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delicious new poetry
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
Via Sonophonix

Via Sonophonix

Sonophonix Reimagine 'Crazy In Love' In Haunting New Way

October 9, 2020

BY LISA MARIE BASILE

Sonophonix is a musical duo comprised of Pianist Deborah Robb and cellist Xue Yang Liu — both based in New York City. In their latest release, they conjure magic with a rich, intense, and sultry cover of Beyoncé’s Crazy In Love. (We also love Bey).

This isn’t your typical cover; it’s an artful display of talent, emotion, and reimagination — and its accompanying video is pure art. Hovering between a kind of melancholy and desirousness, this is a gift to us all. In a time of year during which we mourn and hope for change, their art makes our lives more beautiful, more meaningful, and more magical.

I chatted with the duo about their musical backgrounds, how they approached Crazy In Love, and why they think music is so important — especially right now.

“We were really inspired by the idea of Love. Right now, we feel strongly that this message is more important now more than ever. We hope to tap into people's emotions when they listen to our music, and we hope this music video can bring our audience to a place that is full of love.” — Sonophonix


sonophonix

LMB: Can you tell me about how you two started Sonophonix - and what is your vision for it as you move forward?

Sonophonix: We met while we were grad students at Mannes School of Music at The New School.  We first became friends and played chamber music together and that was when we realized that we shared similarities in how we interpret and perform music.

While at Mannes, Xue and Deb performed together at Alice Tully Hall and subsequently at Carnegie Hall. After Mannes, Deb went on to work in music production and composition and Xue worked as a cellist, as well as a studio musician and writing string arrangements.  We then got together after honing our skills and created Sonophonix! We felt a shared sense of a musical style and view.  

Ultimately, we wanted to create our own sound and style.  

“Our goal is for our listeners to listen to our music and create their own story without having it predetermined from lyrics.  Our style is very atmospheric with a lot of depth creating a very cinematic sound. Our vision moving forward is to create music for film. We are currently working on our first studio album creating music based on and inspired by colors and what those colors can provoke.” — Sonophonix

Pianist Deborah Robb

Pianist Deborah Robb

What are your backgrounds in music? Tell us a bit more about who you are and what you’ve done, because you’ve both done a lot.

We both come from a very strong classical background.  

Xue started her music journey at 4 years old, later on she attended Juilliard pre-college at age 16 and then continued her studies receiving a bachelor's degree in cello performance and continuing her studies at Mannes School of Music for professional studies and master. After Mannes , Xue frequently performed in NYC venues such as Carnegie Hall, Lincoln Center, and Rose Theatre — and she also wrote string arrangements for artists and did work as a studio musician as well.  

Deb also started her musical journey at 4 and wrote her first piece at 5.  She made her formal debut at the Elsinore Theatre in Salem Oregon at age 12.  She then went on to get her Bachelor's and Masters degree in Piano Performance at The Boston Conservatory at Berklee and Mannes School of Music.  She then went to immerse herself in music production where she learned to use various DAWs, produce and write music, working with top artists in NYC.

Xue Yang Liu, cellist

Xue Yang Liu, cellist

What inspired you to cover Crazy In Love?  

There was something we really connected with the Crazy In Love rendition Beyonce did for the movie Fifty Shades of Grey.  We felt we could really offer a different approach to the song through arrangement and production.  Whether it is original music or covers, we love to play with different textures, effects, and melodies to create something with a lot of thought and depth to it.  We were also really inspired by the idea of Love.  

Right now, we feel strongly that this message is more important now more than ever.  We hope to tap into people's emotions when they listen to our music, and we hope this music video can bring our audience to a place that is full of love. 

Love was what inspired the video, too. Our Director Maria Bruun had a vision of having dancers involved in the video so they could express the emotions and passion along with our playing. Because there are no lyrics in our music, we both thought the instrumental and dancers were a perfect compliment to express deep emotions, and also create an intense and hauntingly beautiful love story between the two dancers. 

We thought that it would be more striking in black and white. Portray intense love through dance.  Instrumental and dance have that in common.

“Music transcends language, barriers, location.  Music can touch the deepest parts of our soul and gives us comfort and solace.  It is our most primal way of expression. It can heal and can absolutely bring us all together. “ — SONOPHONIX

What do you think the purpose of art and music is, especially in a world where we are divided by pandemic and political ideologies?  Can music heal us and bring us together? 

We believe music and art can bring people together. It doesn't matter where you are from in this world; people can always connect through music and art.  Music transcends language, barriers, location.  Music can touch the deepest parts of our soul and gives us comfort and solace.  It is our most primal way of expression. It can heal and can absolutely bring us all together.  A prime example of that is the team that we worked with on this video.  Everyone was from a different background, different culture, different countries.  

How can our readers follow you and support you? 

Be sure to follow on our Instagram @Sonophonix and on our YouTube page. And if you wanna read more about us and listen to more our music, head to our website HERE.

View this post on Instagram

A post shared by Sonophonix (@sonophonix) on Sep 30, 2020 at 9:57am PDT

In Art, Pop Culture, NYC, Music Tags SONOPHONIX, Deborah Robb, Xue Yang Liu, cello, piano, beyonce, crazy in love, crazy in love cover, new york city, musicians
← Casting Elpida: On Hope & Haunting in AutumnA Playlist for The Fool →
Featured
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
'made a deal / with Azrael' — poetry by Triniti Wade
'made a deal / with Azrael' — poetry by Triniti Wade
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
'Time's metronome blank' — poetry by Rehan Qayoom
'Time's metronome blank' — poetry by Rehan Qayoom
'There is no choir on the mountain' — poetry by Dawn Tefft
'There is no choir on the mountain' — poetry by Dawn Tefft
'to anoint the robes' — poetry by Timothy Otte
'to anoint the robes' — poetry by Timothy Otte
'a stone portal in the woods' — RJ Equality Ingram
'a stone portal in the woods' — RJ Equality Ingram
'crooked castle wanting' — poetry by Lindsay D’Andrea
'crooked castle wanting' — poetry by Lindsay D’Andrea
'earth’s marble cage' — poetry by Annah Atane
'earth’s marble cage' — poetry by Annah Atane
'silent, Sunday morning' — poetry by Nathalie Spaans
'silent, Sunday morning' — poetry by Nathalie Spaans
'this strikes me as a Rorschach' — poetry by John Amen
'this strikes me as a Rorschach' — poetry by John Amen
'O, to bloom, to arch open' — poetry by Karen L. George
'O, to bloom, to arch open' — poetry by Karen L. George
'the sky violent' — poetry by Robert Warf
'the sky violent' — poetry by Robert Warf
'Love is a necessary duty' — poetry by Tabitha Dial
'Love is a necessary duty' — poetry by Tabitha Dial
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
'we can be forlorn women' — poetry by Stevie Belchak
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'I do whatever the light tells me to' — poetry by Catherine Bai
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'Venetian draped in goatskin' — poetry by Natalie Mariko
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'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
'punish or repent' — poetry by Chris McCreary
'punish or repent' — poetry by Chris McCreary
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