Kailey Tedesco is the author of These Ghosts of Mine, Siamese (Dancing Girl Press) and the full-length collection, She Used to be on a Milk Carton (April Gloaming Publications). She is the co-founding editor-in-chief of Rag Queen Periodical and a member of the Poetry Brothel. She received her MFA in creative writing from Arcadia University, and she now teaches literature at several local colleges. Her poetry has been nominated for the Pushcart Prize. You can find her work in Prelude, Bellevue Literary Review, Sugar House Review, Poetry Quarterly, Hello Giggles, UltraCulture, and more. For more information, please visit kaileytedesco.com.
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4 Horror Films to Keep You Up at Night
Kailey Tedesco's books These Ghosts of Mine, Siamese (Dancing Girl Press) and She Used to be on a Milk Carton (April Gloaming Publications) are both forthcoming. She is the editor-in-chief of Rag Queen Periodical and a performing member of the Poetry Brothel. Her work has been nominated for the Pushcart. You can find her work in Bellevue Literary Review, Hello Giggles, UltraCulture, Poetry Quarterly, and more. For more, please visit kaileytedesco.com.
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5 Movies to Watch This Halloween
Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams, The Gods Are Dead, Marys of the Sea, Sexting Ghosts, Xenos, No(body), #Survivor, (forthcoming, The Operating System), and is the editor of A Shadow Map: Writing by Survivors of Sexual Assault. They received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes Poetry and the senior managing editor for Luna Luna Magazine. Some of their writing has appeared in The Rumpus, Them, Brooklyn Magazine, BUST, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente / FB: joannacvalente
4 Midsommar-Inspired Beauty Tips
Stephanie Valente lives in Brooklyn, New York, and works as an editor. One day, she would like to be a silent film star. She is the author of Hotel Ghost (Bottlecap Press, 2015) and Waiting for the End of the World (Bottlecap Press, 2017). Her work has appeared in dotdotdash, Nano Fiction, LIES/ISLE, and Uphook Press. She can be found at her website.
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The Suspiria Remake Can Be Beautiful Again
Kailey Tedesco is the author of These Ghosts of Mine, Siamese (Dancing Girl Press) and the forthcoming full-length collection, She Used to be on a Milk Carton (April Gloaming Publications). She is the co-founding editor-in-chief of Rag Queen Periodical and a member of the Poetry Brothel. She received her MFA in creative writing from Arcadia University, and she now teaches literature at several local colleges.
Her poetry has been nominated for the Pushcart Prize. You can find her work in Prelude, Bellevue Literary Review, Sugar House Review, Poetry Quarterly, Hello Giggles, UltraCulture, and more. For more information, please visit kaileytedesco.com.
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Photo: Joanna C. Valente
The Complexities on Performance and Passing
Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams, The Gods Are Dead, Marys of the Sea, & Xenos, No(body) (forthcoming, Madhouse Press, 2019) and is the editor of A Shadow Map: Writing by Survivors of Sexual Assault. They received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes, Poetry and the senior managing editor for Luna Luna Magazine. Some of their writing has appeared in The Rumpus, Brooklyn Magazine, BUST, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente
5 Women-Centric Horror Films to Watch This Halloween
Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (ELJ Publications, 2016) & Xenos (Agape Editions, 2016), and is the editor of A Shadow Map: Writing by Survivors of Sexual Assault (CCM, 2017). They received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes, Poetry and the managing editor for Civil Coping Mechanisms and Luna Luna Magazine. Some of their writing has appeared in Prelude, BUST, Spork Press, The Feminist Wire, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente
via Pitchfork
'Her': Feminism, Isolation, & Virtual Reality at Work
Yes, Her. Everyone I knew saw it–loved it, gushed about it, talked about it in a dream-like trance. To say the least, my interest was piqued–especially because I had read countless articles beforehand. I couldn’t help it, they were everywhere. In particular, one stood out where the author describes the film as essentially un-feminist, being that there isn’t a huge female presence. You could say I saw the film with the idea that women weren’t important, that they were conspicuously absent.
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