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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
KLIMT.png

Gustav Klimt Makeup Tutorial for the Art Witch Inside Us All

October 30, 2017

BY ISABELLA STRAZZABOSCO

gustav klimpt

When I was little, my mom had huge coffee table books full of art piled around the house and I was always transfixed by what was inside. I brushed past the descriptions and biographies, looking for the pictures that caught my eye. Although I never lingered at Rockwell or Renoir, I would always stop when I got to Klimt. Feeling a little bit like Alice, I became totally engulfed in the gold-leafed wonderland of his paintings. They reminded me of Greek Gods and Goddesses, beautiful, surreal, and a little scary. His paintings seemed to breathe, the shimmering textures and lush colors of his pieces made them feel alive. They were magical. 

Even after I grew tired of my mom’s books and looked for art in new places, Klimt’s influence stayed with me, manifesting itself in a love for jewel tones, metallics, the surreal, and the majestic. My first tarot deck was the Golden Tarot of Klimt, and my connection with the deck came easy, because I already had a strong and intuitive bond with the images on the cards.

When I decided I wanted to make a makeup look inspired by art history, it’s hard to think of an artist better suited than Klimt. This look is great for when you want to get a little dreamier, a little darker, and a little more glittery. As much as I would love to walk down the street streaming golden tears and draped in velvet every day, this is probably the closest I’m going to to living like one of the characters in a Klimtian fever dream.

klimpt

First, prime and prep your skin. I opted for a heavier coverage foundation and matte powder, because I wanted a smooth and even base to add color back into later. I also contoured my cheekbones with a cream contour. I wanted my eyebrows to be very defined (à la Klimt’s muse, Adele Bloch-Bauer), so I filled them in with a pencil and then brushed them into shape with a gel.

klimt

My favorite aspect about the people that Klimt paints are their cheeks. They all have a dreamy blush that flushes over nearly the entire face, like they just. To make it wearable, I opted for a rosy beige with a cream formula, which lets you really work it into your skin for an *ethereal glow*. It also lets you be in control of building up the amount of color you want, to make sure you lean more towards Marie Antoinette's cheek rouge than sunburn.

RELATED: Navigating the Minimal Makeup Trend as an Acne-prone Human

I used a berry lip stain, followed by a darker lipstick in the middle of my lips, and avoided any harsh lines by smudging my lip line with a q-tip. I dabbed my fingers on my lips to pick up some of the color, and then pressed the leftover lipstick onto the tops of my cheekbones over the blush I already put on. 

klimt

For the eyes, I drew inspiration from two very Klimt-esque pieces, "Larme d'or" (Tears of Gold) by Anne Marie Zilberman, and Nan Goldin’s Joey at the Love Ball. The first time I saw Nan Goldin’s photo at the Museum of Contemporary Art in Chicago, I was hypnotized by the same elements that had always drawn me to Klimt. It instantly became my favorite photograph, and its beautiful colors and textures have been floating around my head ever since.

Using the same berry lip stain from earlier, I blended it all the way from my lash line to my brow bone (Warning! Red pigment can be irritating to some people’s eyes, so if you decide to do this step, proceed with caution), and then took a shimmery grey-brown and blended it over my lid. I drew a thick line with gold liquid eyeliner, flicked it out at the ends, added some mascara to my bottom lashes, and ta-da! I was done. 

To finish the look I took some glitter and placed it on my cheekbones, cupid’s bow, and the end of my nose, to mimic the kaleidoscopic, bejeweled feeling of Klimt’s work.  

By this point you’re left glowing and glittering like a post-impressionist angel. You can totally play up any of the features in this look to up the dramatics, or to play it down if you want to rock the gilded goddess look on the day-to-day.

RELATED: What Self-Care & Beauty Rituals Mean for Trans & Non-Binary People

klimt makeup

PRODUCTS USED

Skin
Nature Republic Cell Boosting BB Cream in shade 01
Maybelline Dream Wonder Powder in shade 03
Glossier Cloud Paint in shade Dusk
Lime Crime Diamond Crushers in shade Choke

Eyes
NYX Soft Matte Lip Cream in shade Copenhagen
Urban Decay Naked 3 Palette, shades Mugshot and Darkside
Jordana Cat Eye Liner in shade Future
Maybelline Great Lash Mascara

Eyebrows
NYX Auto Eyebrow Pencil in shade Black
Glossier Boy Brow in shade Black

Lips
NYX Soft Matte Lip Cream in shade Copenhagen
Bite Beauty Creme Lipstick in shade 001


Isabella Strazzabosco is an artist, witch, and triple air sign from Chicago. She currently resides in New York City, where she is studying visual and global studies at The New School. Isabella has been an artistic associate and core creative at Free Street Theater since 2014, and a member of the Goodman Theater slam poetry team in the 2016-2017 season. Isabella loves Nick Cave, Gemini season, and the strawberry cheesecake pancakes from IHOP.

In Beauty Tags gustav klimt, art, art makeup, klimt tutorials, isabella strazzabosco
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Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
'this strikes me as a Rorschach' — poetry by John Amen
'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
'the sky violent' — poetry by Robert Warf
'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'we can be forlorn women' — poetry by Stevie Belchak
'we can be forlorn women' — poetry by Stevie Belchak
'I do whatever the light tells me to' — poetry by Catherine Bai
'I do whatever the light tells me to' — poetry by Catherine Bai
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
'Venetian draped in goatskin' — poetry by Natalie Mariko
'Venetian draped in goatskin' — poetry by Natalie Mariko
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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