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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
John Silliman

John Silliman

How I'm Navigating 'Being American' as an Immigrant & Mom

October 6, 2016

BY REETIKA NIJHAWAN

The USA vs. Netherlands women’s soccer friendly is about to kick off. We are at the Georgia Dome in Atlanta, seated close enough to discern the revved up expressions of the players on the field. It is the first time my 10-year-old daughter, a soccer player, and I, the quintessential soccer mom, are watching a pro team up close.

It is also the first time ever that I am able to sing the "Star-Spangled Banner" verbatim, just before kick-off.

Growing up in India, I sang the national anthem, "Jana Gana Mana," at school every morning. Even though the music teacher had deemed my scratchy voice unworthy for the school choir, I belted out the lyrics using the power of my lungs to the fullest because I was moved. I felt a patriotic kinship with the tri-colored flag fluttering in the morning breeze.

Years later, on the morning of my citizenship interview at the USCIS field office in Baltimore, I hummed the last line (the only line I knew) of the Star-Spangled Banner as I waited my turn. I was well prepared for the test. I had crammed the answers to all the civics questions that could come my way. After all, I am of Indian heritage—rote learning is my thing. From learning multiplication tables in second grade to quoting Shakespeare in high school—committing information to memory is like cooking curry, instinctual. I took the Oath of Allegiance in a room packed with people of varicolored skin tones, some barely able to communicate in English. It surprised me that we were not required to do more to prove our loyalty to America, this grand country that had taken us into its fold like an ocean receiving raindrops.

Conventional metrics of success aside, life in America has been good. I marvel at the abundance and the infrastructure. I am in awe of what may seem insignificant to those who have known nothing different.

Recently, city officials put up signs in our neighborhood informing the residents about upcoming roadwork. On the designated morning, a bulldozer with several trucks in tow pulled into our cul-de-sac. When I returned home later that evening, the ground beneath my wheels was a smooth, glistening ribbon of asphalt. My childhood home in India was serviced by a potholed street. Years after I left, the city officials did finally heed the call for repairs. In fact, they now come by every two years and pour layer over layer of tar without ever scraping or leveling the surface. As a result, the narrow street is a couple of feet higher than the ground along the edges, making it an even greater hazard than before.

It is for things, little and large, that I am proud to be American.

In fifth grade, as part of the "Great American" program, my daughter is required to learn all fifty states and capitals, names of all the 44 Presidents in chronological order, the Preamble to the Constitution, the Pledge of Allegiance, the Star-Spangled Banner, and the Gettysburg Address. Every day right after school my daughter kicks off her turf shoes, devours a snack and ten minutes of "TV time," completes her homework, logs a few minutes of piano or cello practice, changes into mandated club soccer gear and makes a mad dash to practice. How were we going to make time to learn everything in a few weeks, I wondered?

"I won’t watch TV when I come home—we’ll do it then," she said.

I was surprised and delighted by her willingness to give up something she enjoyed to earn the "Great American" title. Perhaps she was driven by the desire to have her picture posted on the gym wall as a badge of honor along with her classmates. I hoped she was being spurred into action by more than just vanity.

My daughter succeeded in learning everything in time but the first two lines of the last paragraph of the Gettysburg Address. She asked if I think she a Great American even though her picture is not mounted on the gym wall at school.

"Yes, you are!" I say, tearing up. "I too have been working on becoming a Great American like you."

And like her, I am yet to master the Gettysburg Address. I may not be a Great American, but I try to be a good citizen.

And what does America ask of me?

Pay my taxes. Show up for jury duty. VOTE.


Reetika NIjhawan is a freelance writer and author based in Atlanta. Her work has appeared in ELLE, The Atlanta Journal- Constitution and other publications. She wrote her first collection of short stories, Kismetwali & Other Stories (finalist, 2016 Townsend Prize for Fiction), while waiting daily in a carpool line outside her daughter’s school. 

In Lifestyle Tags immigrant, politics
← Witchy World Roundup - October 2016Interview with Musician & Poet Marcus Bowers on 'First Kiss' →
Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
'this strikes me as a Rorschach' — poetry by John Amen
'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
'the sky violent' — poetry by Robert Warf
'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'we can be forlorn women' — poetry by Stevie Belchak
'we can be forlorn women' — poetry by Stevie Belchak
'I do whatever the light tells me to' — poetry by Catherine Bai
'I do whatever the light tells me to' — poetry by Catherine Bai
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
'Venetian draped in goatskin' — poetry by Natalie Mariko
'Venetian draped in goatskin' — poetry by Natalie Mariko
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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