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delicious new poetry
Writing Prompts for Threshold Times
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Writing Prompts for Threshold Times
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'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
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September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
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'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
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September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
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September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
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September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
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September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
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September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
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September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
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September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
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September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
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September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
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September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
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September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
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September 3, 2026
'dream in locusts' — poetry by Vi Ly
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'dream in locusts' — poetry by Vi Ly
August 15, 2026
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August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
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August 15, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
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August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
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August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
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August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
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August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
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August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
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August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
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'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
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August 14, 2026
'a wasp  giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
'a wasp giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
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August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
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August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
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Writing prompts for a fever dream summer
August 3, 2026
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August 3, 2026
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August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
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'beauty is the last thing before death' — poetry by Francis de Lima
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August 3, 2026

An Excerpt from 'The Book of the Magical Mythical Unicorn'

September 17, 2020

By Vakasha Brenman and Alfonso Colasuonno


Editor’s Note: Below is an excerpt of The Book of the Magical Mythical Unicorn, published by O-Books, an imprint of John Hunt Publishing.


The Unicorn and European Royalty

There are a multiplicity of traditions and legends about the unicorn’s horn within the history and mythology of the world, though its use was perhaps most recorded in medieval Europe, where the horn was known as the alicorn. The unicorn’s horn has been revered by people across the globe for a wide variety of reasons, not the least of which is its profound ability to heal. No feature of the unicorn has been as closely associated with healing as its majestic spiraled horn. The horn’s power to heal and transform has long been a source of wonder, with these attributes coming from its connection to the third eye, or expanded consciousness. The unicorn’s horn can heal not only the body, but also the mind and heart, bringing one into a balanced state.

Screen Shot 2020-06-08 at 7.20.37 PM.png

Around the beginning of the 13th century, the alicorn started to become a major part of European culture. By that time, Asian traditions about the unicorn’s amazing ability to purify poisoned waters for other animals had begun to filter into Europe. Commonly known as the water-conning story, these tales revolved around how animals would wait for the unicorn to dip its horn into poisoned water to eliminate all of the maladies that would come from drinking or bathing in the water. Many travelers from Europe who visited other parts of the globe were able to learn about and witness the healing properties of the unicorn’s horn. After Europeans heard these incredible stories that the travelers brought back with them, they became curious about the power of the alicorn to heal and detect poisons. Europeans began to investigate and later believe in the alicorn’s medicinal attributes.

Until the 16th century, alicorns were purchased and used exclusively by Europe’s wealthiest individuals. Many European kings and queens owned full intact alicorns, including King Edward I of England, King Charles VI of France, King Henry II of France, King Philip II of Spain (who was said to have acquired twelve alicorns), Mary Queen of Scots, King Francis I of France, Queen Elizabeth I of England, and numerous other royal figures. King Frederick III of Denmark even chose to have his throne made entirely of alicorns. Some churches, including St. Denis in Paris and St. Mark’s in Venice, also owned alicorns, displaying them as sacred objects that were held in awe by the people. To these powerful individuals and institutions, owning an alicorn signified wealth and prestige. However, such value came at a steep price. One such example is in 1560, when German merchants sold the Pope an alicorn for 90,000 scudi, an exorbitant sum for the time.

During Europe’s Middle Ages, poisoning became commonplace as a tactic performed to eliminate political rivals. The fear that one may sit down for a meal or beverage and meet their demise at the hands of a frustrated subject, an ambitious relative, or a ruthless political opponent weighed on the minds of European royalty. Fortunately, the introduction of the alicorn presented a solution; its magic could determine whether food and drink had been poisoned. The alicorn would sweat in the presence of poison. European royalty believed that when dipped into a tainted item, the alicorn would neutralize all effects of the harmful substance. Because of these properties as an antidote, the magical alicorn became invaluable to European dignitaries, who eagerly sought to purchase alicorns to protect themselves and their families.

Unfortunately, there have always been individuals who seek to profit via exploitation. In Europe, a fraudulent market developed soon after the introduction of the alicorn. Swindlers made a lucrative trade out of producing and selling fake horns. David de Pomis, a 16th century Italian Jewish physician, wrote that “There is very little of the true horn to be found, most of that which is sold being either stag’s horn, or elephant’s tusk.” Other items sold in place of the true unicorn horn included bull horns, goat horns, rhinoceros horns, artificially-straightened walrus tusks, fossil bones, dog bones, petrified wood, stalactites, and many other substances. Fake horns regularly made their way to wealthy individuals, perhaps most notably in the case of King James I of England and Scotland. After King James purchased what he believed was an alicorn, he chose to test it on a servant. Regrettably for the servant, his King had been deceived.


You can read more in The Book of the Magical Mythical Unicorn, published by O-Books, an imprint of John Hunt Publishing. The Book of the Magical Mythical Unicorn is available on Amazon, Kindle, BarnesandNoble.com, and wherever books are sold. For more information, please visit theunicornbook.com and its Facebook page.


Alfonso Colasuonno is the co-author of The Book of the Magical Mythical Unicorn, published by O-Books, an imprint of John Hunt Publishing. His poetry and short fiction have appeared in Rusty Truck, The Camel Saloon, Pretty Owl Poetry, and Quail Bell Magazine, among other publications. Alfonso helps emerging authors perfect their manuscripts through offering detailed book audits via his website, the-lit-game.com. He lives in Baltimore, Maryland with his wife Lauren and Bengal cat Edie Sedgwick.  

Vakasha Brenman was President of the Unicorn Archive, Inc. and one of the foremost researchers in the field. She devoted her life to preserving and disseminating mythological and esoteric knowledge through the creation of documentary films, theatre, and illustrated children's books. Born in Trinity, North Carolina, Vakasha lived in New York, NY for the last several decades of her life. She passed away in 2020.

In Poetry & Prose Tags Vakasha Brenman, Alfonso Colasuonno, books
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