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delicious new poetry
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
Nov 29, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
Nov 28, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
Oct 31, 2025
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
Oct 31, 2025
'poet as tarantula, poem as waste' — poetry by Ewen Glass
Oct 31, 2025
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
Oct 31, 2025
goddess energy.jpg
Oct 26, 2025
'Hotter than gluttony' — poetry by Anne-Adele Wight
Oct 26, 2025
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
Oct 26, 2025
Peter Milne Greiner

Peter Milne Greiner

Interview with Peter Milne Greiner, Author of 'Lost City Hydrothermal Field'

November 20, 2017

BY JOANNA C. VALENTE

Peter Milne Greiner is unlike any writer you've read before. With his first book, Lost City Hydrothermal Field (The Operating System, 2017), you're in for a real treat. The book is perfect for anyone who feels like they were born on the rings of Saturn and somehow found themselves on earth, lost, wandering around trying to find themselves, trying to discover something. Grenier does an amazing job at weaving together a sci-fi, queer world exploring identity, landscape, loneliness, and apocalypse. 

As Albert Mobilio said of the book, Peter's poems "range widely across space, time, and cultural history—from the Magna Carta to The Little Mermaid, from the pyramids to the astronomical observatory at Mauna Kea—and catch up in their full-throttle trajectory a universe of detail about the nature of things ... By deploying a language alert to figurative provocation that's sharpened by a tautly disjunctive syntax, Greiner uncovers the apocalypse in the quotidian and raises everyday life to fearsome implication." 

I was lucky to be able to speak with Peter about gifs, food, books, and more below:

FAVORITE MEAL

A failed experiment, as when I tried to prepare breadfruit the way Herman Melville describes it in Typee. And if not something like that, something with secret ingredients. I love secret ingredients.

FAVORITE MUSIC WHILE WRITING

If music is on, it’s music without words. Some recent records include Eric Holm’s Andøya, Peru’s Macchu Picchu, various things by Rainforest Spiritual Enslavement, and Brooklyn’s own Long Distance Poison. Long things to get lost in. But I mostly don’t write when there’s music on because I mostly write when I’m not at home.

FAVORITE THREE BOOKS

To stay true to always I have to go pretty far back. So I’ll say Dinotopia by James Gurney, Island of the Blue Dolphins by Scott O’Dell, and Rapter Red by Robert Bakker. All three are about castaways.

FAVORITE PAINTING

Any land card from the Ice Age expansion of Magic: The Gathering

Screen Shot 2017-11-19 at 8.41.50 PM.png

GIF YOU IDENTIFY WITH

via GIPHY

FEELINGS ON APOCALYPSE AND DEATH

I sometimes wonder is there is a type of apocalypse that could happen that no one would notice. Definitely noticeable apocalypses include asteroid disaster, global extinction event, widespread nuclear fallout. Those all enjoy plausibility (and banality). I’m trying to imagine none of the above without making predictions. Also I think apocalypses can be deathless. I think the world as it is known could end but we could all going on living.

FAVORITE THREE FILMS

Jurassic Park, State & Main, Alien

ON HIS SOCIAL MEDIA PERSONA

Because I don’t use social media very actively, no persona that I know of has yet to emerge. I def use Insta more than anything else, but I don’t think my usage of it betrays a particular or distinctive role, either. If anything I prefer Insta because it feels, perhaps erroneously, less public.

FAVORITE ANIMAL

Wandering albatross.

WHAT HE CARRIES

Anxiety lololol

READ: Poetry by Peter Milne Greiner


Peter Milne Greiner's work has been featured in Motherboard, Dark Mountain, Fence, SciArt Magazine, and elsewhere, and has been lauded by the likes of Jeff VanderMeer and Claire L. Evans. He studied poetry at The New School under Sekou Sundiata, and is a scholar of the history of the Roaring Forties. In July of 2013 he sent a poem into space through the Jamesburg Earth Station in Carmel Valley, California. He is the author of the chapbook Executive Producer Chris Carter. LOST CITY HYDROTHERMAL Field is his first full length collection.

Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (Operating System, 2017), Sexting the Dead (Unknown Press, 2018), Xenos (Agape Editions, 2016), and is the editor of A Shadow Map: Writing by Survivors of Sexual Assault (CCM, 2017). They received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes, Poetry and the managing editor for Civil Coping Mechanisms and Luna Luna Magazine. Some of their writing has appeared, or is forthcoming, in Brooklyn Magazine, Prelude, BUST, Spork Press, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente

In Interviews, Poetry & Prose Tags Peter Milne Greiner, poetry, interviews, Review
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Featured
‘in the glitter-open black' — poetry by Fox Henry Frazier
‘in the glitter-open black' — poetry by Fox Henry Frazier
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
'poet as tarantula, poem as waste' — poetry by Ewen Glass
'Hours rot away in regalia' — poetry by Stephanie Chang
'Hours rot away in regalia' — poetry by Stephanie Chang
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'do not be afraid' — poetry by Maia Decker
'do not be afraid' — poetry by Maia Decker
'The darkened bedroom' — poetry by Jessica Purdy
'The darkened bedroom' — poetry by Jessica Purdy
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
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