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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
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‘same spectral symphony’ — poetry by Julio César Villegas
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'I think I know why I am looking at roses' — poetry by Stephanie Victoire
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'I think I know why I am looking at roses' — poetry by Stephanie Victoire
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'All the trees are you' — poetry by Barbara Ungar
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'All the trees are you' — poetry by Barbara Ungar
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'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
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'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
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'Talk light with me' — poetry by Catherine Graham
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'Talk light with me' — poetry by Catherine Graham
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'How thy high horse hath fallen' — poetry by Madeline Blair
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'How thy high horse hath fallen' — poetry by Madeline Blair
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'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
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'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
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'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
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'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
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'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
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'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
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Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
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'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
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'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
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'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
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'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
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What It Means to Be an Empath

March 6, 2018

BY LYDIA A. CYRUS

In the thirty third section of his poem "Song of Myself" Walt Whitman describes—without the actual words—what it means to be an empath. An empath, a transcendentalist, a healer, a teacher, a human being whose life is centered on the care of the emotions of others. Of others. History has taught me that Walt Whitman was a man full of himself who thought he was a prophet. No one mentioned to me that he was a gay man. That he struggled and hurt too. That he self published and pandered in the streets. How can anyone read that poem, that section, and not be in love with this man? Not feel his raw pain and absorb it as one’s own? I stare at his photographs sometimes and I try to find where it is: In his beard, his wrinkles, or his shining eyes. Where does it live, Whitman? This thing you call a wound, this love you carry? And why does it live within me too?

My Meyers-Brigg personality is said to be the rarest one. INFJ, or rather my favorite description of it: The Advocate. The Advocate is someone who, for example, knows things without being told. Almost like how I have predicted every pain that ever befell me or others I know. Knowing things is not a gift, not for me. I know other things because people tell me these things too. One of my friends said, "People just like opening up to you. They think they can." Two weeks ago I wore a lighter wash of denim than usual and red shirt and strangers wouldn’t stop coming to me. Where is room 267? Where is the performing arts center? One man, brave as he was, stopped me as I walked into the library to ask how I was doing and I kept walking.

I can’t have children. I have known for most of my life that this was so. When I was very young I had intense stomach pains and was taken to the hospital where I stayed for days, that was age five. Now I’m nearly twenty-three and have a chronic illness that is the leading cause of infertility in women. All of my friends are married now and having babies of their own, but I never will. At least, I will never have a child from my own body to hold. I have many children in the most unconventional ways. In therapy my therapist says, "How can it be that you think you are utterly unlovable and yet you feel as though you are everyone’s mother?" Which is to say I don’t believe myself to be anyone’s mother. What I believe is that some people I know—so many—expect me to care about their wellbeing in every way possible. To make sure they are happy and healthy and understood as well as fed.

In my poetry class one of my classmates told a story about a poem she wrote in another class we had together. She told us how everyone was so hard on her poem and her and how sad it made her. Except for me. She made sure to tell everyone about how I emailed her after class and stood with her in the elevator and made sure she knew I thought she was valued and important. As she tells us the story she lays her head on my left shoulder and without even thinking about it I grab her head with my right hand and cradle her. We are strangers.

RELATED: Do This in Remembrance of Me

When I was much younger I found a nest of newborn mice in the house. We lived in a farmhouse where the mice flocked when it got cold out. Everyone in our neighborhood knew this to be typical. My mother told me I had to kill them. I didn’t want to. I sat outside in the red clay dirt and held them in my hands. They were pink and grey and could not even see yet. My grandfather passed by and saw what I was doing. I knew he’d tell my mother or worse chastise me before he told her. Instead, he told me to pick up a rock and smash their heads with it. Make it quick he said. As if it ever would be quick, as if I would forget what I was to do. I placed them in the plastic bag and tied it off. If I am to trust my memory correctly I left that tied bag there in the yard. The white and red type of bags that said thank you thank you thank you thank you.

It’s suicidal to be an intuit or an empath. It’s twice as deadly to be both. I feel first and process second. I see a man I’ve never met limping or locking his knees and I see my own sciatic nerve pain in his legs and I feel for him. Once, I walked into the bathroom as another young woman sat in the corner crying and having a panic attack. I gave her a wet paper towel to wipe her face off and I rubbed her back and asked her to breathe. I don’t know her. Which is to say I think about her always, even now.

Once at a bar a girl named Elisa read my aura for me. I felt self conscious for a moment and she said, "You see that? Your anxiety is yellow, stop it." So I released the yellow. I associate the color yellow with piss or vomit. Also with the shade of liquid medicine I couldn’t take as child because I would vomit at the sight of it. She waved her hands over me and stared intently into my eyes. I don’t remember what color hers were, but I know that my eyes are brown. Varying shades of brown that look sometimes like amber and sometimes like the bark of trees. Finally she stopped waving and declared my aura to be the color turquoise. Turquoise is a rare shade for a person’s soul. It means you are a healer and a teacher. Here’s what else it means: You are an old soul. You are a natural born leader. You teach, heal, and inspire. Compassionate.

Perhaps my readings of Whitman have entirely nothing to do with him at all and everything to do with me. Yet, if he is every blade of summer grass, then what of me? What am I? If the choice is mine then I would declare that I am not a type grass at all but rather a ditch lily or a sycamore tree. Instead, I am raw emotion stitched together with blades of grass and I suppose this state of being is exactly what Walt Whitman was talking about to begin with.


Lydia A. Cyrus is a creative nonfiction writer and poet from Huntington, West Virginia. Her work as been featured in Thoreau's Rooster, Adelaide Literary Magazine, The Albion Review, and Luna Luna. Her essay "We Love You Anyway," was featured in the 2017 anthology Family Don't End with Blood which chronicles the lives of fans and actors from the television show Supernatural.

She lives and works in Huntington where she spends her time being politically active and volunteering. She is a proud Mountain Woman who strives to make positive change in Southern Appalachia. She enjoys the color red and all things Wonder Woman related! You can usually find her walking around the woods and surrounding areas as she strives to find solitude in the natural world.  Twitter: @lydiaacyrus

In Personal Essay Tags Walt Whitman, Lydia A. Cyrus, Personal Essay, Creative Non Fiction, Empathy, Empath, Intuition, Intuit
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Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
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'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
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'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
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'we can be forlorn women' — poetry by Stevie Belchak
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'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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