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delicious new poetry
'I will give you horses' — poetry by Johannes Göransson
Mar 28, 2026
'I will give you horses' — poetry by Johannes Göransson
Mar 28, 2026
Mar 28, 2026
'Darling, clean up your heart' — poetry by Lavinia Liang
Mar 28, 2026
'Darling, clean up your heart' — poetry by Lavinia Liang
Mar 28, 2026
Mar 28, 2026
'am I the lonely wicked one' — poetry by Lindsay Lusby
Mar 28, 2026
'am I the lonely wicked one' — poetry by Lindsay Lusby
Mar 28, 2026
Mar 28, 2026
'flowers of hell, bonded in glitter' — poetry by Katie Doherty
Mar 28, 2026
'flowers of hell, bonded in glitter' — poetry by Katie Doherty
Mar 28, 2026
Mar 28, 2026
'it is the scent of death and it is a wolfish girl' — poetry by Lena Kinder
Mar 28, 2026
'it is the scent of death and it is a wolfish girl' — poetry by Lena Kinder
Mar 28, 2026
Mar 28, 2026
'plotting like a diabolical orchid' — poetry by Laura Cronk
Mar 28, 2026
'plotting like a diabolical orchid' — poetry by Laura Cronk
Mar 28, 2026
Mar 28, 2026
'even in wilds, it sins' — poetry by Ann DeVilbiss
Mar 28, 2026
'even in wilds, it sins' — poetry by Ann DeVilbiss
Mar 28, 2026
Mar 28, 2026
'I birth my own being' — poetry by Nichole Turnbloom
Mar 28, 2026
'I birth my own being' — poetry by Nichole Turnbloom
Mar 28, 2026
Mar 28, 2026
'vespiaries brooding combs of quietness' — poetry by Susan Irvine
Mar 28, 2026
'vespiaries brooding combs of quietness' — poetry by Susan Irvine
Mar 28, 2026
Mar 28, 2026
'What comes after happiness?' — poetry by Robert McDonald
Mar 27, 2026
'What comes after happiness?' — poetry by Robert McDonald
Mar 27, 2026
Mar 27, 2026
‘the pale seam of spillage’ — poetry by Amanda Gaines
Mar 27, 2026
‘the pale seam of spillage’ — poetry by Amanda Gaines
Mar 27, 2026
Mar 27, 2026
'an assailing miasma' — poetry by Sadee Bee
Mar 27, 2026
'an assailing miasma' — poetry by Sadee Bee
Mar 27, 2026
Mar 27, 2026
' ghost of cinnamon, wet dog & bog blood' — poetry by Trista Edwards
Mar 27, 2026
' ghost of cinnamon, wet dog & bog blood' — poetry by Trista Edwards
Mar 27, 2026
Mar 27, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
Mar 10, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
Mar 9, 2026
'lost in the  rapture of man' — poetry by Ian Berger
Mar 9, 2026
'lost in the rapture of man' — poetry by Ian Berger
Mar 9, 2026
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
Mar 9, 2026
'come enflesh  our feast' — poetry by Haley Hodges
Mar 9, 2026
'come enflesh our feast' — poetry by Haley Hodges
Mar 9, 2026
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
Mar 9, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
via Lombardia Beni Culturali

via Lombardia Beni Culturali

Fantasy Review: Ico & Luisa Parisi Bed

November 28, 2017

BY TIFFANY SCIACCA

Pinterest is the devil. Well, not really of course but it definitely puts your loves and, let’s face it, materialism into perspective. One of my 55+ (hush!) boards is entitled If I Had Money to Burn. And it includes pottery older than Hera and beds that no longer exist. Or if they do are locked away in the perfectly preserved loft of some long dead Italian socialite. That gave me the idea of writing reviews for these and other items that I may never be able to obtain because of a lack of funds or that they simply no longer exist. It would also strengthen my copy writing chops, so win/win! Maybe this will become a new genre, fan reviewing? (Just kidding.) My second effort follows below and more will follow soon!


Here is a flash timeline on the history of beds.

In ancient times people slept on nothing but bundles of straw, animal skins and other natural materials. Sometime later, someone had the wonderful idea to raise this bedding off the ground to avoid drafts and crawling critters. Then came stone boxes, and in Egypt, the more important you were, the higher your bed was. Imagine having to climb steps in order go to bed. Talk about making an entrance! Later, we had beds made of fine woods, carved intricately or gilded  becoming even more a status symbol, later on the 18th century, iron came into play, one of the selling points being that insects could not penetrate iron. True!

My first bed, not counting my crib or ones provided by mother, was a futon. Futons were the rage when I first moved to Chicago in the late 90’s. In Chicago, one store I can remember that was all about the mighty futon. Bringer of stability and the sense of having made it in the world, I cannot remember the name but it had everything from the frame to the mattress, to the bedding. Perhaps pillows and those 7-foot lamps in black or white to bring the whole look together.

When I was able to get my first futon (after sleeping on my own palette) I felt like a queen. A bed that turned into a couch, I could sleep and entertain or entertain in my sleep? Buying two pieces for the price of one? How could I go wrong? The mattress was horrible of course. I had the basic model and may as well been sleeping on a pile of coats stuffed with bones but it was better than the floor. I have since graduated from that futon, the biggest being a King Deluxe that my husband and I bought at a DEEP discount at the local Big Lots. We now sleep on two twins beds pushed together one of which being his childhood bed! We now share bad backs as well as bad beds.

RELATED: Fantasy Review: Pat McGrath’s Lust MatteTrance Lipstick in the Shade – Deep Void

via OKOLO

via OKOLO

While pinning photos to my Giallo fashion Board, I came across this Ico & Luisa Parisi bed from the 50’s. What first caught my eye was the smooth wood, Teak. The bends in the headboard and footboard, on a second look are fashioned like giant barrettes. Look at the way the metal pin slides behind and peeks through the geometrical windows on either end. I also like that the bed is so close to the floor making for easy access and exit, a throwback to the old days and very organic in structure as it looks like it could easily be fashioned together. No fuss, but definitely makes a statement and would make a great gift for a lover of Modernist furniture. The only source I have found on this bed is the original picture uploaded on Pinterest. I did see that a similar bed sold about a decade ago for under $7,000. Sure, for around $6,000 less you can splurge on the most expensive bed at IKEA but, remember we are talking about money to burn. Besides, since someone most likely slept in this bed, not only are you purchasing art but you are also shopping green!


Tiffany Sciacca is a writer who has recently moved to Sicily from the Midwest. Her work has appeared in the Silver Birch Press, SOFTBLOW and DNA Magazine UK. When she is not learning a new language or trying to blend in, she is reading horror anthologies, binging on Nordic Noir or plugging away at her first Giallo screenplay. @EustaceChisholm

Tags Tiffany Sciacca, Ico Parisi, Luisa Parisi
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