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delicious new poetry
Writing Prompts for Threshold Times
September 4, 2026
Writing Prompts for Threshold Times
September 4, 2026
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September 4, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
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September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
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September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
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September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
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September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
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September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
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September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
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September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
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September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
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September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
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September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
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September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
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September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
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September 3, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
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August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
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August 15, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
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August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
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August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
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August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
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August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
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August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
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August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
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August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
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August 14, 2026
'a wasp  giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
'a wasp giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
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August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
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August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
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August 14, 2026
Writing prompts for a fever dream summer
August 3, 2026
Writing prompts for a fever dream summer
August 3, 2026
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August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
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August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
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August 3, 2026
Shun Takino

Shun Takino

Interview with Musician & Poet Marcus Bowers on 'First Kiss'

October 5, 2016

BY JOANNA C. VALENTE

Marcus Bowers, also known as Lateef Dameer in music circles, is a force of nature. He blends music and poetry together seamlessly. He collaborates with poets and writers to create music alongside writing (which you can listen to here) with the collective Brooklyn Gypsies. Over the past few years, Bowers has been working on "First Kiss," which is best described as a music, poetry, and documentary album; Bowers wrote lyrics, recorded music, and interviewed people on what they think love is. And that's a question worth asking — and answering. 

Check out a preview of his project below:

What was the impetus for starting "First Kiss?" How did you develop the idea?

This idea originally started off with the artwork. It was something about the colors of the piece that spoke to me. I decided it was time for me to put out some new material. I told myself this would be a beat tape that was essentially a small EP. This was in summer of 2015. I had all these ideas, but I found myself drawn back to older and incomplete songs that I had. They had a piece of life that was calling out to me. It was funny listening to some of this stuff because as time goes on you change as a person. I set out to create something that could showcase that naivety of older work, executed with the knowledge that I have now, consciously. Ultimately, this is a love story that I'm telling. 

How is your music and your writing connected? How is it separate?

Nothing is separate in this process. The only difference is how your perception functions, but they both lead you to the same result. There's a term in German called "fingerspitzengefuhl" which translates to fingertip feel. When I'm writing I feel that sensation in my hands, it almost feels like sand is running through them but that's what let's me know I'm on the right path. With music I feel it in my chest, but it still leads to the same place. 

What influences your writing in general? (It doesn't just have to be other writing.)

I have to live a lot of things first. Those experiences provide the springboard to delve into a lot of things. First Kiss parallels a book/documentary that I've been working on for the past two years. I also like going to museums, not necessarily to view the art, but watch the people. I think that they're the real art in that situation. The rooms and paintings can stay the same for years, but the people's faces are always changing. Those changes are like a piece of music or colors slowly forming into something.

Describe your favorite meal. 

I'm a big fan of home cooked meals, that's one of the best ways to experience something made with love.

What was your MFA experience like? What's your advice to someone who is interested in pursuing a MFA? What would you change?

It was great, it really altered the direction that my life was going in. The people I met have made a lasting impression on my life. They also taught me how to be a better writer and artist. My advice for those pursuing an MFA? Do it for the right reasons. Do it because in your heart, you know you want to become a better writer. I know a lot of people take this route because they want to publish but it's also important to spend time nurturing your abilities. Also, don't always be afraid of a price tag. I know some programs can be expensive and not everyone (especially those deserving) will receive full rides. If this means something to you, take a risk. There's no such thing as the perfect conditions/situation. You won't know how deep the water is until you jump in. 


Joanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (forthcoming 2016, ELJ Publications) & Xenos (forthcoming 2017, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Luna Luna Magazine. Some of her writing has appeared in Prelude, The Atlas Review, The Feminist Wire, BUST, Pouch, and elsewhere. She also leads workshops at Brooklyn Poets.

Marcus Bowers, also known as Lateef Dameer, is a musician, artist, and poet. He currently lives in Jersey City, New Jersey.

In Art Tags marcus bowers, poetry, art, music, interviews
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feed me poetry
Featured
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
Read more →
Vi Ly
Vi Ly
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
Hana Saad
Hana Saad
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
Hana Saad
Hana Saad
Read more →
Hana Saad
Hana Saad
' I am brutally killed by daffodils' — poetry by Emily Tong
Emily Tong
Emily Tong
' I am brutally killed by daffodils' — poetry by Emily Tong
Emily Tong
Emily Tong
Read more →
Emily Tong
Emily Tong
'violet scabbing on ankle backs' — poetry by Lexi Rosen
Lexi Rosen
Lexi Rosen
'violet scabbing on ankle backs' — poetry by Lexi Rosen
Lexi Rosen
Lexi Rosen
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Lexi Rosen
Lexi Rosen
'it was something more gory' — poetry by Caroline O'Connor Thomas
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Caroline O'Connor Thomas
'it was something more gory' — poetry by Caroline O'Connor Thomas
Caroline O'Connor Thomas
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'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
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'every hour is one long suffering' — poetry by Anne Halsey
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'a terrible countenance for what nourishes' — poetry by I Echo
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'I am the aftermath' — poetry by Taylor Hamann Los
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'as if landscapes verdant' — poetry by Kacey Martin
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'a wasp  giving itself to the fig' — poetry by Elaina Edwards
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'a wasp giving itself to the fig' — poetry by Elaina Edwards
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'ghosts in hair follicles' — poetry by Trish hopkinson
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'ghosts in hair follicles' — poetry by Trish hopkinson
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'roses among men' — poetry by Amy Thatcher
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'roses among men' — poetry by Amy Thatcher
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