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delicious new poetry
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
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'we can be forlorn women' — poetry by Stevie Belchak
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'I do whatever the light tells me to' — poetry by Catherine Bai
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'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
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‘to kill bodice and give sacrament’ — poetry By Kale Hensley
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‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
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'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
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'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
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'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
Nov 28, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
Oct 31, 2025
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
Oct 31, 2025
'poet as tarantula, poem as waste' — poetry by Ewen Glass
Oct 31, 2025
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
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Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
Oct 31, 2025
goddess energy.jpg
Oct 26, 2025
'Hotter than gluttony' — poetry by Anne-Adele Wight
Oct 26, 2025
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
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'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
Oct 26, 2025
Stephani Scutari

Stephani Scutari

Artist Lisa Levy Was Humbly Present At Christopher Stout Gallery

February 2, 2016

We all decided to chime in, prove we knew what we were talking about, and write long think pieces that either defended or tore down the work in an effort to prove what matters or doesn’t matter in this world, including this one.

BY DALLAS ATHENT

Artist and comedian Lisa Levy threw off her robe and sat naked on the porcelain throne placed in the center of Christopher Stout Gallery. You heard that right. In her performance art piece The Artist is Humbly Present, Levy mocked the art world, pretension, and herself. During the performance, viewers were invited to sit opposite Levy on a facing toilet and interact with her in any way, other than touching her. If you’re familiar with Marina Ambramovic’s performance at MoMA, The Artist is Present, where viewers were invited to sit and face the artist in a chair, you’ll immediately understand the blatant reference.

When the performance art piece was first announced, it was met with great controversy and gained mass media attention, sparking articles in Papermag, The Daily Beast, Mashable, and tabloids such as The New York Post. Even Howard Stern discussed it on his show. While some found the work exciting, clever and applauded Levy for calling out the art world, others used the readily available puns to make fun of the work, calling it bullshit. Some people stated she was more pretentious than Ambramovic herself.

It’s easy to understand why not everyone took to the work at first. It’s grotesque, for one. Anything having to do with our bodily functions causes us to automatically categorize and file in a safe space—that being the bathroom, not a gallery setting. For many, art, or the interaction with art, is to escape what is morbid, and create something more beautiful. Then it also depicts a woman naked, and not in a sexualized manner. I don’t think I need to explain just why this is problematic for the Western World. Also, everyone is allowed to have an opinion, some people just don’t like certain things which is totally okay.

But most of all, it’s stupid. It’s a woman sitting naked on a toilet! How ridiculous! This isn’t art. But its stupidity is precisely what prove’s Levy’s point. In its simplicity, The Artist is Humbly Present, successfully makes a mockery of the artist, those who write about art, but also how the viewer perceives art. For a week straight we were all talking about a woman on a toilet, and everyone had an opinion. Everyone. We all decided to chime in, prove we knew what we were talking about, and write long think pieces that either defended or tore down the work in an effort to prove what matters or doesn’t matter in this world, including this one. The articles and responses became a part of the performance itself, adding to the sensation in believing that all of this, including our thoughts, actually means something. And just for the record to do my due dilligence, I think it’s genius.

On opening day, Levy and Stout wondered how the work would be perceived, what would happen. Groups of people gathered at various times to sit opposite Levy and get the full experience. While nobody went to the bathroom, one guy did pull down his pants, jumpstarting at least five others to get naked. Another lady brought in a peacock (??) to join her on the porcelain throne. Many stated that sitting opposite Levy was indeed, a profound moment for them. Levy, who wouldn’t speak while being naked and exposed to the public ended up being more than a parody performance--but a powerful moment that made them question the motives behind art and also the ego of the artist. Afterwards, while being interviewed by the press one viewer said, “I came out because I think it’s brave.” It’s hard to put into words just why it’s brave, but I know what she means. Levy allowed us to just sit there and gawk at her, discuss her and put her in a humbling state while we all pretend to know what the fuck we’re talking about.


Dallas Athent is a writer whose work has been profiled in Bedford + Bowery, Brooklyn Magazine, The L Magazine and more. She's also an artist and has exhibited in several galleries across New York City. You can learn more at dallasathent.com.

In Art Tags Dallas Athent, Lisa Levy, Art, The Artist is Humbly Present, Christopher Stout Gallery
← Interview With Geneviève LeJeune, Founder of Skirt ClubViolence As Violence: A Response to Zachary Schomburg’s “Poetry As Violence” →
Featured
‘in the glitter-open black' — poetry by Fox Henry Frazier
‘in the glitter-open black' — poetry by Fox Henry Frazier
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
'poet as tarantula, poem as waste' — poetry by Ewen Glass
'Hours rot away in regalia' — poetry by Stephanie Chang
'Hours rot away in regalia' — poetry by Stephanie Chang
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'do not be afraid' — poetry by Maia Decker
'do not be afraid' — poetry by Maia Decker
'The darkened bedroom' — poetry by Jessica Purdy
'The darkened bedroom' — poetry by Jessica Purdy
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
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