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delicious new poetry
Writing Prompts for Threshold Times
September 4, 2026
Writing Prompts for Threshold Times
September 4, 2026
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September 4, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
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September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
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September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
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September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
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September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
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September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
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September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
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September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
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September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
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September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
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September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
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September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
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September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
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September 3, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
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August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
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August 15, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
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August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
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August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
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August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
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August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
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August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
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August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
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August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
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August 14, 2026
'a wasp  giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
'a wasp giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
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August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
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August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
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August 14, 2026
Writing prompts for a fever dream summer
August 3, 2026
Writing prompts for a fever dream summer
August 3, 2026
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August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
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August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
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August 3, 2026

Motherhood as a Poet, Lover, & Unmarried Woman

December 28, 2015

BY MARGARET BASHAAR

Editor's Note: This article originally appeared on our old site.

I was 21 years old when I had my son. His father and I were utterly unprepared, not nearly mature enough to have a baby together, and ultimately not a good match. Within 6 months of our son’s birth, we had split.

I was still in college at the time, still taking classes. Terrified of their reaction, I hadn’t told my family of my pregnancy until later in my pregnancy and it had caused something of a rift, one that lasted for years. While my family insisted I could still graduate on time (which I did, in the end), they didn’t give my son’s father and I terribly a lot of financial or logistical support. We couldn’t afford babysitters, so I had to rely on my (amazing) friends and on the good graces of professors who would graciously let me sometimes bring my infant to class.

However, when a girl in one of my literature classes referred to my breastfeeding as “disgusting” and complained of it to the professor, I was told my child had to be banned from the class. While finishing my degree I was also told by more than one of my fellow students that I should just quit college. I feel as though it bears mentioning that I went to a women’s university.

Motherhood, in my case young and unplanned motherhood, never seems to stop being a hot button topic. We’re not doing enough as mothers. We’re doing too much as mothers. We don’t spend enough time with our children. We don’t spend enough time on ourselves. Everyone has an opinion on how I should raise my son. Everyone has an opinion on how I should live my life as a mother, how I should talk about my child, how much I am allowed to be sexual, how, as a poet, I should write about him.

Things that people say make me a good mother include the following: I rarely post about my child on social media. I expect him to behave when we’re in public and if he doesn’t, we leave. I don’t make him the whole of my identity. He has never been my profile picture on Facebook or any other website. I give him some choice in what he eats. I don’t give him much, if any, sugary food day to day. I let him pick what we read together. I don’t force him to do sports. I almost never write about him in my poetry.

Things that people say make me a bad mother include the following: Everything listed above and a lot more.

I’ve been thinking about all these things lately for a few reasons. One is that there’s been a kerfuffle on the women’s poetry listserv (WOMPO) over the past 24 hours or so over an essay by Joy Katz wherein Katz addresses the idea that female poets are told time and again we should not write about our children, specifically about babies. That it is sentimental. That there is too much “feeling” in those poems. Katz, like I do, wrestles with writing about children, about babies. Her struggle is clear in the essay. I feel that same conflict every time my son sneaks his way into a poem.

The kerfuffle is over what I see as a complete misinterpretation of the essay – the interpretation that Katz is actually damning the idea of feeling in poetry. There have also been comments that she is too full of fear. But why damn her for that if she is? Someone put that fear in her. She is laying that fear out for us to see. As a poet and as a mother she is admitting that fear, that conflict, exists. As women, as feminists, and as mothers, is it not our duty then to open our arms to her, not chide her for a fear she certainly doesn’t want? There’s a secondary conflict where it is being argued she is not being kind enough to a poet she cites in her essay. For the sake of this post’s focus, I’ll leave my comment at that.

I’ve also been thinking about this because my son met my partner last week. We’ve been dating for a little over 4 months now. We’re in stupid amounts of love, I’ve met his parents, and we decided it was time for him to meet my family, including my child. I was just as nervous about my son liking my partner as I was about my partner getting along with my kid. It went remarkably well in the end. They got along well and our trip to the museum and out for Chinese was appropriately adorable. Everyone behaved themselves. After the weekend, however, my son’s father called into question my judgment in introducing our child to a man I’m not engaged to.

I understand the concern of not bouncing my child from one partner to the next. But I believe that, even as a mother, I have a right to an emotional life, to a creative life, to a social life, to a sexual life. Do I consider my child in the choices I make? Of course I do. I’ve gone on dates with plenty of people who never met my child. But I also will admit that I will not give my life entirely over to him, and if that makes me a bad mother, then so be it.

In Lifestyle Tags motherhood, confessions, kids, Poet, feminism
← Interview with Poet Devon Moore on Girlhood & GenderPoetry by Michael Schmeltzer →
feed me poetry
Featured
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
Read more →
Vi Ly
Vi Ly
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
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'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
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Hana Saad
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Hana Saad
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' I am brutally killed by daffodils' — poetry by Emily Tong
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' I am brutally killed by daffodils' — poetry by Emily Tong
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'violet scabbing on ankle backs' — poetry by Lexi Rosen
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'it was something more gory' — poetry by Caroline O'Connor Thomas
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'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
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'every hour is one long suffering' — poetry by Anne Halsey
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'a terrible countenance for what nourishes' — poetry by I Echo
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'as if landscapes verdant' — poetry by Kacey Martin
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'a wasp  giving itself to the fig' — poetry by Elaina Edwards
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'roses among men' — poetry by Amy Thatcher
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