• Home
  • indulge
  • new poetry
    • About Luna Luna
    • resources
    • search
  • editor
  • NYC reading
  • dark hour
  • submit
Menu

luna luna magazine

  • Home
  • indulge
  • new poetry
  • About
    • About Luna Luna
    • resources
    • search
  • editor
  • NYC reading
  • dark hour
  • submit
delicious new poetry
'I will give you horses' — poetry by Johannes Göransson
Mar 28, 2026
'I will give you horses' — poetry by Johannes Göransson
Mar 28, 2026
Mar 28, 2026
'Darling, clean up your heart' — poetry by Lavinia Liang
Mar 28, 2026
'Darling, clean up your heart' — poetry by Lavinia Liang
Mar 28, 2026
Mar 28, 2026
'am I the lonely wicked one' — poetry by Lindsay Lusby
Mar 28, 2026
'am I the lonely wicked one' — poetry by Lindsay Lusby
Mar 28, 2026
Mar 28, 2026
'flowers of hell, bonded in glitter' — poetry by Katie Doherty
Mar 28, 2026
'flowers of hell, bonded in glitter' — poetry by Katie Doherty
Mar 28, 2026
Mar 28, 2026
'it is the scent of death and it is a wolfish girl' — poetry by Lena Kinder
Mar 28, 2026
'it is the scent of death and it is a wolfish girl' — poetry by Lena Kinder
Mar 28, 2026
Mar 28, 2026
'plotting like a diabolical orchid' — poetry by Laura Cronk
Mar 28, 2026
'plotting like a diabolical orchid' — poetry by Laura Cronk
Mar 28, 2026
Mar 28, 2026
'even in wilds, it sins' — poetry by Ann DeVilbiss
Mar 28, 2026
'even in wilds, it sins' — poetry by Ann DeVilbiss
Mar 28, 2026
Mar 28, 2026
'I birth my own being' — poetry by Nichole Turnbloom
Mar 28, 2026
'I birth my own being' — poetry by Nichole Turnbloom
Mar 28, 2026
Mar 28, 2026
'vespiaries brooding combs of quietness' — poetry by Susan Irvine
Mar 28, 2026
'vespiaries brooding combs of quietness' — poetry by Susan Irvine
Mar 28, 2026
Mar 28, 2026
'What comes after happiness?' — poetry by Robert McDonald
Mar 27, 2026
'What comes after happiness?' — poetry by Robert McDonald
Mar 27, 2026
Mar 27, 2026
‘the pale seam of spillage’ — poetry by Amanda Gaines
Mar 27, 2026
‘the pale seam of spillage’ — poetry by Amanda Gaines
Mar 27, 2026
Mar 27, 2026
'an assailing miasma' — poetry by Sadee Bee
Mar 27, 2026
'an assailing miasma' — poetry by Sadee Bee
Mar 27, 2026
Mar 27, 2026
' ghost of cinnamon, wet dog & bog blood' — poetry by Trista Edwards
Mar 27, 2026
' ghost of cinnamon, wet dog & bog blood' — poetry by Trista Edwards
Mar 27, 2026
Mar 27, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
Mar 10, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
Mar 9, 2026
'lost in the  rapture of man' — poetry by Ian Berger
Mar 9, 2026
'lost in the rapture of man' — poetry by Ian Berger
Mar 9, 2026
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
Mar 9, 2026
'come enflesh  our feast' — poetry by Haley Hodges
Mar 9, 2026
'come enflesh our feast' — poetry by Haley Hodges
Mar 9, 2026
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
Mar 9, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
Via Sonophonix

Via Sonophonix

Sonophonix Reimagine 'Crazy In Love' In Haunting New Way

October 9, 2020

BY LISA MARIE BASILE

Sonophonix is a musical duo comprised of Pianist Deborah Robb and cellist Xue Yang Liu — both based in New York City. In their latest release, they conjure magic with a rich, intense, and sultry cover of Beyoncé’s Crazy In Love. (We also love Bey).

This isn’t your typical cover; it’s an artful display of talent, emotion, and reimagination — and its accompanying video is pure art. Hovering between a kind of melancholy and desirousness, this is a gift to us all. In a time of year during which we mourn and hope for change, their art makes our lives more beautiful, more meaningful, and more magical.

I chatted with the duo about their musical backgrounds, how they approached Crazy In Love, and why they think music is so important — especially right now.

“We were really inspired by the idea of Love. Right now, we feel strongly that this message is more important now more than ever. We hope to tap into people's emotions when they listen to our music, and we hope this music video can bring our audience to a place that is full of love.” — Sonophonix


sonophonix

LMB: Can you tell me about how you two started Sonophonix - and what is your vision for it as you move forward?

Sonophonix: We met while we were grad students at Mannes School of Music at The New School.  We first became friends and played chamber music together and that was when we realized that we shared similarities in how we interpret and perform music.

While at Mannes, Xue and Deb performed together at Alice Tully Hall and subsequently at Carnegie Hall. After Mannes, Deb went on to work in music production and composition and Xue worked as a cellist, as well as a studio musician and writing string arrangements.  We then got together after honing our skills and created Sonophonix! We felt a shared sense of a musical style and view.  

Ultimately, we wanted to create our own sound and style.  

“Our goal is for our listeners to listen to our music and create their own story without having it predetermined from lyrics.  Our style is very atmospheric with a lot of depth creating a very cinematic sound. Our vision moving forward is to create music for film. We are currently working on our first studio album creating music based on and inspired by colors and what those colors can provoke.” — Sonophonix

Pianist Deborah Robb

Pianist Deborah Robb

What are your backgrounds in music? Tell us a bit more about who you are and what you’ve done, because you’ve both done a lot.

We both come from a very strong classical background.  

Xue started her music journey at 4 years old, later on she attended Juilliard pre-college at age 16 and then continued her studies receiving a bachelor's degree in cello performance and continuing her studies at Mannes School of Music for professional studies and master. After Mannes , Xue frequently performed in NYC venues such as Carnegie Hall, Lincoln Center, and Rose Theatre — and she also wrote string arrangements for artists and did work as a studio musician as well.  

Deb also started her musical journey at 4 and wrote her first piece at 5.  She made her formal debut at the Elsinore Theatre in Salem Oregon at age 12.  She then went on to get her Bachelor's and Masters degree in Piano Performance at The Boston Conservatory at Berklee and Mannes School of Music.  She then went to immerse herself in music production where she learned to use various DAWs, produce and write music, working with top artists in NYC.

Xue Yang Liu, cellist

Xue Yang Liu, cellist

What inspired you to cover Crazy In Love?  

There was something we really connected with the Crazy In Love rendition Beyonce did for the movie Fifty Shades of Grey.  We felt we could really offer a different approach to the song through arrangement and production.  Whether it is original music or covers, we love to play with different textures, effects, and melodies to create something with a lot of thought and depth to it.  We were also really inspired by the idea of Love.  

Right now, we feel strongly that this message is more important now more than ever.  We hope to tap into people's emotions when they listen to our music, and we hope this music video can bring our audience to a place that is full of love. 

Artist: Sonophonix Director: Maria Bruun Production: Comotion Productions NYC & Sonophonix Cinematographer: Gareth Smit Choreography & Dance: Ehizoje Azeke &...

Love was what inspired the video, too. Our Director Maria Bruun had a vision of having dancers involved in the video so they could express the emotions and passion along with our playing. Because there are no lyrics in our music, we both thought the instrumental and dancers were a perfect compliment to express deep emotions, and also create an intense and hauntingly beautiful love story between the two dancers. 

We thought that it would be more striking in black and white. Portray intense love through dance.  Instrumental and dance have that in common.

“Music transcends language, barriers, location.  Music can touch the deepest parts of our soul and gives us comfort and solace.  It is our most primal way of expression. It can heal and can absolutely bring us all together. “ — SONOPHONIX

What do you think the purpose of art and music is, especially in a world where we are divided by pandemic and political ideologies?  Can music heal us and bring us together? 

We believe music and art can bring people together. It doesn't matter where you are from in this world; people can always connect through music and art.  Music transcends language, barriers, location.  Music can touch the deepest parts of our soul and gives us comfort and solace.  It is our most primal way of expression. It can heal and can absolutely bring us all together.  A prime example of that is the team that we worked with on this video.  Everyone was from a different background, different culture, different countries.  

How can our readers follow you and support you? 

Be sure to follow on our Instagram @Sonophonix and on our YouTube page. And if you wanna read more about us and listen to more our music, head to our website HERE.

View this post on Instagram

A post shared by Sonophonix (@sonophonix) on Sep 30, 2020 at 9:57am PDT

In Art, Pop Culture, NYC, Music Tags SONOPHONIX, Deborah Robb, Xue Yang Liu, cello, piano, beyonce, crazy in love, crazy in love cover, new york city, musicians
← Casting Elpida: On Hope & Haunting in AutumnA Playlist for The Fool →
feed me poetry
Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Scott Ferry
Poetry 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Scott Ferry
Poetry 2025
Scott Ferry
Poetry 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Triniti Wade
Poetry 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Triniti Wade
Poetry 2025
Triniti Wade
Poetry 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
hillary leftwich
Poetry 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
hillary leftwich
Poetry 2025
hillary leftwich
Poetry 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Rehan Qayoom
Poetry 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Rehan Qayoom
Poetry 2025
Rehan Qayoom
Poetry 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dawn Tefft
Poetry 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dawn Tefft
Poetry 2025
Dawn Tefft
Poetry 2025
'to anoint the robes' — poetry by Timothy Otte
Timothy Otte
Poetry 2025
'to anoint the robes' — poetry by Timothy Otte
Timothy Otte
Poetry 2025
Timothy Otte
Poetry 2025
'a stone portal in the woods' — RJ Equality Ingram
RJ Equality Ingram
Poetry 2025
'a stone portal in the woods' — RJ Equality Ingram
RJ Equality Ingram
Poetry 2025
RJ Equality Ingram
Poetry 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Lindsay D’Andrea
Poetry 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Lindsay D’Andrea
Poetry 2025
Lindsay D’Andrea
Poetry 2025
'earth’s marble cage' — poetry by Annah Atane
Annah Atane
Poetry 2025
'earth’s marble cage' — poetry by Annah Atane
Annah Atane
Poetry 2025
Annah Atane
Poetry 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Nathalie Spaans
Poetry 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Nathalie Spaans
Poetry 2025
Nathalie Spaans
Poetry 2025
'this strikes me as a Rorschach' — poetry by John Amen
John Amen
Poetry 2025
'this strikes me as a Rorschach' — poetry by John Amen
John Amen
Poetry 2025
John Amen
Poetry 2025
'the sky violent' — poetry by Robert Warf
Robert Warf
Poetry 2025
'the sky violent' — poetry by Robert Warf
Robert Warf
Poetry 2025
Robert Warf
Poetry 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Karen L. George
Poetry 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Karen L. George
Poetry 2025
Karen L. George
Poetry 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Tabitha Dial
Poetry 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Tabitha Dial
Poetry 2025
Tabitha Dial
Poetry 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Paula J. Lambert, Juan Armando Rojas
Poetry 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Paula J. Lambert, Juan Armando Rojas
Poetry 2025
Paula J. Lambert, Juan Armando Rojas
Poetry 2025
'we can be forlorn women' — poetry by Stevie Belchak
Stevie Belchak
Poetry 2025
'we can be forlorn women' — poetry by Stevie Belchak
Stevie Belchak
Poetry 2025
Stevie Belchak
Poetry 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Catherine Bai
Poetry 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Catherine Bai
Poetry 2025
Catherine Bai
Poetry 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Kale Hensley
Poetry 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Kale Hensley
Poetry 2025
Kale Hensley
Poetry 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Natalie Mariko
Poetry 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Natalie Mariko
Poetry 2025
Natalie Mariko
Poetry 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Patrice Boyer Claeys
Poetry 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Patrice Boyer Claeys
Poetry 2025
Patrice Boyer Claeys
Poetry 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Ellen Kombiyil
Poetry 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Ellen Kombiyil
Poetry 2025
Ellen Kombiyil
Poetry 2025
'punish or repent' — poetry by Chris McCreary
Chris McCreary
Poetry 2025
'punish or repent' — poetry by Chris McCreary
Chris McCreary
Poetry 2025
Chris McCreary
Poetry 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Jessica Purdy
Poetry 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Jessica Purdy
Poetry 2025
Jessica Purdy
Poetry 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nathan Hassall
Poetry 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nathan Hassall
Poetry 2025
Nathan Hassall
Poetry 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Jeanne Morel, Anthony Warnke, collaborative poetry
Poetry 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Jeanne Morel, Anthony Warnke, collaborative poetry
Poetry 2025
Jeanne Morel, Anthony Warnke, collaborative poetry
Poetry 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
D.J. Huppatz
Poetry 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
D.J. Huppatz
Poetry 2025
D.J. Huppatz
Poetry 2025
'an animal within an animal' — a poem by Carolee Bennett
Carolee Bennett
Poetry 2025
'an animal within an animal' — a poem by Carolee Bennett
Carolee Bennett
Poetry 2025
Carolee Bennett
Poetry 2025
goddess energy.jpg
Anne-Adele Wight
Poetry 2025
'Hotter than gluttony' — poetry by Anne-Adele Wight
Anne-Adele Wight
Poetry 2025
Anne-Adele Wight
Poetry 2025
'As though from Babel' — poetry by Fox Henry Frazier
fox henry frazier
Poetry 2025
'As though from Babel' — poetry by Fox Henry Frazier
fox henry frazier
Poetry 2025
fox henry frazier
Poetry 2025
'See my wants' — poetry by Aaliyah Anderson
Aaliyah Anderson
Poetry 2025
'See my wants' — poetry by Aaliyah Anderson
Aaliyah Anderson
Poetry 2025
Aaliyah Anderson
Poetry 2025

COPYRIGHT LUNA LUNA MAGAZINE 2025