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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025

Motherhood as a Poet, Lover, & Unmarried Woman

December 28, 2015

BY MARGARET BASHAAR

Editor's Note: This article originally appeared on our old site.

I was 21 years old when I had my son. His father and I were utterly unprepared, not nearly mature enough to have a baby together, and ultimately not a good match. Within 6 months of our son’s birth, we had split.

I was still in college at the time, still taking classes. Terrified of their reaction, I hadn’t told my family of my pregnancy until later in my pregnancy and it had caused something of a rift, one that lasted for years. While my family insisted I could still graduate on time (which I did, in the end), they didn’t give my son’s father and I terribly a lot of financial or logistical support. We couldn’t afford babysitters, so I had to rely on my (amazing) friends and on the good graces of professors who would graciously let me sometimes bring my infant to class.

However, when a girl in one of my literature classes referred to my breastfeeding as “disgusting” and complained of it to the professor, I was told my child had to be banned from the class. While finishing my degree I was also told by more than one of my fellow students that I should just quit college. I feel as though it bears mentioning that I went to a women’s university.

Motherhood, in my case young and unplanned motherhood, never seems to stop being a hot button topic. We’re not doing enough as mothers. We’re doing too much as mothers. We don’t spend enough time with our children. We don’t spend enough time on ourselves. Everyone has an opinion on how I should raise my son. Everyone has an opinion on how I should live my life as a mother, how I should talk about my child, how much I am allowed to be sexual, how, as a poet, I should write about him.

Things that people say make me a good mother include the following: I rarely post about my child on social media. I expect him to behave when we’re in public and if he doesn’t, we leave. I don’t make him the whole of my identity. He has never been my profile picture on Facebook or any other website. I give him some choice in what he eats. I don’t give him much, if any, sugary food day to day. I let him pick what we read together. I don’t force him to do sports. I almost never write about him in my poetry.

Things that people say make me a bad mother include the following: Everything listed above and a lot more.

I’ve been thinking about all these things lately for a few reasons. One is that there’s been a kerfuffle on the women’s poetry listserv (WOMPO) over the past 24 hours or so over an essay by Joy Katz wherein Katz addresses the idea that female poets are told time and again we should not write about our children, specifically about babies. That it is sentimental. That there is too much “feeling” in those poems. Katz, like I do, wrestles with writing about children, about babies. Her struggle is clear in the essay. I feel that same conflict every time my son sneaks his way into a poem.

The kerfuffle is over what I see as a complete misinterpretation of the essay – the interpretation that Katz is actually damning the idea of feeling in poetry. There have also been comments that she is too full of fear. But why damn her for that if she is? Someone put that fear in her. She is laying that fear out for us to see. As a poet and as a mother she is admitting that fear, that conflict, exists. As women, as feminists, and as mothers, is it not our duty then to open our arms to her, not chide her for a fear she certainly doesn’t want? There’s a secondary conflict where it is being argued she is not being kind enough to a poet she cites in her essay. For the sake of this post’s focus, I’ll leave my comment at that.

I’ve also been thinking about this because my son met my partner last week. We’ve been dating for a little over 4 months now. We’re in stupid amounts of love, I’ve met his parents, and we decided it was time for him to meet my family, including my child. I was just as nervous about my son liking my partner as I was about my partner getting along with my kid. It went remarkably well in the end. They got along well and our trip to the museum and out for Chinese was appropriately adorable. Everyone behaved themselves. After the weekend, however, my son’s father called into question my judgment in introducing our child to a man I’m not engaged to.

I understand the concern of not bouncing my child from one partner to the next. But I believe that, even as a mother, I have a right to an emotional life, to a creative life, to a social life, to a sexual life. Do I consider my child in the choices I make? Of course I do. I’ve gone on dates with plenty of people who never met my child. But I also will admit that I will not give my life entirely over to him, and if that makes me a bad mother, then so be it.

In Lifestyle Tags motherhood, confessions, kids, Poet, feminism
← Interview with Poet Devon Moore on Girlhood & GenderPoetry by Michael Schmeltzer →
Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
'this strikes me as a Rorschach' — poetry by John Amen
'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
'the sky violent' — poetry by Robert Warf
'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'we can be forlorn women' — poetry by Stevie Belchak
'we can be forlorn women' — poetry by Stevie Belchak
'I do whatever the light tells me to' — poetry by Catherine Bai
'I do whatever the light tells me to' — poetry by Catherine Bai
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
'Venetian draped in goatskin' — poetry by Natalie Mariko
'Venetian draped in goatskin' — poetry by Natalie Mariko
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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