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delicious new poetry
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
Mar 10, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
Mar 9, 2026
'lost in the  rapture of man' — poetry by Ian Berger
Mar 9, 2026
'lost in the rapture of man' — poetry by Ian Berger
Mar 9, 2026
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
Mar 9, 2026
'come enflesh  our feast' — poetry by Haley Hodges
Mar 9, 2026
'come enflesh our feast' — poetry by Haley Hodges
Mar 9, 2026
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
Mar 9, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
Aela Labbe

Aela Labbe

Review of Amy Pickworth's 'Bigfoot For Women'

December 22, 2015

BY JOANNA C. VALENTE

Editor's Note: This review originally appeared on the old site.

Reading a book I absolutely love doesn't come often.

Books are like people--they have their own personalities, bodies, & hearts. When I first met Bigfoot for Women (Orange Monkey Publishing, 2014) by Amy Pickworth, I was intrigued. Bigfoot poems? Sign me up. I was already on board before I even cracked the spine. Of course, once I opened the book, it was hard not to devour in one sitting.

I read it as if the book would disintegrate upon reading. What I mean is, I read it like nobody's business. Pickworth immediately draws the reader in, from the very first line: "This may be hard to believe but listen: / every word I'll tell you is true. He is..." (23). Bigfoot is ever elusive throughout the book, morphing from father to stranger to idea to metaphor. Like Richard Brautigan's Trout Fishing in America, Bigfoot becomes a somewhat obscure symbol--a symbol of American life, of that elusive feeling that follows you around, but you can't quite articulate.

YOU MAY ALSO LIKE: INTERVIEW WITH POET NIEL ROSENTHALIS ON QUEER BODIES

Bigfoot looms over everything like a god whose presence is largely misunderstood, but ever present: "Or the idea that Bigfoot is out there / wandering around and we can't find him" (24). Our human need for answers, especially regarding and confirming our own existence come into play often: "Why / is it that we want Bigfoot to exist?" (25). Throughout the collection, Pickworth includes footnotes to youtube videos, articles, and references to writers and musicians (such as Maggie Nelson, Elliott Smith, and Patti Smith). The speaker is obsessed with searching for, and discovering, Bigfoot in the same way that she finds herself, in the same way the reader needs to embark on a journey of self-discovery.

The landscape appears to be quintessentially American--the scenery varies from eating in a Mexican restaurant to working a dull office job to sporting a Kmart dress and a bowl cut. Pickworth allows the book to be accessible, like American culture, yet ever complicated underneath the surface: "This is America: / You're driven out from where you're born / you make the best of it / as far from homes as you need to go / you die somewhere in between" (48).

If you do anything in life, read this book.


Amy Pickworth’s poems have appeared or are forthcoming in Apercus Quarterly; Black Tongue Review; CATACOMB; Dusie; Forklift, Ohio;The Great American Literary Magazine; H_NGM_N; Ink Node; New Ohio Review; Red Wolf Journal; Smartish Pace; and Two Serious Ladies. Her book Bigfoot for Women (Orange Monkey Book Award, intro by Matt Hart) was released in November 2014. Originally from Ohio, she lives in Providence, Rhode Island, with her husband and two children.

In Poetry & Prose Tags review, poetry, amy pickworth
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