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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025

Stop Telling Me To Smile: 2 Rad Parsons Students Photograph Sad Gurlz as A Reponse

June 17, 2016

BY TABITHA SHIFLETT

Meet SAD GURL Ashley! "I'm a sad gurl because I'm a single 20 year old virgin with a heavy sexual appetite. I hate going to clubs but my friends force me to go out and I never get in." #sadgurl #lookrookie #portrait #SADGURLZ

A photo posted by SAD GURLZ™ (@wearesadgurlz) on Feb 29, 2016 at 8:07am PST

If you’re a woman, then you’ve probably experienced the whole You Should Smile More charade. We’ve heard it all before – those gross, sexist comments ranging from, “Life isn’t that bad, honey!” to the plea, “Smile!

Usually, a man, grinning ear-to-ear like a Cheshire cat, is behind this annoying string of cliché phrases just waiting for us to have an epiphany – thanks to his underhanded compliment – and smile like we’re told.

Fed up and completely unamused with what society has dubbed as “resting bitch face,” Parsons photography students Sam Lichtenstein and Jess Williams took matters into their own hands.

The cheeky photo collaboration, “SAD GURLZ,” is a collation of portraits of bold, badass women redefining what it means to have a poker face – or just a face that walks down the street, minding its own business. Radiating rebellion, the images project power and major self-respect.

Your favorite SAD GURLZ are celebrating LGBT pride this month!

A photo posted by SAD GURLZ™ (@wearesadgurlz) on Jun 3, 2016 at 8:57am PDT

Both Lichtenstein and Williams spoke with an air of certainty and seriousness.

“We tell our models to look as bored, unamused, and annoyed as possible,” says Lichtenstein.  “Which is contrary to how women are normally portrayed in photos....Women are always being told to smile, whether it’s in a photo or when they are just walking down the street, so we want to push that idea aside.”

To become a SG, models must apply via an online form with a theme and color backdrop in mind. Each model is accompanied by a short narrative further explaining the meaning of their photo.

Model Ana, who posed with a handful of Wendy’s French fries, writes "I'm a SAD GURL because eating healthy is the new black. Personally, I'd pick chicken nuggets over an apple any day.”

Meet SAD GURL Haley! "I'm a SAD GURL because I enjoy alone time, and writing about the people in my life. I have been trying not to hide myself anymore, and having my photo taken makes me uncomfortable, so that's why I wanted to be a part of this project."

A photo posted by SAD GURLZ™ (@wearesadgurlz) on Apr 15, 2016 at 7:03am PDT

The photoshoot is a two-step process – once the accepted candidates are photographed against the background of their choice, a compilation of items that correlate with the theme are also shot. The two photos are then displayed side-by-side on the SG website, Instagram account, and Facebook page.

“It’s hard being a woman and even more so for those in the LGBT community,” says Williams. “We want SAD GURLZ to be an outlet for all women to speak out without actually having to say anything.”

The project began in February as an online photo album. But once word got out, the dynamic duo found their inbox overflowing with inquiries. They participated in Parsons' PHOTOFEAST, a bi-annual pin-up exhibit open to New York photography students. That was in April. 

“We’re in contact with an all-female gallery in Tempe, Arizona and there’s talk of doing a collaboration and having our very first SG gallery show,” says Williams. “There’s also a magazine based in Spain and Belgium that plans on featuring us and our work.”

And, as if that wasn’t exciting enough, the two say they’re in the process of publishing a 75-page book that features the models they’ve photographed thus far.

“It feels so good to have our work recognized by the people around us,” says Williams. “But, it’s exhilarating to find that our work is being acknowledged by others across the country and the world.”

SAD GURLZ LUV SPRING BREAK ☀️🌊🐠 #SADGURLZ #springbreak #portrait

A photo posted by SAD GURLZ™ (@wearesadgurlz) on Mar 20, 2016 at 11:15am PDT

Meet SAD GURL Miranda! "I'm a SAD GURL because I love living in New York City but I also love nature and hiking and the beach. It's hard to find a balance between the two without going crazy."

A photo posted by SAD GURLZ™ (@wearesadgurlz) on Jun 17, 2016 at 5:22am PDT

Meet SAD GURL Alexis! "I'm a SAD GURL because I am aware that I don't know everything but through self empowerment and knowledge I am finding out more about myself everyday."

A photo posted by SAD GURLZ™ (@wearesadgurlz) on May 13, 2016 at 4:24pm PDT

Fans can currently pre-order the book on the SG website. 


Tabitha Shiflett is a graduate of the Dub (The University of North Carolina Wilmington, UNCW). She's written for Her Campus, Seahawk Chic, CBSLocal and Elite Daily. She is currently enrolled in the Creative Publishing and Critical Journalism MA program at The New School in New York City. 

In Art, Social Issues Tags Art, Sad Gurlz, Parsons, Photography, Women
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Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
'this strikes me as a Rorschach' — poetry by John Amen
'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
'the sky violent' — poetry by Robert Warf
'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'we can be forlorn women' — poetry by Stevie Belchak
'we can be forlorn women' — poetry by Stevie Belchak
'I do whatever the light tells me to' — poetry by Catherine Bai
'I do whatever the light tells me to' — poetry by Catherine Bai
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
'Venetian draped in goatskin' — poetry by Natalie Mariko
'Venetian draped in goatskin' — poetry by Natalie Mariko
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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