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delicious new poetry
Writing Prompts for Threshold Times
September 4, 2026
Writing Prompts for Threshold Times
September 4, 2026
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September 4, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
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September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
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September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
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September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
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September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
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September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
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September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
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September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
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September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
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September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
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September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
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September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
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September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
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September 3, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
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August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
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August 15, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
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August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
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August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
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August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
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August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
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August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
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August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
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August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
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August 14, 2026
'a wasp  giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
'a wasp giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
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August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
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August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
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August 14, 2026
Writing prompts for a fever dream summer
August 3, 2026
Writing prompts for a fever dream summer
August 3, 2026
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August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
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August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
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August 3, 2026
The Death of Albine (1895) by John Maler Collier.

The Death of Albine (1895) by John Maler Collier.

Crafting Your Signature Scent: Why to Make Your Own Perfume

March 30, 2017

There are many ways we attempt to cast the spell of remembrance, to leave our mark, to cause a beautiful and painful ache in our absence even if it is only temporary. This is just another way we strange and intricate humans crave to be loved.

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In Beauty Tags Perfume, memory, herbalism, Witchcraft
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The Baroque Dreamers: Photography by Aitor Frías & Cecilia Jiménez.

The Baroque Dreamers: Photography by Aitor Frías & Cecilia Jiménez.

Inherited Trauma & Memories That Are Not Our Own

January 26, 2017

BY CARMEN MISÉ

When we first got to this country I was too young to really understand everything that was happening before my eyes. My memories were patched together like pieces of broken glass, glued with stories I would hear my mom and dad recount. I don’t remember the plane ride, or have no memory of my first day in the US. I do remember starting school. My second grade teacher, Mrs. Izquierdo, my bus driver, Manolo, and Yaime, a girl who immigrated the same year we did, and who is still my best friend close to twenty years later. Memory. Isn’t it a funny and mysterious thing? How much of it is it really ours?

Memories, I mean. I feel as though there are people walking around with memories that belong to me. I once heard my best friend recount something that happened on the school bus. She turns to me in utter disbelief that I didn’t remember and proceeds to recount all I said on that bus ride. A memory I clearly did not possess any more, but should have.

Within this complex structure of memory work, I also believe there are memories that have become ingrained in me, not because I lived then, but because they are memories I have inherited. Scientists in Mount Sinai Hospital in New York have noted “the first demonstration of transmission of preconception stress effects resulting in epigenetic changes.” They are calling it “transmission of trauma to a child via what is called “epigenetic inheritance” - the idea that environmental influences such as smoking, diet and stress can affect the genes of your children and possibly even grandchildren.”

This study looked at Holocaust survivors, and while controversial, it is true that genes are modified by our environment all the time. So if it is possible to inherit “a memory” through DNA, then you most certainly can inherit a memory of trauma in other ways, I thought.

It wasn’t until I was in graduate school that I had the words to verbalize what I would later recognize as inherited trauma. In fact, not only the words but the scholarly research of literary professionals who were all saying the same thing, just in different words, regardless of whether they were looking at social injustices in India, Latin America, or Europe. I came to so many realizations as a graduate student, that it’s a wonder I am able to function at all. One realization is this concept of inherited trauma and my memory of soap. Yes. Soap.

For many years my mom would collect the last remnants of bars of soap. The small, semi oval, pieces of soap that once were nutrient rich Dove, Caress or Camey bars. God forbid you threw one out, or let it dissolve and disappear if it fell on the shower floor, by the drain, because you were too lazy to pick it up. This “collecting” was a slow process. Over time, gallon zip lock bags or once I remember a ten pound empty sack of rice, would be filled. Over a period of months, we, my dad and I, but mostly me and my mom, would dutifully fill the container with bits of soap. So much dedication. And with each bit of soap added, a small sense of accomplishment, and a renewed determination to fill it up would drive our drive.

At first I did not quite get it, I just helped. It felt good to help my mom who seemed so determined to collect bits of soap. The colorful array of colors in the see-through bag made it like art project I was only too happy to help reach completion. This went on, without question, for a few years. One day, a day very much like all the others, mundane and ordinary, but special in that it’s on those days when we have our biggest breakthroughs, I asked my mom why she collected bits of soap. She looked at me, and down at the colorful, soap filled bag, after a few moments of silence she said that the soap we saved was going to be sent back to our country. “For what?” I asked. “Para lavar,” she replied. As she explained, I imagined a big tin barrel filled with scalding water, laundry, and the bits of soap I helped collect all this time, and a thick, brown woman, covered in a layer of sweat, standing over the barrel. Detergent does not exist where she comes from. Neither do washers and dryers. Too expensive.

I finally had an answer for something I was doing without question for a few years now. Although I learned to be more careful of the questions I ask, the answers are never satisfying. Surely, she could just buy detergent and sent it over? Or those big detergent soap bars I had seen at la bodega. She could send money too. That’s always an option, I thought. We could walk to the Western Union and while she sent the money I could get a gumball from the gumball machine. I hoped it was a blue one.      

Of course, I didn’t understand then that she could not simply buy detergent and sent it over, or just send money. In her mind, what my mom was doing was a continuation of what she had always done, save bits of soap. Just on a grander scale, now that she was in the US and had me to help. When she stopped, I don’t really remember. It wasn't abruptly, but one day, when I realized that I didn’t see bags with soap any more, I knew this had come to an end. Well, at least in that form and at least for her. I, on the other hand, inherited the trauma of not having enough. The trauma of caution. A repugnant feeling in the pit of my stomach when I throw away perfectly good things. I know I am doing wrong and I feel it.

The other day I ran a few errands. I went to the store and I bought a few groceries, along with “un palo de mapear” and you guessed it, soap. As I sat at the kitchen table, emptying out the last quarter of liquid soap into the new bottle, I felt the same feeling of determination and accomplishment I felt collecting bits of soap from wasted bars. And we wonder why we drag with us the history of our ancestors? Why it weighs us down? Why we repeat the same fate over and over? I giggled at myself while I sat there saving the last bit of soap. Had this come full circle? And why was I laughing? Perhaps I was anxious or nervous that I had caught myself repeating this act of trauma. The act of saving the last bit of soap, or detergent, Lysol, olive oil and lotion…. Por si acaso.  


Carmen Mise graduated from Florida International University with a Bachelor's in English in 2010 and a Master's in English in 2015. She is currently a professor of composition and literature at Miami Dade College North campus' English and Communication's Department. Carmen was recently invited by the Miami-Dade Public Library System to kick off their Art and Sculpture Lecture Series, where she lectured on the topic of Counter-Monuments. A theory she explored in her master's thesis, and a topic she is still exploring in her writings.   

In Lifestyle Tags epigenetics, inherited trauma, health, memory, family, dna
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feed me poetry
Featured
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
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Vi Ly
Vi Ly
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
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Hana Saad
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
Hana Saad
Hana Saad
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Hana Saad
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' I am brutally killed by daffodils' — poetry by Emily Tong
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' I am brutally killed by daffodils' — poetry by Emily Tong
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Emily Tong
Emily Tong
'violet scabbing on ankle backs' — poetry by Lexi Rosen
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Lexi Rosen
'violet scabbing on ankle backs' — poetry by Lexi Rosen
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Lexi Rosen
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Lexi Rosen
'it was something more gory' — poetry by Caroline O'Connor Thomas
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'it was something more gory' — poetry by Caroline O'Connor Thomas
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'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
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'every hour is one long suffering' — poetry by Anne Halsey
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'ghosts in hair follicles' — poetry by Trish hopkinson
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