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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
Cookie Mueller, by Don Herron

Cookie Mueller, by Don Herron

Invoking Your Idols: Cookie Mueller

January 10, 2018

BY ISABELLA STRAZZABOSCO

Going into 2018, I knew without a doubt that my biggest goal for the year was confidence. A lofty goal for someone who spends hours agonizing over brief conversations, delivered texts, and most embarrassingly of all, Instagram counts. After deleting the latter altogether, I know that all I did was put a band-aid over a larger issue. Confidence is a fleeting thing for me, and six months after moving to New York City, I’m not able to pretend like it isn't something essential for survival here.

Other than the cliché "fake it till you make it" mentality, it’s hard to find a how-to guide for confidence, especially within a consumerist society that profits off a lack of it. On New Years, trapped in my grandparents’ Floridian subdivision, I found an old college-lined notebook and began to write a list of the people I wanted to invoke for confidence. It included the obvious, like Bowie and Kim Gordon, but without thinking twice the first name I wrote was Cookie Mueller.

Cookie, by Nan Goldin

Cookie, by Nan Goldin

Partner in crime and collaborator to other heroes of mine such as John Waters, Nan Goldin, and Glenn O’Brien, Cookie’s life and legacy is the stuff of myth. Starting out in John Waters’ films, she quickly became his muse and the epitome of the don’t-give-a-fuck-glam that embodies his work. He described her as "a writer, a mother, an outlaw, an actress, a fashion designer, a go-go dancer, a witch doctor, an art-hag, and above all, a goddess." Halfway through my eighteenth year, I am constantly asked what I want to be. I think from now on I’m going to start repeating that quote.

I just finished her incredible memoir, Walking Through Clear Water in a Pool Painted Black, written in 1989 shortly before she died at age 40 of AIDS related illness. In an introduction that is so utterly Cookie, the first line in the book is "I had two lovers, and I wasn’t ashamed." She goes on to recount stories of evading Manson, kidnappers, human sacrifice and shipwrecks, to dancing through the streets of New York and Provincetown, to feeding LSD to Jim Morrison, to having a baby, and then, seemingly out of nowhere, facing death. The last chapter is jarring and painful, causing me to wonder how someone so truly alive could be so suddenly taken from this world. She faced her death like she did her life, with honesty, glamor, and love.

Cookie with her lover Sharon Niesp, via Vice

Cookie with her lover Sharon Niesp, via Vice

With her lisp, tattooed fingers, and wild hair, Cookie hardly fit the beauty norm, but it is undeniable that she was always one of the most beautiful people in the room. Her policy of being no one except herself and being truly unashamed is something I try to hold with me always.

It might be the fact that I’m a true-to form Gemini, but my love for makeup comes from the power to transform yourself into someone different. Not just someone without pimples or bags, but an alter ego, a persona, a chance to reinvent yourself as something different every day. Like carrying rose quartz to bring love, I believe that by emulating your heroes through your outward appearance you are able to channel them into yourselves. So for the days you need the strength to overcome the voices that tell you that you’re not good enough, pretty enough, or strong enough, just to turn yourself into Cookie.

RELATED: Gustav Klimt Makeup Tutorial for the Art Witch Inside Us All

Start out with clean, moisturized skin. No foundation necessary here folks! Cookie never shied away from showing a wrinkle or a pimple, and neither are we. Feel free, however, to add as much glitter as you like.

Isabella Strazzabosco transforming

Isabella Strazzabosco transforming

Cookie was a fan of the ultra-bold, and often sported bright, exaggerated cheeks. I used the blush from the NARS Debbie Harry palette from their Andy Warhol collection (still available on Amazon for cheap!). Not only is this color great for dramatic disco looks, it’s just generally a great contour shade for pale and pink-toned folks such as myself. Load up your brush, suck in your cheeks, and blend away. You can also use a dewy highlighter to make it look like you’ve been dancing all night and worked up a very glamorous sweat.

Isabella: I also forgot to take off the orange eyeshadow I was already wearing before I took the pictures for this tutorial. Messiest beauty editor award goes to me!

Isabella: I also forgot to take off the orange eyeshadow I was already wearing before I took the pictures for this tutorial. Messiest beauty editor award goes to me!

If you had to pick one thing to really scream Cookie Mueller, it would be her eyeliner. Messy, extravagant, and dramatic (me in three words), she was never seen without it. It reminds me a lot of the looks worn by Julie and Julie in the 1966 Czechoslovakian film Daisies is an extended cat eye that leans towards raccoonish. For this, you’re going to cover your entire eyelid up to the brow bone with a shimmery white shadow, and then draw an outline of the shape with eyeliner before filling it in.

 You can  either clean it up with a q-tip and call it a day, or add black eyeshadow over the basic shape and blending out for a softer look. Add a super-shiny lip gloss, throw on a monkey fur coat, and go run wild through the streets.

And Voilà!

And Voilà!


Isabella Strazzabosco is an artist, witch, and triple air sign from Chicago. She currently resides in New York City, where she is studying visual and global studies at The New School. Isabella has been an artistic associate and core creative at Free Street Theater since 2014, and a member of the Goodman Theater slam poetry team in the 2016-2017 season. Isabella loves Nick Cave, Gemini season, and the strawberry cheesecake pancakes from IHOP. You can view her art at isabellastrazzabosco.tumblr.com, and follow her on instagram at @fleshworld5

In Beauty Tags Cookie Mueller, Beauty, Makeup, Isabella Strazzabosco
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Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
'this strikes me as a Rorschach' — poetry by John Amen
'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
'the sky violent' — poetry by Robert Warf
'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'we can be forlorn women' — poetry by Stevie Belchak
'we can be forlorn women' — poetry by Stevie Belchak
'I do whatever the light tells me to' — poetry by Catherine Bai
'I do whatever the light tells me to' — poetry by Catherine Bai
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
'Venetian draped in goatskin' — poetry by Natalie Mariko
'Venetian draped in goatskin' — poetry by Natalie Mariko
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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