• Home
  • indulge
  • new poetry
    • About Luna Luna
    • resources
    • search
  • editor
  • NYC reading
  • dark hour
  • submit
Menu

luna luna magazine

  • Home
  • indulge
  • new poetry
  • About
    • About Luna Luna
    • resources
    • search
  • editor
  • NYC reading
  • dark hour
  • submit
delicious new poetry
'I will give you horses' — poetry by Johannes Göransson
Mar 28, 2026
'I will give you horses' — poetry by Johannes Göransson
Mar 28, 2026
Mar 28, 2026
'Darling, clean up your heart' — poetry by Lavinia Liang
Mar 28, 2026
'Darling, clean up your heart' — poetry by Lavinia Liang
Mar 28, 2026
Mar 28, 2026
'am I the lonely wicked one' — poetry by Lindsay Lusby
Mar 28, 2026
'am I the lonely wicked one' — poetry by Lindsay Lusby
Mar 28, 2026
Mar 28, 2026
'flowers of hell, bonded in glitter' — poetry by Katie Doherty
Mar 28, 2026
'flowers of hell, bonded in glitter' — poetry by Katie Doherty
Mar 28, 2026
Mar 28, 2026
'it is the scent of death and it is a wolfish girl' — poetry by Lena Kinder
Mar 28, 2026
'it is the scent of death and it is a wolfish girl' — poetry by Lena Kinder
Mar 28, 2026
Mar 28, 2026
'plotting like a diabolical orchid' — poetry by Laura Cronk
Mar 28, 2026
'plotting like a diabolical orchid' — poetry by Laura Cronk
Mar 28, 2026
Mar 28, 2026
'even in wilds, it sins' — poetry by Ann DeVilbiss
Mar 28, 2026
'even in wilds, it sins' — poetry by Ann DeVilbiss
Mar 28, 2026
Mar 28, 2026
'I birth my own being' — poetry by Nichole Turnbloom
Mar 28, 2026
'I birth my own being' — poetry by Nichole Turnbloom
Mar 28, 2026
Mar 28, 2026
'vespiaries brooding combs of quietness' — poetry by Susan Irvine
Mar 28, 2026
'vespiaries brooding combs of quietness' — poetry by Susan Irvine
Mar 28, 2026
Mar 28, 2026
'What comes after happiness?' — poetry by Robert McDonald
Mar 27, 2026
'What comes after happiness?' — poetry by Robert McDonald
Mar 27, 2026
Mar 27, 2026
‘the pale seam of spillage’ — poetry by Amanda Gaines
Mar 27, 2026
‘the pale seam of spillage’ — poetry by Amanda Gaines
Mar 27, 2026
Mar 27, 2026
'an assailing miasma' — poetry by Sadee Bee
Mar 27, 2026
'an assailing miasma' — poetry by Sadee Bee
Mar 27, 2026
Mar 27, 2026
' ghost of cinnamon, wet dog & bog blood' — poetry by Trista Edwards
Mar 27, 2026
' ghost of cinnamon, wet dog & bog blood' — poetry by Trista Edwards
Mar 27, 2026
Mar 27, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
Mar 10, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
Mar 9, 2026
'lost in the  rapture of man' — poetry by Ian Berger
Mar 9, 2026
'lost in the rapture of man' — poetry by Ian Berger
Mar 9, 2026
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
Mar 9, 2026
'come enflesh  our feast' — poetry by Haley Hodges
Mar 9, 2026
'come enflesh our feast' — poetry by Haley Hodges
Mar 9, 2026
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
Mar 9, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026

Interview With Meg Ross, Founder Of The Nooky Box

July 5, 2016

BY LYNSEY G.

Meg Ross is the founder of the Nooky Box, a sex-positive subscription box service that’s focused on changing the conversation around sex. We chatted with Meg about her box (tee-hee!), her company’s goals, her life, and her philosophy. Yay, sex!

What brought you to being an entrepreneur?

It started when I was a very young girl growing up in Missoula. I just had this affinity for figuring out how to make a profit. The first book I ever checked out of the library was called How to Make a Profit for Kids. And it literally had recipes for how to make slushies and cookies, and how much you’d have to spend and how much money you’d have to make and charge for everything. I checked that out at the library and started making slushies and cookies and selling them on the street corner in downtown Missoula in front of my dad’s store. I made the first two dollars I needed, and ever since then it’s been like, "Yeah, I’m really good at this. I like it."

How much money did you make?

Eleven dollars the first day, and for a kid that was great.

Did you keep making a profit after that, throughout your life?

I worked a lot. I think that there was a point where I realized that I wanted more. Not just physical stuff; I wanted a different life than what my family had. And I knew that I couldn’t have that if I didn’t have independence. And independence comes with money.

I left Missoula when I was seventeen and moved to New York City as a nanny. I worked as a nanny for a very short period of time, mostly because I needed to get someplace else. That’s what got me there. But I didn’t enjoy watching other people’s kids.

You’re not the sweet homebody type.

No, definitely not.

I feel like, as a female entrepreneur, that could help you and also hurt you.

I think that, at times, it’s helped, and sometimes it’s hurt. I definitely think I’ve gotten a lot more out of life than most people have. I’ve basically done every single thing I ever said I was going to do. Everything. I’ve made list after list of things that I was going to do, and I’ve done them all.

I made a list when I was in New York that was like, "Give something away every single day." So I live for that. To give something away, every day. And I did. Like, today, I gave chalkboard paint to an employee. That worked for me. There’s always something. Hug somebody. It could be anything.

That’s cool! Many people tend to think of business as cutthroat, not caring about people.

I totally disagree with that philosophy. You know, you can’t give people your energy if you don’t have it. I think that and finances really go hand in hand. You have to be successful before you can help other people be successful. Period. You cannot help other people if you do not have the means to do it.

Everybody needs some revenue stream; they need some foundation; they need something to get them the platform on which they would do the next thing. You can’t make change if you don’t have resources.

So tell me your New York story.

I started a cosmetology school for Paul Mitchell. Because I couldn’t afford the rent, I built two bedrooms in the apartment, rented them out for more than what I needed to make to pay rent. I was in the Financial District, and I had a couple of Wall Street guys living there, and it was great. I didn’t have to pay rent. I stayed for a long time.

What I was interested in doing was anything that had to do with helping women who don’t have a lot of means recognize their value and learn life skills that could actually transition into something important. As a cosmetologist, you can make a ton of money if you actually understand what business is, and you function like that. But what happens, especially in America, is that the people that are going into that industry…have been told for a really long time that they don’t have any value, and they’re not going to be anything, which is bullshit.

Then started to work with small salons in the city, and teach people how to run their businesses so that they could actually profit just enough to turn around and sell them.

Between the consulting and Nooky Box, what was the progression?

My dad asked me to come to Montana to start a brewery, so I came back to Missoula. We had a business plan; it was two years of work on this brewery, but it didn’t happen. At one point I realized that I was actually going to be doing every single part of the brewery. Finally I was like, "Dad! I can’t do this by myself! This is a huge business! I’m going to go to do something else."

He was like, "Well what are you going to do?" And I said, "Well I don’t know quite yet."

So I took a month off. I left Missoula and went to Utah for a month by myself and stayed at a resort. I brought big sticky pads and some markers, and I started brainstorming about what I was going to do next. And then the sex toy thing just kind of evolved from that perspective of what was available out there, and what I think I could potentially bring to the table.

What made Nooky Box the idea that you went with?

I looked at myself and decided, "Okay, what am I passionate about? Who do people know me as, and why do people call me to talk to me? Why are people friends with me?" And I realized that I give really good advice, and I have good perspective.

So I started thinking, "Should I be talking about dating? What things can I help people with?" And then I started researching sex toys in particular, in regards to how they’re being sold, and I really love the whole subscription service model. That opened my eyes to researching subscription models for sex toys and looking at who’s out there right now, and going, "Is there something that’s missing here?"

So what was missing? What does Nooky Box do?

We’re basically saying, as a company, we’re recognizing that everybody’s having sex, it’s always been happening. We think that everyone should continue to do it and talk about it in a really healthy way so that you can enjoy it more, not feel ashamed, not feel embarrassed, and really just enjoy yourself. That’s our philosophy.

We’re really into LGBT rights, recognizing that that community is having sex, too, and why are we not talking about that? Why do they have to be separated, as though they’re completely different people? They’re not, they’re just individuals who love who they love.

When I say that, I know that I know that I like men. But why does that make me "normal?" I’m just a person. They’re just people, too. Everybody’s just people! We’re all just people! I get that I feel good about who I am. Why doesn’t everybody else get to feel that way? And how unfair is that? We should all feel good about who we are.

I’m kind of going back to the initial part of our conversation. What difference do I want to make? With my sister saying, "You’re all about making money." Well I’m not, actually. What I am about is trying to change things. And you can’t effectively change things if you haven’t got a revenue stream. So the Nooky Box is a way of providing great stuff that people are buying anyway, to its consumer, and the revenue turns around and becomes something that we can use to build out what we’re calling the Nooky U, which is our educational platform.

Long-term, our goal is to become the place that you go to get advice on sex. There will be webinars available, there will be seminars available, there will be question-and-answer sessions. We are the expert. And we will be looked at from that perspective by people all over the world, and give people a voice so that everyone can ask questions in whatever format they want, on whatever level, and about whatever they want.

Let’s say you want to try anal and you haven’t done that before, or BDSM, or any kind of new thing. We’re that place where you go and you ask questions to become familiar. Like, "Is this going to scare me? Is this going to hurt? What should I feel about these things?" I want it to be a safe place for people to go so they don’t have to feel like they’re alone.

Cool! So tell me about the Nooky Box. What is it?

We have two different [kinds of] boxes: signature boxes and subscription boxes. The subscription box itself is a quarterly themed box. We only have one so far; it’s called "Sex is Fun." The products in the box are very simple but fun. They’re great quality Picobong products. A vibrator and a vibrating butt plug, and we threw in Pop Rocks as an on add-on, because you can do fun things with Pop Rocks. And then a great lube, of course, that’s also body friendly. We have no weird chemicals in any of the products.

The other part of what we’re doing in terms of boxes is that we have signature boxes, and those boxes are one-offs. So you can just go and buy a box, like a lube box that has a bunch of different kinds of lubes. It has flavored lubes, and heating lubes, and anal lubes, and regular lubes, and high-end lubes…Just so you can try them all and decide what you like.

That’s just an example. We also have a bridal box, and a bachelorette box, we have an edible box that’s all products you can eat off of somebody. They’re just really fun things.

We’re selling a box, but we’re not saying that we’re specifically for any one gender or any one orientation. And we’re creating a curated experience where when you get the box, you can choose what kind of sexual-oriented erotic story you get in it—"Suggested Nooky" is what I’m calling it. It’s basically suggesting ways that you could potentially use the products that are in the box. So you’re giving people a little bit of help. We’re also creating a separate playlist on Spotify for every one of the boxes, as well. So each box has its own theme songs, and I think that’s really fun.

So, for someone who is interested in Nooky U as a long-term goal, what’s the best thing that they can do to see that happen? Buy a Nooky Box?

Absolutely. Not just buy a Nooky Box, but ask their friends to buy a Nooky Box. Support us on social media. Let us know some of the things, subjects that you want to read about. Or learn more about long-term. That kind of feedback is really super-helpful. But we’re not asking for anyone to go and give us money, just support the business and what we do, and it will, in turn, turn into something bigger and better.


Lynsey G. is a writerly type with an interest in sex, feminism, pornography, and paisley print. Her work across multiple genres has appeared in Bitch Magazine, Refinery 29, Nerve.com, McSweeney’s Internet Tendency, xoJane, the Doctor T. J. Eckleburg Review, Menacing Hedge, and elsewhere . The winner of a 2013 Feminist Porn Award for her documentary film "Consent: Society" and an avid defender of the Oxford comma, she's currently blogging at LynseyG.com and working on a graphic novel, a poetry chapbook, and a memoir of her time as a reporter for the adult entertainment industry (forthcoming from Overlook Press).

In Interviews, NYC, Social Issues Tags Nooky Box, Sex, Business, Entrepreneurs, Meg Ross, LGBTQ, LGBTQIA
← 5 Books of Poetry I'm Loving Right NowAin't That Rich - A Solo Play (Excerpt) →
feed me poetry
Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Scott Ferry
Poetry 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Scott Ferry
Poetry 2025
Scott Ferry
Poetry 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Triniti Wade
Poetry 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Triniti Wade
Poetry 2025
Triniti Wade
Poetry 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
hillary leftwich
Poetry 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
hillary leftwich
Poetry 2025
hillary leftwich
Poetry 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Rehan Qayoom
Poetry 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Rehan Qayoom
Poetry 2025
Rehan Qayoom
Poetry 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dawn Tefft
Poetry 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dawn Tefft
Poetry 2025
Dawn Tefft
Poetry 2025
'to anoint the robes' — poetry by Timothy Otte
Timothy Otte
Poetry 2025
'to anoint the robes' — poetry by Timothy Otte
Timothy Otte
Poetry 2025
Timothy Otte
Poetry 2025
'a stone portal in the woods' — RJ Equality Ingram
RJ Equality Ingram
Poetry 2025
'a stone portal in the woods' — RJ Equality Ingram
RJ Equality Ingram
Poetry 2025
RJ Equality Ingram
Poetry 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Lindsay D’Andrea
Poetry 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Lindsay D’Andrea
Poetry 2025
Lindsay D’Andrea
Poetry 2025
'earth’s marble cage' — poetry by Annah Atane
Annah Atane
Poetry 2025
'earth’s marble cage' — poetry by Annah Atane
Annah Atane
Poetry 2025
Annah Atane
Poetry 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Nathalie Spaans
Poetry 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Nathalie Spaans
Poetry 2025
Nathalie Spaans
Poetry 2025
'this strikes me as a Rorschach' — poetry by John Amen
John Amen
Poetry 2025
'this strikes me as a Rorschach' — poetry by John Amen
John Amen
Poetry 2025
John Amen
Poetry 2025
'the sky violent' — poetry by Robert Warf
Robert Warf
Poetry 2025
'the sky violent' — poetry by Robert Warf
Robert Warf
Poetry 2025
Robert Warf
Poetry 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Karen L. George
Poetry 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Karen L. George
Poetry 2025
Karen L. George
Poetry 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Tabitha Dial
Poetry 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Tabitha Dial
Poetry 2025
Tabitha Dial
Poetry 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Paula J. Lambert, Juan Armando Rojas
Poetry 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Paula J. Lambert, Juan Armando Rojas
Poetry 2025
Paula J. Lambert, Juan Armando Rojas
Poetry 2025
'we can be forlorn women' — poetry by Stevie Belchak
Stevie Belchak
Poetry 2025
'we can be forlorn women' — poetry by Stevie Belchak
Stevie Belchak
Poetry 2025
Stevie Belchak
Poetry 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Catherine Bai
Poetry 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Catherine Bai
Poetry 2025
Catherine Bai
Poetry 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Kale Hensley
Poetry 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Kale Hensley
Poetry 2025
Kale Hensley
Poetry 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Natalie Mariko
Poetry 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Natalie Mariko
Poetry 2025
Natalie Mariko
Poetry 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Patrice Boyer Claeys
Poetry 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Patrice Boyer Claeys
Poetry 2025
Patrice Boyer Claeys
Poetry 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Ellen Kombiyil
Poetry 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Ellen Kombiyil
Poetry 2025
Ellen Kombiyil
Poetry 2025
'punish or repent' — poetry by Chris McCreary
Chris McCreary
Poetry 2025
'punish or repent' — poetry by Chris McCreary
Chris McCreary
Poetry 2025
Chris McCreary
Poetry 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Jessica Purdy
Poetry 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Jessica Purdy
Poetry 2025
Jessica Purdy
Poetry 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nathan Hassall
Poetry 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nathan Hassall
Poetry 2025
Nathan Hassall
Poetry 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Jeanne Morel, Anthony Warnke, collaborative poetry
Poetry 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Jeanne Morel, Anthony Warnke, collaborative poetry
Poetry 2025
Jeanne Morel, Anthony Warnke, collaborative poetry
Poetry 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
D.J. Huppatz
Poetry 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
D.J. Huppatz
Poetry 2025
D.J. Huppatz
Poetry 2025
'an animal within an animal' — a poem by Carolee Bennett
Carolee Bennett
Poetry 2025
'an animal within an animal' — a poem by Carolee Bennett
Carolee Bennett
Poetry 2025
Carolee Bennett
Poetry 2025
goddess energy.jpg
Anne-Adele Wight
Poetry 2025
'Hotter than gluttony' — poetry by Anne-Adele Wight
Anne-Adele Wight
Poetry 2025
Anne-Adele Wight
Poetry 2025
'As though from Babel' — poetry by Fox Henry Frazier
fox henry frazier
Poetry 2025
'As though from Babel' — poetry by Fox Henry Frazier
fox henry frazier
Poetry 2025
fox henry frazier
Poetry 2025
'See my wants' — poetry by Aaliyah Anderson
Aaliyah Anderson
Poetry 2025
'See my wants' — poetry by Aaliyah Anderson
Aaliyah Anderson
Poetry 2025
Aaliyah Anderson
Poetry 2025

COPYRIGHT LUNA LUNA MAGAZINE 2025