Joanna C. Valente is a human who lives in Brooklyn, New York, and is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Xenos (Agape Editions, 2016), and Marys of the Sea (The Operating System, 2017). They are the editor of A Shadow Map: An Anthology by Survivors of Sexual Assault (CCM, 2017). Joanna received a MFA in writing at Sarah Lawrence College, and is also the founder of Yes, Poetry, a managing editor for Luna Luna Magazine and CCM, as well as an instructor at Brooklyn Poets. Some of their writing has appeared in Brooklyn Magazine, Prelude, Apogee, Spork, The Feminist Wire, BUST, and elsewhere.
Read MoreA Playlist for Recycling Your Musical Mood
Music has proven to be such a determining factor in how my mood is affected on a day-to-day basis, having developed such a fervent attachment to the songs which filter through my everyday life. Having mentioned in a previous piece that I often find myself in cycles of music and memories, I have coupled this with a newfound desire to use the relationship between music and mental health as an experiment to explore mood and state. This week has been one of firsts, in tackling that challenge head on and cleansing my musical palette.
Poetry by Laura Passin
When you burst through the body’s confines
in the grip of joy,
think of the black hole's
birth cry:
How Rex Orange County Broke Me Out of My Musical Cycle
Chloë Moloney is a student and writer from Surrey, United Kingdom. She is a staff writer and curator at Luna Luna Magazine, and a reviewer for MookyChick. Chloë has had short stories published with Moonchild Magazine, Occulum, Sick Lit Magazine and more. She is also a culture writer and biographer at the award-winning news platform Shout Out UK, and has also written for Epigram, B24/7 and the London Horror Society. She also acted as a reviewer for the Edinburgh Fringe Festival, in 2017. You can find Chloë at @ChloeMoloney98.
I’m Getting Married & I Can’t Stop Thinking About Death
Kailey Tedesco's books She Used to be on a Milk Carton (April Gloaming Publications) and These Ghosts of Mine, Siamese (Dancing Girl Press) are both forthcoming. She is the editor-in-chief of a Rag Queen Periodical and a performing member of the NYC Poetry Brothel. Her work has been nominated for the Pushcart Prize. You can find her poetry featured or forthcoming in Prelude, Prick of the Spindle, Bellevue Literary Review, Vanilla Sex Magazine, and more. For more information, please visit kaileytedesco.com.
Poetry by Bunkong Tuon
Bunkong Tuon is the author of Gruel (2015) and And So I Was Blessed (2017), both poetry collections published by NYQ Books, and a regular contributor to Cultural Weekly He is also an associate professor of English and Asian Studies at Union College, in Schenectady, NY.
5 Songs Eerily Revamped Using the Theremin
Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (Operating System, 2017), Sexting Ghosts (Unknown Press, 2018), Xenos (Agape Editions, 2016), and is the editor of A Shadow Map: Writing by Survivors of Sexual Assault (CCM, 2017). They received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes, Poetry and the managing editor for Civil Coping Mechanisms and Luna Luna Magazine. Some of their writing has appeared, or is forthcoming, in Brooklyn Magazine, Prelude, BUST, Spork Press, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente
How This Depeche Mode Song Empowered Me as a Woman
Kristin Garth is a poet from Pensacola, a knee sock enthusiast and a sonnet stalker. In addition to Luna Luna, her sonnets have stalked the pages of Occulum, Anti-Heroin Chic, Faded Out, Hedgehog Poetry, Drunk Monkeys, Ghost City Review and many other publications. Her chapbook Pink Plastic House is available through maverickduckpress.com. Follow her sonnets, socks and secrets on Twitter: @lolaandjolie and her website: kristingarth.wordpress.com
Read MoreMatters of the Heart
The heart has four chambers; everyone seems to be aware of that.
Read MoreLove Songs to Make Your Heart Sing & Cry
Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (Operating System, 2017), Sexting Ghosts (Unknown Press, 2018), Xenos (Agape Editions, 2016), and is the editor of A Shadow Map: Writing by Survivors of Sexual Assault (CCM, 2017). They received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes, Poetry and the managing editor for Civil Coping Mechanisms and Luna Luna Magazine. Some of their writing has appeared, or is forthcoming, in Brooklyn Magazine, Prelude, BUST, Spork Press, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente
Read MoreCrest Theater. Photo by Quintana
My Interview With The Vampire: A Xicana Reflects on Claudia Fashion
…She begged her mother to let her get the Vamp shade…
Read MoreHow Spirituality Brought My Mother and I Closer
Mothers cannot teach you everything. For some things, she can simply open the door and pray that you take the initiative to walk through. For my mother and me, spirituality is the doorway through which I have just poked my foot.
Read More[Photo Credit: Paperback Paris]
A Review of Melissa Broder's The Pisces
The Pieces is part fantasy, part erotica, (Step aside, Anaïs Nin. Seriously, I had to stop and fan myself with this book more than a few times while reading.) but mostly a stunning retelling of the timeless story of what happens when we succumb to the complex twins of love and lust—how it can hurt us and the scars it can leave.
Read MoreHow I Uknowingly Asked a Man out During Jury Duty
One of the things I looked most forward to after being sworn in as an American citizen: to serve on a jury. Partially inspired by the show Law & Order SVU; and, partially by the philosophy: Innocent until proven guilty.
Read MoreVia Karisma Price
Selections from Omotara James: 2 Poems By Karisma Price
BY KARISMA PRICE
SELECTIONS BY OMOTARA JAMES
Even if you’ve never endured the burn of a chemical relaxer, even if you’ve never sat still beneath the crackle of a sizzling hot comb, who among us hasn’t processed the body through a problematic paradigm? Hasn’t prayed for at least one part of the whole to be perfect? An inquisitive voice emanates from Price’s poems with all the authority granted by compassion. How the he tenderness of the phrase “to hold the seeds of you in my fingers” cohabitates within the same poem that mouths “the feathered kiss of suffering,” demonstrates Price’s lyric grace and propensity to translate every divine inch of the mortal coil.
God of burning scalp,
prevent the dollop of chemical from destroying my cousin’s hairline. She sits contently in the kitchen chair, unaware of the approaching fire. I watch how the loose strand swings, lands on her acne cheek and wonder how long it took her to master stillness. How many times did my aunt have to promise her an incentive for straight hair and itchy scabs? I frown when the smell of sulfur floods the room. When the hot comb couldn’t tame the wild, my aunt suggested a more permanent solution. This is a rite of passage. Maybe now it won’t look so nappy. When the thick, white cream loiters for too long on my cousin’s scalp, she bolts from the chair and plunges head first into the kitchen sink. This must be what a proper baptism looks like.
Demeter, Reimagined as a Black Woman, Speaks to Persephone
Please do not come back to me
suspended in the sky’s quiet
diorama, or in umber pieces
that require me to hold the seeds
of you in my fingers
like an examiner holds
a tooth to an x-ray. Baby, I have broken
the trees for you. I will curse every
person that yells, “A man was lynched
here yesterday,” but refuses to acknowledge
his wife. Did they ever cut her down or
does she still swing above us like a broken
promise? What of the mothers afraid of being
mothers of daughters and fear the feathered
kiss of suffering? I asked God
for mercy. There was no answer.
I’ve decided you don’t have to answer
me either. Because I love you, surrender
to the only darkness heavier than sleep.
Do not come back from it.
Omotara James is a poet and essayist. Her poetry chapbook, Daughter Tongue, was selected by African Poetry Book Fund, in collaboration with Akashic Books, for the 2018 New Generation African Poets Box Set. Her debut full length collection, Mama Wata, is forthcoming in the Fall of 2018 from Siren Songs, of CCM press. She has been award fellowships from Cave Canem and Lambda Literary. Currently, she is an MFA candidate in poetry at NYU. For further information, please visit her website: www.omotarajames.com
Karisma Price was born and raised in New Orleans, LA and holds a BA in creative writing from Columbia University. She is an MFA candidate in poetry at New York University. Her work has appeared or is forthcoming in Four Way Review, Glass: A Journal of Poetry, Vinyl, and Leveler. Karisma lives in New York City, and along with Kwame Opoku-Duku III, she is a founding member of the Unbnd Collective. Find her on twitter at @itsKayPrice and here.
