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delicious new poetry
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
Mar 10, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
Mar 9, 2026
'lost in the  rapture of man' — poetry by Ian Berger
Mar 9, 2026
'lost in the rapture of man' — poetry by Ian Berger
Mar 9, 2026
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
Mar 9, 2026
'come enflesh  our feast' — poetry by Haley Hodges
Mar 9, 2026
'come enflesh our feast' — poetry by Haley Hodges
Mar 9, 2026
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
Mar 9, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025

Welcome to Life as a Blackwood Sister

April 2, 2020

BY KAILEY TEDESCO

[Note: All quotations taken from Shirley Jackson’s We Have Always Lived in the Castle (1962)]


Crossing the street (lose one turn) came next, to get to the grocery directly opposite. I always hesitated, vulnerable and exposed, on the side of the road where the traffic went by.

I.      Neighbors get uncomfortably close in their usually harmless attempts to pet our dog. I have to quickly think of a way to tell them to take a few steps back without sounding rude. I make a rule for myself: I will not allow others to stand less than six feet away from us. I worry about them. I worry about myself. There is death all over the news. I could take a step back myself, but then I’d be in the street where the cars are speeding past us.

“Merricat,” she said, smiling at me, “look how far I came today.”

“It’s too far,” I said. First thing I know you’ll be following me into the village.”  

“I might, at that,” she said.

Even though I knew she was teasing me I was chilled…

II. We run out of cat food. We try having it delivered, but every delivery service replies that it is out of stock. My husband says he needs to go search for it himself. I knew he was right. He leaves for the grocery store — a normal, everyday errand. I hug him extra long. As I watch his car pull away, I am chilled.

I decided that I would choose three powerful words, words of strong protection.

III. I decide to burn my New Year’s resolutions. I keep them in a tiny envelope charged with luck and magic. It’s not fair for anyone to hold themselves to resolutions right now, I think. I burn them in an abalone shell with coconut incense. I whisper words into the charred belly containing my hopes for a year that isn’t like any year I’ve ever known. I choose words like LACHRYMOSE & GLASGOW & COLLODION.

If no one speaks these words aloud, maybe everything will change. We need sympathetic magic. We need to take action. We need to check our omens. We need to use our privilege to help wherever we can. We all need everything to change.

When we had finished and Constance had scrubbed the kitchen floor our house looked clean and new; from the front door to the kitchen door everything was clear and swept. So many things were gone from the kitchen that it looked bare, but Constance put our cups and plates and bowls on a shelf, and found a pan to give Jonas milk, and we were quite safe.

IV. We are the lucky ones. We’re in our house that is also a castle, windows open so turret-winds can stream through the kitchen, still stained with sun. Outside, there is anger, and there is fear. Outside, there is danger. Outside, the grocery shelves are empty & buildings are abandoned & people are hurting. So much hurting. The world is on fire & we, in this house, are lucky. We’ll do without paper towels and bread this week, but we are still so lucky. I’ll keep reminding myself of this.

Sometimes they brought bacon, home-cured, or fruit, or their own preserves, which were never as good as the preserves Constance made. Mostly they brought roasted chicken; sometimes a cake or pie, frequently cookies, sometimes a potato salad or a coleslaw…

These things were always left on the front doorstep, always silently and in the evenings.

V. Days go by and we accept that our routines must change. There are others to support. Our family. Our friends. Our communities. We order from our favorite restaurants & they deliver food to our doorsteps and leave quickly without any contact at all. We wait until they are gone and run outside to bring burritos or pasta or salads into our home. We are grateful for this continued offering, that we still have this option to taste our favorite meals. We remember to send a note through Door Dash and tip very well. We remember to be kinder. To everyone.


Kailey Tedesco is the author of These Ghosts of Mine, Siamese (Dancing Girl Press) and the full-length collection, She Used to be on a Milk Carton (April Gloaming Publications). She is the co-founding editor-in-chief of Rag Queen Periodical and a member of the Poetry Brothel. She received her MFA in creative writing from Arcadia University, and she now teaches literature at several local colleges. Her poetry has been nominated for the Pushcart Prize. You can find her work in Prelude, Bellevue Literary Review, Sugar House Review, Poetry Quarterly, Hello Giggles, UltraCulture, and more. For more information, please visit kaileytedesco.com. 

In Poetry & Prose Tags literature, tv, sabrina, shirley jackson
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