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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
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'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
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'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
Stephani Scutari

Stephani Scutari

Artist Lisa Levy Was Humbly Present At Christopher Stout Gallery

February 2, 2016

We all decided to chime in, prove we knew what we were talking about, and write long think pieces that either defended or tore down the work in an effort to prove what matters or doesn’t matter in this world, including this one.

BY DALLAS ATHENT

Artist and comedian Lisa Levy threw off her robe and sat naked on the porcelain throne placed in the center of Christopher Stout Gallery. You heard that right. In her performance art piece The Artist is Humbly Present, Levy mocked the art world, pretension, and herself. During the performance, viewers were invited to sit opposite Levy on a facing toilet and interact with her in any way, other than touching her. If you’re familiar with Marina Ambramovic’s performance at MoMA, The Artist is Present, where viewers were invited to sit and face the artist in a chair, you’ll immediately understand the blatant reference.

When the performance art piece was first announced, it was met with great controversy and gained mass media attention, sparking articles in Papermag, The Daily Beast, Mashable, and tabloids such as The New York Post. Even Howard Stern discussed it on his show. While some found the work exciting, clever and applauded Levy for calling out the art world, others used the readily available puns to make fun of the work, calling it bullshit. Some people stated she was more pretentious than Ambramovic herself.

It’s easy to understand why not everyone took to the work at first. It’s grotesque, for one. Anything having to do with our bodily functions causes us to automatically categorize and file in a safe space—that being the bathroom, not a gallery setting. For many, art, or the interaction with art, is to escape what is morbid, and create something more beautiful. Then it also depicts a woman naked, and not in a sexualized manner. I don’t think I need to explain just why this is problematic for the Western World. Also, everyone is allowed to have an opinion, some people just don’t like certain things which is totally okay.

But most of all, it’s stupid. It’s a woman sitting naked on a toilet! How ridiculous! This isn’t art. But its stupidity is precisely what prove’s Levy’s point. In its simplicity, The Artist is Humbly Present, successfully makes a mockery of the artist, those who write about art, but also how the viewer perceives art. For a week straight we were all talking about a woman on a toilet, and everyone had an opinion. Everyone. We all decided to chime in, prove we knew what we were talking about, and write long think pieces that either defended or tore down the work in an effort to prove what matters or doesn’t matter in this world, including this one. The articles and responses became a part of the performance itself, adding to the sensation in believing that all of this, including our thoughts, actually means something. And just for the record to do my due dilligence, I think it’s genius.

On opening day, Levy and Stout wondered how the work would be perceived, what would happen. Groups of people gathered at various times to sit opposite Levy and get the full experience. While nobody went to the bathroom, one guy did pull down his pants, jumpstarting at least five others to get naked. Another lady brought in a peacock (??) to join her on the porcelain throne. Many stated that sitting opposite Levy was indeed, a profound moment for them. Levy, who wouldn’t speak while being naked and exposed to the public ended up being more than a parody performance--but a powerful moment that made them question the motives behind art and also the ego of the artist. Afterwards, while being interviewed by the press one viewer said, “I came out because I think it’s brave.” It’s hard to put into words just why it’s brave, but I know what she means. Levy allowed us to just sit there and gawk at her, discuss her and put her in a humbling state while we all pretend to know what the fuck we’re talking about.


Dallas Athent is a writer whose work has been profiled in Bedford + Bowery, Brooklyn Magazine, The L Magazine and more. She's also an artist and has exhibited in several galleries across New York City. You can learn more at dallasathent.com.

In Art Tags Dallas Athent, Lisa Levy, Art, The Artist is Humbly Present, Christopher Stout Gallery
← Interview With Geneviève LeJeune, Founder of Skirt ClubViolence As Violence: A Response to Zachary Schomburg’s “Poetry As Violence” →
Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
'this strikes me as a Rorschach' — poetry by John Amen
'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
'the sky violent' — poetry by Robert Warf
'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'we can be forlorn women' — poetry by Stevie Belchak
'we can be forlorn women' — poetry by Stevie Belchak
'I do whatever the light tells me to' — poetry by Catherine Bai
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‘to kill bodice and give sacrament’ — poetry By Kale Hensley
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'Venetian draped in goatskin' — poetry by Natalie Mariko
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'the long sorrow of the color red' — centos by Patrice Boyer Claeys
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'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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