent. Considering that women are more likely to be single parents, it’s clear that implications of such a pay gap are exponentially harmful to society and especially to the poor and working classes. Equal employment opportunities are meaningless if women can’t fairly earn for their labor. The pay gap is an injustice that hits women in daily, practical, hand-to-mouth ways, and because of the pay gap, you and I need feminism.
 
2. In Britain in 1918, women were granted the right to vote, but many stipulations were placed on them to ensure that women voters never outnumbered male voters.
In that country, it took a decade longer for equitable voting rights. In the U.S., women were granted the vote in 1920. Currently, women comprise more than half the population, and in all demographics, women vote at higher rates than men. We need feminism because in spite of these facts, women still hold fewer than 20 percent of seats in Congress. Not surprisingly, then …  

3. We need feminism because women’s bodies are still legislated and controlled. From long before the force-feeding of suffragettes; to the ease with which we pass judgment on or confront a pregnant woman drinking coffee or smoking a cigarette; to 2012 when Virginia Republican leaders sought a law that required a “transvaginal” ultrasound in abortion procedures; to Donald Trump’s avowal to “punish” women seeking abortion; to sweeping closures of health clinics in wide swaths of the country that already rank as the poorest and least educated, women do not have bodily autonomy, or equitable access to reasonable health care. President-elect Trump plans to appoint activist judges to the Supreme Court, and said last year, “I’m pro-life, the judges will be pro-life.” This plan defies the Constitutionally endowed “right to privacy” protected by the 14th Amendment on which Roe v. Wade was decided 44 years ago. It also invokes a strategy that conservatives have long decried as wrong, that of appointing judges who will bring their politics to the bench instead of interpreting the Constitution with traditional intent and public value. Growing obstacles to reasonable care impact all women, but most perniciously, the poor and working classes. And it follows … 

4. You and I need feminism because the frequency of assault and murder of women in this nation alone does not elicit an equivocal movement to address it. In the United States since 9/11, more women have been murdered by domestic partners than all the Americans who were killed on 9/11, and Afghanistan and Iraq combined. That statistic has been analyzed, accounted for, and shown as statistically sound. Where is the outrage? There is more controversy over a football player who chooses to sit during the national anthem than there is interest in why the cultural trend of the murder of female American citizens is acceptable. Moreover, when women are assaulted, they are often blamed. In sexual assault, it often results in “slut shaming.” Anecdotal evidence: In 2005, when the man from whom I briefly rented a room in Richmond murdered a teen girl and dumped her body in rural Virginia, people approached me repeatedly to ask, “Why was she there with him? What was wrong with her?” In related news … 

5. We still need feminism because our culture places the onus of blame on women who are attacked, raped, catcalled, etc., instead of brokering discussions about such ingrained aggression and the objectification inherent in these behaviors. Indifference to these behaviors exists on a continuum of violent acts and we need feminism. Need evidence? Here are a few examples.

6. We need feminism because Female Genital Mutilation is practiced in 29 countries. More than 200,000 million women now living in 30 countries have survived FGM, which is the barbaric act of cutting off a girl’s external genitals. It has no health benefits to her, it has numerous dangers, it complicates childbirth, and it is done solely to control her sexuality. Specifically, it is done to deny her any sexual pleasure in her life. It is practiced on girls as young as five months old.  

7. We need feminism because heterosexual male pleasure is still presented pervasively across media as “universal sexuality.” Mainstream film ratings can receive a higher explicit rating simply for a scene that depicts a woman taking “excessive pleasure” in sex. Women are generally placed in an impossible role that demands she enjoy this limited and exclusionary “universal sexuality,” but not too much, lest she be shamed outright and in pernicious and insidious judgment. We need feminism to empower women to create their own sexual identity and make their own discoveries.

8. We need feminism because more than 120 countries have not passed laws against spousal rape. As of 2014, the most recent data I found, eight states in the U.S. offer exemptions in certain cases of spousal rape. 

9. We need feminism because child marriage is still practiced in many countries. Even in countries that outlaw child marriage in their civic code, when the state recognizes Sharia law, it overrides civic law, and those nations comprise the world’s top five practitioners of child marriage. Child brides are not likely to receive education and they are at greater risk of partner violence and sexual abuse. The leading cause worldwide of deaths of girls 15-19 is pregnancy complications and childbirth. Child brides are at greater risk of contracting HIV. In sub-saharan Africa, girls ages 15 - 19 are 2 to 6 times more likely to contract HIV than boys their age. 

10. We need feminism because in several countries, including but not limited to Bangladesh, Afghanistan, Cambodia, Iran, Pakistan, and Colombia, acid attacks are on the rise resulting in a woman’s permanent disfigurement, usually for “crimes” like going to college or seeking divorce. We need feminism because female infanticide is still practiced in some countries worldwide because of the “low status” of females, and it results in millions of fewer girls than males. (You must have a strong constitution to view these images. If you have a strong constitution, Google “breast ironing,” “honor killing,” “dowry death,” and more.). 

11. This is only a partial list. We need feminism because women’s rights are human rights. Anyone who professes to caring about human rights should have clear understanding of the need for feminism, regardless of whether he has a sister, wife, daughter, etc. to relate the cause to him. Women are human. 


Cesca Waterfield is a third-year candidate in the MFA/MA program at McNeese State University. She is a vocalist and songwriter with two EPs and one full length recording available on iTunes. Her graphic memoir, “The First Time She Strayed” is forthcoming in the spring of 2017 from Vulgar Marsala Press. She loves classical ballet and the Radical Brownies. 

 

In Social Issues Tags Feminism, women
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Older Posts →
Featured
‘in the glitter-open black' — poetry by Fox Henry Frazier
‘in the glitter-open black' — poetry by Fox Henry Frazier
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
'poet as tarantula, poem as waste' — poetry by Ewen Glass
'Hours rot away in regalia' — poetry by Stephanie Chang
'Hours rot away in regalia' — poetry by Stephanie Chang
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'do not be afraid' — poetry by Maia Decker
'do not be afraid' — poetry by Maia Decker
'The darkened bedroom' — poetry by Jessica Purdy
'The darkened bedroom' — poetry by Jessica Purdy
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
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