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delicious new poetry
Writing Prompts for Threshold Times
September 4, 2026
Writing Prompts for Threshold Times
September 4, 2026
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September 4, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
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September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
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September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
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September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
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September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
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September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
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September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
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September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
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September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
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September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
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September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
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September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
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September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
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September 3, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
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August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
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August 15, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
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August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
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August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
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August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
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August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
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August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
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August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
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August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
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August 14, 2026
'a wasp  giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
'a wasp giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
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August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
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August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
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August 14, 2026
Writing prompts for a fever dream summer
August 3, 2026
Writing prompts for a fever dream summer
August 3, 2026
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August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
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August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
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August 3, 2026

Review Of 'Goodbye To All That' By Sari Botton

February 19, 2016

BY LAUREN JONIK

Editor's Note: A version of this article appeared on our old site.

"I don’t know anyone who doesn’t have a love-hate relationship with New York," said Sari Botton of her new anthology, Goodbye To All That: Writers on Loving and Leaving New York (Seal Press). The Manhattan expatriate gathered tales of love, loss and ultimately, change from twenty-eight female writers including Cheryl Strayed, Hope Edelman and Dani Shapiro. The 48 year old Long Island native lived in the city for over a decade before relocating to a small rural "hipster" town in the Hudson Valley with her husband Brian. In an interview in Greenwich Village, Botton explained that the impact of having been a New Yorker leaves an indelible mark. "The longer I am away, the more I miss it."

With a title that’s a nod to Joan Didion’s famous 1967 essay, Botton noted that most stories in the book "are love letters to the city." While a New Yorker, Botton experienced her coming of age as an artsy creative professional who was part loner and part social butterfly. "I felt like New York City was where I became me. I felt more at home in the East Village than anywhere else," said the author whose appearance--with black-rimmed glasses and brown hair with chunky blond streaks--reveals an aesthetic that’s more funky than farmer. Her former shoe-box-sized apartment on East 13th Street afforded her a place to live and write. She ran in East River Park, heard jazz weekly at Rue B and socialized with neighborhood locals.

A graduate of SUNY Albany, Botton’s work has appeared in The New York Times in a "Modern Love" essay about ditching "the rules of dating" and meeting her future spouse online. A chance meeting with him in person in the East Village led to brunch which led to Botton moving into his "below-market-value loft in a Gothic Victorian former yeshiva on Avenue B, across from Tompkins Square Park" a few months later. While their personal love story was beginning, Botton’spassion for the city was waning, a result of gentrification and increasing costs. "A three-dollar umbrella was now five. The Second Avenue Deli was now on Third Avenue," she writes. When their building was given Landmark status and the rent tripled, the decision to leave was easy.

At first, life outside of New York City went smoothly, but then the longing crept in. Botton enjoys patronizing local small businesses in her adopted hometown upstate and finds herself more productive creatively. "I write more. I’m older and more disciplined." While she savors her slower-paced life in Rosendale, New York where she goes hiking up a mountain every day, she admits to still yearning deeply for the city. Last year to celebrate her birthday, she got an Anais Nin quote ("And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.") tattooed on the interior of her right arm while visiting her old neighborhood. "I had to get away from New York to get perspective on New York."


Lauren Jonik is a writer and photographer in Brooklyn, NY. Follow her on Twitter: @laurenjonik

In Poetry & Prose Tags Goodbye To All That, Sari Botton, Lauren Jonik, Review
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Featured
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
Read more →
Vi Ly
Vi Ly
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
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Hana Saad
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
Hana Saad
Hana Saad
Read more →
Hana Saad
Hana Saad
' I am brutally killed by daffodils' — poetry by Emily Tong
Emily Tong
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' I am brutally killed by daffodils' — poetry by Emily Tong
Emily Tong
Emily Tong
Read more →
Emily Tong
Emily Tong
'violet scabbing on ankle backs' — poetry by Lexi Rosen
Lexi Rosen
Lexi Rosen
'violet scabbing on ankle backs' — poetry by Lexi Rosen
Lexi Rosen
Lexi Rosen
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Lexi Rosen
Lexi Rosen
'it was something more gory' — poetry by Caroline O'Connor Thomas
Caroline O'Connor Thomas
Caroline O'Connor Thomas
'it was something more gory' — poetry by Caroline O'Connor Thomas
Caroline O'Connor Thomas
Caroline O'Connor Thomas
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Caroline O'Connor Thomas
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'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
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Hazelyn Aroian
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
Hazelyn Aroian
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Hazelyn Aroian
'every hour is one long suffering' — poetry by Anne Halsey
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'every hour is one long suffering' — poetry by Anne Halsey
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Anne Halsey
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'a terrible countenance for what nourishes' — poetry by I Echo
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'a terrible countenance for what nourishes' — poetry by I Echo
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'I am the aftermath' — poetry by Taylor Hamann Los
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'I am the aftermath' — poetry by Taylor Hamann Los
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'as if landscapes verdant' — poetry by Kacey Martin
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'a wasp  giving itself to the fig' — poetry by Elaina Edwards
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'a wasp giving itself to the fig' — poetry by Elaina Edwards
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'ghosts in hair follicles' — poetry by Trish hopkinson
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'ghosts in hair follicles' — poetry by Trish hopkinson
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Trish Hopkinson
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'roses among men' — poetry by Amy Thatcher
Amy Thatcher
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'roses among men' — poetry by Amy Thatcher
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Amy Thatcher

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