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delicious new poetry
Writing Prompts for Threshold Times
September 4, 2026
Writing Prompts for Threshold Times
September 4, 2026
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September 4, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
'come lie by me in the pasture' — poetry by Renee Kalagayan
September 3, 2026
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September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
'In this world I kept happening' — poetry by Oladejo Abdullah Feranmi
September 3, 2026
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September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
'the azaleas all make gruel out of me' — poetry by Anya Johanna DeNiro
September 3, 2026
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September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
'silk and rivers' — poetry by Zavi Kang Engles
September 3, 2026
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September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
'death and a mountain view' — poetry by Emily Brandt
September 3, 2026
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September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
'the incense of my bed chamber ' — poetry by Katja Jackson
September 3, 2026
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September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
'bruises confettied as raspberries' — poetry Chelsea Fonden
September 3, 2026
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September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
'you were obsessed. a monster.' — poetry by Kathleen Hellen
September 3, 2026
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September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
'Seas of her marooned organs' — poetry by Shon Mapp
September 3, 2026
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September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
'a ghost house of Sicily' — poetry by Edvige Giunta
September 3, 2026
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September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
'Are the clouds full of well-water?' — poetry by Johanna E. Hall
September 3, 2026
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September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
'seals her-self in the confession box' — poetry by Spencer Keene
September 3, 2026
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September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
'bloody with sunset' — poetry by Will Cordeiro
September 3, 2026
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September 3, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
'dream in locusts' — poetry by Vi Ly
August 15, 2026
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August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
August 15, 2026
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August 15, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
' I am brutally killed by daffodils' — poetry by Emily Tong
August 14, 2026
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August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
'violet scabbing on ankle backs' — poetry by Lexi Rosen
August 14, 2026
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August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
'it was something more gory' — poetry by Caroline O'Connor Thomas
August 14, 2026
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August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
August 14, 2026
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August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
'every hour is one long suffering' — poetry by Anne Halsey
August 14, 2026
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August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
'a terrible countenance for what nourishes' — poetry by I Echo
August 14, 2026
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August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
'I am the aftermath' — poetry by Taylor Hamann Los
August 14, 2026
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August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
'as if landscapes verdant' — poetry by Kacey Martin
August 14, 2026
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August 14, 2026
'a wasp  giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
'a wasp giving itself to the fig' — poetry by Elaina Edwards
August 14, 2026
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August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
'ghosts in hair follicles' — poetry by Trish hopkinson
August 14, 2026
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August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
'roses among men' — poetry by Amy Thatcher
August 14, 2026
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August 14, 2026
Writing prompts for a fever dream summer
August 3, 2026
Writing prompts for a fever dream summer
August 3, 2026
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August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
'bloodsponge rubies & wicked diamonds' — poetry by Emily Murman
August 3, 2026
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August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
'beauty is the last thing before death' — poetry by Francis de Lima
August 3, 2026
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August 3, 2026
Vejigante.jpg

Carnival Vejigante Mask Pin To Help Puerto Rico

November 23, 2017

BY MONIQUE QUINTANA

Two NYC artists have collaborated on a fun and beautiful pin project to help bring healing to Puerto Rico in the aftermath of Hurricane Maria. Krystal Quiles and Emerald Pellot discuss how they’re using their creativity to raise awareness and celebrate their Latinidad.

 Monique Quintana: Can you tell a little about yourselves? Where are you based in? What kind of art do you both create?

Krystal Quiles: I was originally based in the Bronx and am currently working out of Brooklyn. As an illustrator, I combine digital media along with drawing and other traditional mediums to create my work. I enjoy creating gifs, pattern textiles, and collaborating with creatives in different fields. 

Krystal Quilles

Krystal Quilles

Emerald Pellot: I am a self-taught digital artist from the Bronx, now residing in Harlem. I design and sell enamel pins via my brand GRL TRBL. My illustrations and pins reflect my often-fraught relationship to social issues as an Afro-Latinx and intersectional feminist. 

Emerald Pellot

Emerald Pellot

MQ: Can you explain your inspiration for the design of the pin?

EP: I always intended to use GRL TRBL as a way to create community and give back. I noticed that representation of Latinx, especially Afro-Latinx, was thoroughly missing from the pin community. I still have trouble finding pin makers who are of Dominican and Puerto Rican heritage like myself. I saw a profile of Krystal on Remezcla and basically reached out 10 minutes later, like: "I know I don't know you, but I think you're dope and have a strong voice, want to collaborate on something that reflects our heritage?" She obliged.

KQ: Growing up in the Bronx, I only visited Puerto Rico a few times to see family and explore the island. It always left me with a longing to go back, and I found myself trying to connect through my art. My work started reflecting the tropical nature that I wanted to capture, and in college I started incorporating Vejigante masks in my drawings. I loved the look and meaning of them, and it brought me back to a feeling that I knew where I was from. So when Emerald asked me to design a pin that spoke to my Latinx culture, one of the first things I thought of was the Vejigante masks. It wasn’t until after we had the pin in production that Hurricane Maria happened. I thought about the pins and how they wouldn’t exist at all if it weren’t for generations of Puerto Rican culture before me. It’s part of the island's history and if we can use these pins as a little reminder that Puerto Ricans are a strong united people, then I think it’s worth giving a little back.

We decided to donate proceeds to the Hispanic Federation since they are giving 100 percent of donations to Hurricane Maria relief. 

You can order a Puerto Rico Carnival Vejigante Mask Pin here.

RELATED: @thewildflowerpower's Cynthia Figueroa on Instagram, Succulents, and Winter Gardening


Monique Quintana is a contributing writer at Clash Media and Senior Beauty Editor at Luna Luna Magazine. She holds an MFA in Creative Writing from CSU Fresno, and her work has appeared in Huizache, Bordersenses, and The Acentos Review, among other publications. She is a member of the Central Valley Women Writers Color Collective and teaches English at Fresno City College.

In Art, Beauty Tags Latinx, Activism, Artisans, Fashion, Intersectional Feminism
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feed me poetry
Featured
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
'dream in locusts' — poetry by Vi Ly
Vi Ly
Vi Ly
Read more →
Vi Ly
Vi Ly
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
Hana Saad
Hana Saad
'plastic chair, watermelon, generator exhaust, benzene' — poetry by Hana Saad
Hana Saad
Hana Saad
Read more →
Hana Saad
Hana Saad
' I am brutally killed by daffodils' — poetry by Emily Tong
Emily Tong
Emily Tong
' I am brutally killed by daffodils' — poetry by Emily Tong
Emily Tong
Emily Tong
Read more →
Emily Tong
Emily Tong
'violet scabbing on ankle backs' — poetry by Lexi Rosen
Lexi Rosen
Lexi Rosen
'violet scabbing on ankle backs' — poetry by Lexi Rosen
Lexi Rosen
Lexi Rosen
Read more →
Lexi Rosen
Lexi Rosen
'it was something more gory' — poetry by Caroline O'Connor Thomas
Caroline O'Connor Thomas
Caroline O'Connor Thomas
'it was something more gory' — poetry by Caroline O'Connor Thomas
Caroline O'Connor Thomas
Caroline O'Connor Thomas
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Caroline O'Connor Thomas
Caroline O'Connor Thomas
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
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Hazelyn Aroian
'I’ll accept delight’s gloom' — poetry by Hazelyn Aroian
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Hazelyn Aroian
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'every hour is one long suffering' — poetry by Anne Halsey
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'every hour is one long suffering' — poetry by Anne Halsey
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Anne Halsey
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'a terrible countenance for what nourishes' — poetry by I Echo
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'I am the aftermath' — poetry by Taylor Hamann Los
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'as if landscapes verdant' — poetry by Kacey Martin
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'a wasp  giving itself to the fig' — poetry by Elaina Edwards
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'roses among men' — poetry by Amy Thatcher
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'roses among men' — poetry by Amy Thatcher
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Amy Thatcher

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