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delicious new poetry
Writing Prompts for Threshold Times
September 4, 2026
Writing Prompts for Threshold Times
September 4, 2026
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September 4, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
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September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
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September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
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September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
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September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
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September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
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September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
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September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
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September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
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September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
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September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
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September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
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September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
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September 3, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
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August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
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August 15, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
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August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
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August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
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August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
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August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
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August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
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August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
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August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
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August 14, 2026
'a wasp  giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
'a wasp giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
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August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
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August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
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August 14, 2026
Writing prompts for a fever dream summer
August 3, 2026
Writing prompts for a fever dream summer
August 3, 2026
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August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
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August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
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August 3, 2026

Interview With The Magical Andrea Diaz Of Superhuman Happiness

October 31, 2015

BY LISA MARIE BASILE

Lovely, talented, gorgeous Andrea Diaz, who are you?

I am a brujita living and working in Brooklyn with my two little parakeets, Sol and Luna. I'm a vocalist, songwriter, and visual artist. Dancing and reading keep me sane. I recently got a new black bicycle, which I promptly named Nightrider. For those of you who are astrologically inclined, I'm a triple Gemini--( sun, rising, and moon). So far, my life revolves around learning to accept ( or at least try to manage) all the whims, desires, and paradoxes within myself and to channel them into something worthwhile. Because of this, I took on the name DIA LUNA to help me empower myself in my creative projects.

Being around you is magical and powerful. I remember when we did a spell together on your roof. It worked. You've got such an aura. How do you approach infusing your life and music with magic? 

Thank you! I could write forever about this so please forgive me if I go full Gemini now. I've been called a romantic on more than one occasion. While I'm not particularly sentimental, but I do believe that romance is a crucial part of life and music, and that it comes from being sensitive and childlike in our relationship to the world. Truly, a lot of magic comes from appreciating and engaging with the beauty in the people and things that surround you. Those are the things that end up being my inspiration and my motivation to create. The element of play is also hugely important.

Recently, I was at St. Dympha's on St. Mark's for my bandmate's birthday party on a sunny Sunday afternoon. There were two guys playing soccer on the sidewalk, kicking the ball to passerbies. Some people ignored them, but others did not. It was amazing to see an unassuming stranger do a trick and kick the ball back to them! Right away I knew what the guys were doing: they were creating a moment, they were creating community with one tiny, silly gesture. Obviously I couldn't resist and I joined them right away. By the end of the night we had a circle of more than ten people having the time of their lives just kicking a ball around! It was simple, but exhilarating. That's how it works. I feel the best when I give myself to the moment, relish whatever joy I can, and don't take myself too seriously. 

Tell us about Superhuman Happiness, your band. 

I became the lead vocalist for Superhuman Happiness a year and a half ago. My bandmate, Stuart Bogie likes to say it's dance music for the emotionally complicated, which I find both hilarious and accurate. We're releasing a record in September and all of the tracks are pretty intense conceptually.

There are lots of questions about our relationships to technology and our relationships to one another, all set against the backdrop of day to day life in NYC. It's called Escape Velocity, which in scientific terms, is the amount of force that it takes for an object to supercede the gravitational pull of the earth and blast off into space. There's definitely a lot of intensity and the feeling of wanting to break free--it's a very introspective record in a lot of ways. We don't let anyone get too bummed out though, because the tracks are super danceable and they got the funk!

What other projects are you working on? 

I have another project called The Duchess and the Fox, with my friend, and downtown music legend, Joe McGinty. We like to call it nouveau cabaret music since it's minimal in instrumentation--just piano and voice. It's very lyrical and a lot of the songs revolve around hanging out in bars, dreaming of old flames, and walking around cities at night. We will be releasing an EP at the beginning of next year! I'm also planning on finally unveiling a solo project called DIA LUNA, an electronic pop project I've been working on under the radar. So yeah, lots of things happening in their cycles, always!

What are your inspirations?

Oh lord! So many! The paintings of Frida Kahlo have always inspired me because of their vibrancy. She crafted a whole universe and mythology in her work. The diary of Anais Nin was hugely influential for me as well. She's so breathtakingly precise in her description of the creative process, and in her portrayal of what it is like to live as an emotionally aware woman. Both her and Frida lived the magic and both were way ahead of their time. In terms of music, Nina Simone's recordings have been one of my pillars of inspiration since I first heard them in high school. There's one recording in particular that I found recently, which totally blew me away. She's performing "Sinnerman" live. At the end, all the backing instruments fall away and there's just her playing this crazy piano tag and singing, "Power, Lord! Don't you know I need you lord?" I mean, holy shit. It gives me shivers every time I hear it, because you hear the truth in it, and you can really feel on a visceral level, her desperation and her power at the same time.

Where can we catch you next?

We're also doing an East Coast tour to promote Escape Velocity, so if you're not in NYC, you might be able to catch us there! Check out the dates here. The next Superhuman Happiness show in NYC is in November.

Superhuman Happiness is playing on November 11th with Antibalas and Santigold at Brooklyn Bowl. Tickets can be purchased here.  Check out more about the Duchess and the Fox here.

In Music, Interviews Tags Andrea Diaz, Superhuman Happiness, Brujita, Music, Brooklyn
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feed me poetry
Featured
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
Read more →
Vi Ly
Vi Ly
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
Hana Saad
Hana Saad
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
Hana Saad
Hana Saad
Read more →
Hana Saad
Hana Saad
' I am brutally killed by daffodils' — poetry by Emily Tong
Emily Tong
Emily Tong
' I am brutally killed by daffodils' — poetry by Emily Tong
Emily Tong
Emily Tong
Read more →
Emily Tong
Emily Tong
'violet scabbing on ankle backs' — poetry by Lexi Rosen
Lexi Rosen
Lexi Rosen
'violet scabbing on ankle backs' — poetry by Lexi Rosen
Lexi Rosen
Lexi Rosen
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Lexi Rosen
Lexi Rosen
'it was something more gory' — poetry by Caroline O'Connor Thomas
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Caroline O'Connor Thomas
'it was something more gory' — poetry by Caroline O'Connor Thomas
Caroline O'Connor Thomas
Caroline O'Connor Thomas
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'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
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Hazelyn Aroian
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'every hour is one long suffering' — poetry by Anne Halsey
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'as if landscapes verdant' — poetry by Kacey Martin
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'a wasp  giving itself to the fig' — poetry by Elaina Edwards
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'ghosts in hair follicles' — poetry by Trish hopkinson
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'ghosts in hair follicles' — poetry by Trish hopkinson
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'roses among men' — poetry by Amy Thatcher
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'roses among men' — poetry by Amy Thatcher
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