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delicious new poetry
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
Mar 10, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
Mar 9, 2026
'lost in the  rapture of man' — poetry by Ian Berger
Mar 9, 2026
'lost in the rapture of man' — poetry by Ian Berger
Mar 9, 2026
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
Mar 9, 2026
'come enflesh  our feast' — poetry by Haley Hodges
Mar 9, 2026
'come enflesh our feast' — poetry by Haley Hodges
Mar 9, 2026
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
Mar 9, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
'How thy high horse hath fallen' — poetry by Madeline Blair
Jan 1, 2026
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
'a paradise called  Loneliness' — poetry by Adam Jon Miller
Jan 1, 2026
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
'Tell me I taste like hunger' — poetry by Jennifer Molnar
Jan 1, 2026
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
'I prayed to be released from my longing' — poetry by Michelle Reale
Jan 1, 2026
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
'Resurrection dance, a prelude' — poetry by V.C. Myers
Jan 1, 2026
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
'It is noon and the sun is ill' — poetry by Raquel Dionísio Abrantes
Jan 1, 2026
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
'every moon rolling fat through the night' — poetry by Zann Carter
Jan 1, 2026
Jan 1, 2026
jan1.jpeg
Jan 1, 2026
'I have been monstrously good' — erasures by Lauren Davis
Jan 1, 2026
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
'The light slices the mouth' — poetry by Aakriti Kuntal
Jan 1, 2026
Jan 1, 2026
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
Photo: Joanna C. Valente

Photo: Joanna C. Valente

Bewitched: When The Velvet Underground Cast an Identity Spell on Me

January 23, 2019

BY STEPHANIE VALENTE

"But she's not afraid to die, the people all call her Alaska"

Names are funny enterprises unto themselves. In my brief stint on this planet, I've vacillated between adoring my name and treating it with childish contempt. Why? Stephanie is a perfectly fine, stately, and regal name – it means crown, after all. As a Leo sun and a Leo moon, it's also a completely perfect for a Leo child.

The thing is with names, is that sometimes you choose a name and sometimes a name chooses you. And the very act of naming a child in heteronormative Western culture removes a big sense of connection or meaning for the actual recipient. The name is chosen for you, at your birth, and that's that.

I always had a problem with that, but I was never quite sure how to articulate it. I may not be entirely sure at this point in time either, which is why I'm ruminating on names and meaning and how I've carved out of a chunk of meaning and connection for myself. 

Like most suburban kids, I dotted my I's and crossed my T's alongside the classic, safe, and plentiful 80s and 90s kids: Jennifer, Jessica, Amanda, Tiffany, John, Michael, you get my drift. Enter Stephanie, a usual and unusual name at the same time. Like most kids, I wanted my name to enter the room all by itself. I wanted it to be tough, punchy, and full of character. Stephanie was long, lonely, and paired all by itself. Or, so I thought.

One day, I was fifteen years old. One day, I bought a copy of the Velvet Underground's VU. My life changed forever. At the time, I was fueling an obsession with Andy Warhol, and then the Velvet Underground, and then it would spark something whimsical and astounding in myself. A piece of me was in these things that I loved. When the stereo hit the track, "Stephanie Says," a spell was cast. 

The song wasn't originally released on any Velvet Underground albums until 1985's VU. The year I was born. Later on, the track famously appeared in The Royal Tenenbaums which also affected teenage me in multitudes. 

I was instantly hooked. The dreamy, airy quality of the song was equally drowsy and exhilarating. But the lyrics bemused me and puzzled me, just like my own self. The protagonist – Stephanie – seemed so curious, questioning, and restricted. And yet, the protagonist's moody and mysterious declarations ("She's not afraid to die") were so certain, elusive, and aloof. I was captivated. And, I felt a little more seen: my name, shades of my personality, or the personality I wanted to try on in this chaotic thing called teenhood. I felt something. To be connected to such a poignant, tugging piece of music caught me by surprise.

And something unexpected happened: I liked my name. No matter how small, silly, or frivolous it felt, this small revelation to me felt right and tangible. Feeling connected to myself and to a piece of art with my name was otherworldly. Enchanting, even. Like having goose bumps forever. It was like spinning and laughing and never getting dizzy. It was writing your name with the ink of stars on a black sky. As for the song, I'm still enthralled.


Stephanie Valente lives in Brooklyn, NY. She has published Hotel Ghost (Bottlecap Press, 2015) and waiting for the end of the world (Bottlecap Press, 2017) and has work included in Susan, TL;DR, and Cosmonauts Avenue. Sometimes, she feels human. http://stephanievalente.com

In Music Tags music, velvet underground
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