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delicious new poetry
'I will give you horses' — poetry by Johannes Göransson
Mar 28, 2026
'I will give you horses' — poetry by Johannes Göransson
Mar 28, 2026
Mar 28, 2026
'Darling, clean up your heart' — poetry by Lavinia Liang
Mar 28, 2026
'Darling, clean up your heart' — poetry by Lavinia Liang
Mar 28, 2026
Mar 28, 2026
'am I the lonely wicked one' — poetry by Lindsay Lusby
Mar 28, 2026
'am I the lonely wicked one' — poetry by Lindsay Lusby
Mar 28, 2026
Mar 28, 2026
'flowers of hell, bonded in glitter' — poetry by Katie Doherty
Mar 28, 2026
'flowers of hell, bonded in glitter' — poetry by Katie Doherty
Mar 28, 2026
Mar 28, 2026
'it is the scent of death and it is a wolfish girl' — poetry by Lena Kinder
Mar 28, 2026
'it is the scent of death and it is a wolfish girl' — poetry by Lena Kinder
Mar 28, 2026
Mar 28, 2026
'plotting like a diabolical orchid' — poetry by Laura Cronk
Mar 28, 2026
'plotting like a diabolical orchid' — poetry by Laura Cronk
Mar 28, 2026
Mar 28, 2026
'even in wilds, it sins' — poetry by Ann DeVilbiss
Mar 28, 2026
'even in wilds, it sins' — poetry by Ann DeVilbiss
Mar 28, 2026
Mar 28, 2026
'I birth my own being' — poetry by Nichole Turnbloom
Mar 28, 2026
'I birth my own being' — poetry by Nichole Turnbloom
Mar 28, 2026
Mar 28, 2026
'vespiaries brooding combs of quietness' — poetry by Susan Irvine
Mar 28, 2026
'vespiaries brooding combs of quietness' — poetry by Susan Irvine
Mar 28, 2026
Mar 28, 2026
'What comes after happiness?' — poetry by Robert McDonald
Mar 27, 2026
'What comes after happiness?' — poetry by Robert McDonald
Mar 27, 2026
Mar 27, 2026
‘the pale seam of spillage’ — poetry by Amanda Gaines
Mar 27, 2026
‘the pale seam of spillage’ — poetry by Amanda Gaines
Mar 27, 2026
Mar 27, 2026
'an assailing miasma' — poetry by Sadee Bee
Mar 27, 2026
'an assailing miasma' — poetry by Sadee Bee
Mar 27, 2026
Mar 27, 2026
' ghost of cinnamon, wet dog & bog blood' — poetry by Trista Edwards
Mar 27, 2026
' ghost of cinnamon, wet dog & bog blood' — poetry by Trista Edwards
Mar 27, 2026
Mar 27, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
'Make of me a piecemeal mound' — poetry by Matthew Gustafson
Mar 10, 2026
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
'the fever always holds' — poetry by Abbie Allison
Mar 10, 2026
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
'those petty midnights' — poetry by Zoë Davis
Mar 10, 2026
Mar 10, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
'my dear vesuvius' — poetry by jp thorn
Mar 9, 2026
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
'In the doom tunnel' — poetry by Melissa Eleftherion
Mar 9, 2026
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
'Love me as a wilderness' — Ruth Martinez
Mar 9, 2026
Mar 9, 2026
'lost in the  rapture of man' — poetry by Ian Berger
Mar 9, 2026
'lost in the rapture of man' — poetry by Ian Berger
Mar 9, 2026
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
'Stop trying to write something beautiful' — poetry by Diana Whitney
Mar 9, 2026
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
'I am a devotee' — poetry by Patricia Grisafi
Mar 9, 2026
Mar 9, 2026
'come enflesh  our feast' — poetry by Haley Hodges
Mar 9, 2026
'come enflesh our feast' — poetry by Haley Hodges
Mar 9, 2026
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
'noonday I dive' — poetry by Karen Earle
Mar 9, 2026
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
'To eat dying stars' — poetry by Juliet Cook
Mar 9, 2026
Mar 9, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
‘same spectral symphony’ — poetry by Julio César Villegas
Jan 1, 2026
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
'I think I know why I am looking at roses' — poetry by Stephanie Victoire
Jan 1, 2026
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
'All the trees are you' — poetry by Barbara Ungar
Jan 1, 2026
Jan 1, 2026
'girl straddles the axis  of ancient  and eternal' — poetry by Grace Dignazio
Jan 1, 2026
'girl straddles the axis of ancient and eternal' — poetry by Grace Dignazio
Jan 1, 2026
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
'Talk light with me' — poetry by Catherine Graham
Jan 1, 2026
Jan 1, 2026
2.ThreeWomen.jpg

4 Film Goths to Inspire Your Midsummer Look

July 9, 2018

BY KAILEY TEDESCO

1. Andrea Fletcher in Premonition (1976):

1.Premonition.jpg

What it’s about: Andrea Fletcher (Ellen Barber) will stop at nothing to be reunited with her biological daughter who is currently being cared for by a loving foster family. Her plan to enlist the help of a traveling sad clown to reclaim her child is foiled when the clown turns out to be murderous. Now deceased, Andrea possesses the dreams of her child’s foster mom so that they can both rescue the young girl from the nefarious clown. It’s a wild, campy, and beautiful film with some surprisingly progressive commentary on motherhood and empathy.

How to get the look: Andrea Fletcher probably doesn’t give a damn what she looks like. She’s on a mission to get her daughter back, and in the meantime she’s all about cradling dolls in abandoned houses. That calls for minimalistic pieces you can throw on in a hurry. Her signature red sateen dress has a sequin trim that makes a subtle statement, and also suggests costuming— perhaps to mirror her feelings about her current role as a mother. She also wears a large, vintage cameo choker.

For something similar, try:

This red dress.

Or this sequined one.

This choker.

2 & 3. Mildred “Millie” Lammoreaux & Mildred “Pinky” Rose in 3 Women (1977)

2.ThreeWomen.jpg

What it’s about: After getting hired at a spa in California, the shy Pinky (Sissy Spacek) becomes immediately attached to her co-worker Millie (Shelley Duvall). In a dreamlike desert town, both women evolve into and away from one another. Their identities are at once distinct and interchangeable to the point where both characters meld completely with Willie, a third woman who delivers a still born child. The world surrounding them is inscrutable unless examined through the lens of a women’s magazine. And even then, the perception of womanhood is increasingly disrupted through scenes of chaos & misogyny. It’s considered an avant-garde drama, and if you didn’t realize when I said it earlier it bears repeating that both Sissy Spacek AND Shelley Duvall star in this together!

How to get the look: This film has pastel goth written all over it. Both Pinky and Millie wear a variety of candy-colored co-ords, mid-century gingham prints, and flawless pigtails. While the film is tense, every outfit is calm & cool, just as you’d imagine the softest of summer looks.

For something similar, try:

This pink two-piece dress.

This yellow gingham dress.

This coordinating pants set.

4. Florence Tanner in The Legend of Hell House (1973)

3.LegendofHell.png

What it’s about: Let’s just say this movie isn’t all that short, but the ending sure is! (Please watch to understand just how corny that joke was.)

Inspired by Richard Matheson’s novel (and surely reminiscent of some Shirley Jackson classics), this movie follows an eclectic group of scientists & spiritualists who decide to venture into the mansion of a late millionaire in search of paranormal activity. Florence Tanner (Pamela Franklin), a medium and spiritualist minister (also a total badass), finds herself manifesting physical energy throughout the house. It’s not long before she’s blamed for the strange phenomena & alienated from the rest of the group, left to ward off the angry spirit of the millionaire’s son by herself. Without spoiling too much, it’s safe to say that Florence uses her spiritual gifts for the enlightenment of the group until the very end, often sacrificing herself for them despite their skepticism in her power and her accounts of harm & abuse.

How to get the look: Florence is decked out from beginning to end in sheer smock dresses, sleek bodysuits, and bold statement collars and ruffles. Perhaps most importantly, she accessorizes every one of her looks with metallic rings & of course, her large silver cross.

For something similar, try:

This ruffle-trim velvet dress.

This pink frilled smock dress.

This bell sleeve skater dress. 

This removable collar.

This vintage cross pendant.


Kailey Tedesco's books She Used to be on a Milk Carton (April Gloaming Publications) and These Ghosts of Mine, Siamese (Dancing Girl Press) are both forthcoming. She is the editor-in-chief of a Rag Queen Periodical and a performing member of the NYC Poetry Brothel. Her work has been nominated for the Pushcart Prize. You can find her poetry featured or forthcoming in Prelude, Prick of the Spindle, Bellevue Literary Review, Vanilla Sex Magazine, and more. For more information, please visit kaileytedesco.com. 

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