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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
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Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
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Aëla Labbé

Aëla Labbé

Poetry By Clara Pluton

December 18, 2015

Multi-tasking is exceptionally difficult when one is pushed to commit the same intensity of eye contact to each person they meet

A covertly placed, consensual hand cushioned by the inside of my asscrack in the midst of a long shift is all the push I need to keep going.

Talking about how we’re all going to die is a cool expression to bring up at parties around a lot of new people because it shows that you are subtly nihilist and thus clearly esoteric. But, I don’t think that we’re all going to die. I don’t think about death at all; what I do think about is convincing people that I’m intelligent.

Standing at work, in a new job, amongst people that I do not know, and am not trying to know, but am trying to pass eight hours of on your feet tray carrying and inauthentic stranger smiling requires a certain level of initial awareness. An awareness of how to get people to be on your side. Hesitancy needs to be shifted into consonants/vowels crunching and mashing with the intention of allowing people to like me. Because all I want is for people to like me. To like me a lot, to like what I say and why I said it at that time and how it was said.

I want people to like me.

Since I’m both first generation American with a deep ‘old poor’ lineage there is no conceivable way that anyone throughout my heritage could have owned slaves- which is neat. 

“Where are you from in France” I ask my coworker. “Lyon” she tells me. I know where that is. My cousin lives there. I tell her that and I watch her turn warmer. A woman breastfeeding a baby that is pinker than she raises her wrist. “The check?” Sauntering off, moving towards the front of the restaurant, I watch my first conquest’s orange hair grow stringier and smaller.

I expected that to go well and it went fine.

I have had the same piece of Turkish flatbread underneath my tongue for ~three minutes with the naïve expectation that it will disintegrate into easily swallowed particles. I try to mask my carbohydrate goiter with a cheerful demeanor. “Do you want to start off with anything to drink?” They’re responding and I’m nodding.

It would be nice to end this shift with a bevy of messages from a variety of platforms. I like being logged in.

I walk outside to retrieve glasses that have been collecting themselves in congealed rows, sticky with boozy residue. When some customers talk, they sound like sewage. A turnip faced nothing man directs “Oi cheeky” at me. I hate both of those words but he can’t know that. Moments after inexplicit sexual winds have perpetually lulled me into thick stale breaths. But I persevere, the bands attached to my underwear becoming looser and looser.

My balance is the most keen when I am toeing the line between vulgarity and charm. The connection tying weight loss and affable ineptitude is something I’m having difficulty shaking.

Condensation on a bottle of Sauvignon Blanc reflected a fleet of thin women back to me. One of them decrees that “leggings are a gateway drug”. I feel ill, instantly. Lucidity is still hours away, but I find pubescent solace in the freedom of a row of hard nipples, hinged to nothing but the sharpness of a September wind. I never find myself bored of myself, my narcissism remains reliable.

Slyly I think my adolescent argument of “I didn’t choose to be born in this family” is still valid. Not that I don’t love my parents but I did grow inside of my mother and then come out of her vagina and I am partially a product of my dad’s testicles and after such gesticulation I don’t think frankness should be minced.

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A chubby man enters my periphery, with a smaller female shadow lingering around his knees. He bends at the waist in order to hear his daughter more clearly, his thick Mediterranean accent blending into the patches of her plum fuzz. They love each other, for now. Soon, double-digit birthdays will inevitably rear hideousness out of their stomachs so vile that no amount of pumping substance will be able to quench the subsiding bile. ‘Clara’ I hear from my manager’s mouth, my name heavy in lacquered Scouse tones. I turn to address his disassociated mug, still groggy from whomever he felt so obliged to do until sunrise. His beckoning arose a Pavlovian response under my suddenly moist tongue. Not only was he incontestably sexy but also gauging from the position of the sun it was finally time to sit down to chow.

A psychic once told me that I was fussy. He’s right, but as I gnash on a pork chop, two front teeth still serrated from an accident I’ve been too uninvolved from to remediate, I think that maybe he is wrong.

My breasts feel exceptionally heavy this afternoon. My lower back feels the weight of thousands of days of strapping my baggage pert against my bones. My readjustments garner gazes from both unsuitable trolls and bodies who, without indulging their full potential, are cute when I squint. Sitting next to people whose invested interests in this space transcend the banality of a paycheck gives me anxiety.

Essentially, I am raw. But inessentially, I am bored. One without the other is indulgence, pander that is numb to premeditated stimuli. Nothing more to do than blink, observe clusters that have fallen under mammalian trees of grooming expectations and wait.


Clara Pluton is currently in the process of trekking west. She is couch surfing across the United States in order to reunite with a very important heartbroken friend and her heartbroken friend’s inbred cat Sake. In the meantime, one could find her sucking down hand rolled cigarettes with her right hand and looking up Jim Jarmusch’s zodiac sign with her left. 

In Poetry & Prose Tags Poetry, Clara Pluton
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Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
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'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
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'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
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