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delicious new poetry
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
Nov 29, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
Nov 28, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
Oct 31, 2025
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
Oct 31, 2025
'poet as tarantula, poem as waste' — poetry by Ewen Glass
Oct 31, 2025
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
Oct 31, 2025
goddess energy.jpg
Oct 26, 2025
'Hotter than gluttony' — poetry by Anne-Adele Wight
Oct 26, 2025
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
Oct 26, 2025
William Faulkner at work.

William Faulkner at work.

Overnight Success Is Overrated: A Book Blogger’s Journey

January 6, 2016

BY SERENA AGUSTO-COX

Editor's Note: A version of this appeared on our old site.

It’s hard to believe that my book review blog, Savvy Verse & Wit, is still going after eight years. It started with just one reader and individual poems I’d read in literary journals, like Poetry and AGNI, that I liked or made me view the world a little differently. I wanted to share these poems and my thoughts, and I really gave very little thought to how the blog would continue or how it would evolve. All I knew is that I wanted to talk about poetry, something I missed after college graduation.

One of the first poetry collections I reviewed was Lawrence Ferlinghetti’s A Coney Island of the Mind. My review style then was a lot less formal than it is now, as I injected memories that came to the surface from some poems or even the mere title of the collection. In 2007, I reviewed about 16 books, many by James Patterson, two memoirs, several vampire novels, and just the one poetry book. I probably read more than I reviewed back then, but I also had not read for a long time after college, mostly because I had had enough after a double major and minor in college. I needed a break.

Since then, I’ve read many more books and reviewed nearly everyone I’ve read, reaching about 150 books in 2014–a total I’m nearing now. Many people start out writing blogs because they have a need to write and to share with others, and that’s the category in which I placed myself. I may have created a blog that others view as a source for recommendations, but I really just want to talk about good books with people who want to read.

Most book bloggers have created review policies, which delineate what they like to read and what kind of turnaround publicists, publishers, and authors can expect. Despite these policies, we are often pitched things we have said we do not read at all, ever. When most of us started, we began with the books we had access to: those we purchased, whether from Amazon or an independent bookstore (there are fewer of these every year); borrowed from the public library; received from friends and family; and eventually, were sent by authors, publicists, and publishers.

The process is overwhelming, especially if you’re a reader with eclectic reading sensibilities. I love books; I love reading them to see how they function and create an escape. Genre, target audience, and publisher generally matter little to me, unless the story or characters are thin.

To curate a blog that reflects either specific goals or tastes, you have to set limits based upon your own reading abilities and passions. Poetry is a major passion for me, so those books are usually hard for me to turn down. But you also have to be realistic. If you read only 150 books in a given year, you probably shouldn’t accept 300+ books for review, unless you plan on taking a review request hiatus until you get through them all. However, there are some blogs that accept books for consideration only, and that could mean that books sent to the blogger may not appear on the blog at all or just in a list of books received. Authors and publishers/publicists should remember that book blogs are as varied and different as they are.

Many people view success differently than I do. Do I compare my blog to others? Yes, and that’s even though I know that each of us has a different focus and a different level of commitment. Do I want my blog to become a source of income? Yes, I would, but I have my limits on how I want to achieve that goal. I’ve sold ad space, accepted donations for the hosting fees, and I’ve earned money from the affiliate links with Amazon, but that’s nowhere near enough to cover the labor of reading books and reviewing them, or even the hosting fees. Would I consider my blog successful? The answer is yes and no.

Some bloggers place an emphasis on page views and unique visitors, but I’ve never been a person who focuses too much on numbers. Savvy Verse & Wit might get about 1,500 visits per month and in a good month maybe 2,500. The bigger question for me is whether I’m getting the word out about great poetry and fiction. On occasion I’ll hear from readers who have bought books I’ve recommended, but if there are a lot of people buying based on my reviews, I don’t know about it. It was only recently that a writer I respect told me that her alma mater was floored that she knew me and had appeared on Savvy Verse & Wit several times. That made me smile.

Building an audience is often a tough task, but what I’ve found is that you stay true to your goals and the audience will follow. Savvy Verse & Wit has become the home of the Virtual Poetry Circle each week where I post a poem and readers and I discuss it, but it also is the hub of poetry for the National Poetry Month blog tour, in which other bloggers, poets, and authors participate with either guest posts on my blog or posts on their own websites. These events and discussions not only make my blog distinctive, but also bring people together and foster a greater understanding and passion for poetry.

In a way, I guess it pays to cultivate a blog from scratch, slowly and methodically, refining its focus and style. It’s the relationships I’ve built with authors, publishers, other book bloggers, and my readers that make my blog a success.


Serena M. Agusto-Cox, a Suffolk University graduate who moved from small town Massachusetts to Washington, D.C., writes more vigorously than she did in her college poetry seminars. Her day job continues to feed the starving artist, and her poems can be read in Beginnings Magazine, LYNX, Muse Apprentice Guild, The Harrow, Poems Niederngasse, Avocet, Pedestal Magazine, and other journals. An essay also appears in H.L. Hix’s Made Priceless, as does a Q&A on book marketing through blogs in Midge Raymond’s Everyday Book Marketing

In Poetry & Prose Tags writing, literature, publishing
← Poetry by Jenna CardinaleYou Write What You Read →
Featured
‘in the glitter-open black' — poetry by Fox Henry Frazier
‘in the glitter-open black' — poetry by Fox Henry Frazier
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
'poet as tarantula, poem as waste' — poetry by Ewen Glass
'Hours rot away in regalia' — poetry by Stephanie Chang
'Hours rot away in regalia' — poetry by Stephanie Chang
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'do not be afraid' — poetry by Maia Decker
'do not be afraid' — poetry by Maia Decker
'The darkened bedroom' — poetry by Jessica Purdy
'The darkened bedroom' — poetry by Jessica Purdy
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
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