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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025

Witchy World Roundup - September 2016

September 1, 2016

BY JOANNA C. VALENTE

Check out The Dot & Line's Nicktoons month for all you '80s & '90s kids. A favorite includes this piece on "When 'Rocko's Modern Life' Showed Me the Afterlife":

"Treat your friends well. Treat your body well. Then you, too, can avoid your own personal heck."

Minola Review's latest poetry issue is now up. Check out new work by Julie Mannell:

"the way your father spoke to your mother before he slammed the door on her aged figure. Come back and say it again like he did. Come back and say it again like he did."

Buzzfeed compiled a list of some of the 10 best poetry books that came out this year. Some of my favorites include Abigail Welhouse's TOO MANY HUMANS OF NEW YORK and Thomas Fucaloro's DEPRESSION CUPCAKES. An excerpt from Fucaloro's book from Yes Poetry:

The Brooklyn Museum just announced this awesome exhibit A Year of Yes: Reimagining Feminism:

"A Year of Yes presents a multiplicity of voices from the history of feminism and feminist art while also showcasing contemporary artistic practices and new thought leadership. The project recognizes feminism as a driving force for progressive change and takes the transformative contributions of feminist art during the last half-century as its starting point."

Why "Anne of Green Gables" is bisexual on Autostraddle:

"Look, obviously you know Anne was in love with Gilbert, and honestly, who wouldn’t be? He’s the dreamiest man in all of literature after Captain Frederick Wentworth. What you need to understand is that she also was just so very, very, very in love with Diana. And Diana was in love with her too."

Oh yes: Dawn Lundy Martin, Terrance Hayes, and Yona Harvey launched a center for Black poetics:

"The trio launched the Center for African American Poetry and Poetics (CAAPP) as a creative think tank to spark conversation and collaboration among poets and other artists, and to promote and archive the work of African American poets for future generations."

There's a Klimt Tarot deck and I want it. Someone buy it for me.

There's also Lisa Frank clothing now. I already bought the cat dress, of course. 

Christine Stoddard on what biracial women are sick of hearing at The Berry:

"You look so exotic. / You’re so spicy.

Calling biracial women 'exotic' others us. It implies that white is normal and everybody else is abnormal. Exoticizing us fetishizes and hyper sexualizes us, too. We mixed race women are not foods or flavors. We are humans—though if you know how to make pupusas and Mayan chocolate sprout from my skin at will, I’ll listen. And if you’re a rich white male, I may just copy the idea, claim it as my own, and make a lot of money off it. You know, as payback."

Michael J. Seidlinger's new book "Falter Kingdom" just came out from Unnamed Press. Read an interview and review here, and see how he lit it on fire here:

"It’s one of the few horror themes that haven’t bled into something derivative and boring. Okay, I know, I know, give me a moment to let me explain: Yes, there are quite a few demonic possession films and likely way too many books about essentially the same concepts. Yet what still remains fresh, for me at least, about the demonic possession subject is how it takes over a body and mind. Some of the most frightening concepts delve into a loss of control. This is the reason body horror became so compelling and A Nightmare on Elm Street, way back in the day, was frightening as hell: To lose control of your body and/or mind was about as vulnerable as you can get. There’s nothing more frightening than that."

Beauty Editor Sam Escobar on why they listed their weight and height on Twitter at US Weekly:

"A lot of that obsession was w/ numbers. A lot of those ‘goal weight’ numbers were so arbitrary but I absorbed them from people who said certain weights = good and other weights=bad."

Joel L. Daniels on black fatherhood:

"I am not an anomaly, nor a unicorn. I am not unique, nor am I worthy of a certain level of praise because I choose to be an active participant in my daughter’s life. The brother at the juice spot around my way once asked me if I was 'babysitting' when I strolled in. I had to answer politely, 'It’s not babysitting when the child is yours.' My stepfather and I shared a brief chuckle when he called me the 'babysitter' and I kindly replied, 'How do you babysit a child that’s yours?'"

In Art Tags joel daniels, michael seidlinger, sam escobar, christine stoddard, lisa frank, tarot, klimt, anne of green gables, sexuality, thomas fucaloro, leah umanksy, minola review, nicktoons
← Pepper Crab, Fiction by Sara RauchWatch This Animated Poem About Being Human by Meghann Plunkett →
Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
'this strikes me as a Rorschach' — poetry by John Amen
'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
'the sky violent' — poetry by Robert Warf
'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'we can be forlorn women' — poetry by Stevie Belchak
'we can be forlorn women' — poetry by Stevie Belchak
'I do whatever the light tells me to' — poetry by Catherine Bai
'I do whatever the light tells me to' — poetry by Catherine Bai
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
'Venetian draped in goatskin' — poetry by Natalie Mariko
'Venetian draped in goatskin' — poetry by Natalie Mariko
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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