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delicious new poetry
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
Nov 29, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
Nov 28, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
Oct 31, 2025
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
Oct 31, 2025
'poet as tarantula, poem as waste' — poetry by Ewen Glass
Oct 31, 2025
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
'Hours rot away in regalia' — poetry by Stephanie Chang
Oct 31, 2025
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
Oct 31, 2025
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
Oct 31, 2025
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
'do not be afraid' — poetry by Maia Decker
Oct 31, 2025
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
'The darkened bedroom' — poetry by Jessica Purdy
Oct 31, 2025
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
Oct 31, 2025
Oct 31, 2025
goddess energy.jpg
Oct 26, 2025
'Hotter than gluttony' — poetry by Anne-Adele Wight
Oct 26, 2025
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
'As though from Babel' — poetry by Fox Henry Frazier
Oct 26, 2025
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
'See my wants' — poetry by Aaliyah Anderson
Oct 26, 2025
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
'black viper dangling a golden fruit' — poetry by Nova Glyn
Oct 26, 2025
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
'It would be unfair to touch you' — poetry by grace (ge) gilbert
Oct 26, 2025
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
'Praying in retrograde' — poetry by Courtney Leigh
Oct 26, 2025
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
'To not want is death' — poetry by Letitia Trent
Oct 26, 2025
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
'Our wildness the eternal now' — poetry by Hannah Levy
Oct 26, 2025
Oct 26, 2025
2.ThreeWomen.jpg

4 Film Goths to Inspire Your Midsummer Look

July 9, 2018

BY KAILEY TEDESCO

1. Andrea Fletcher in Premonition (1976):

1.Premonition.jpg

What it’s about: Andrea Fletcher (Ellen Barber) will stop at nothing to be reunited with her biological daughter who is currently being cared for by a loving foster family. Her plan to enlist the help of a traveling sad clown to reclaim her child is foiled when the clown turns out to be murderous. Now deceased, Andrea possesses the dreams of her child’s foster mom so that they can both rescue the young girl from the nefarious clown. It’s a wild, campy, and beautiful film with some surprisingly progressive commentary on motherhood and empathy.

How to get the look: Andrea Fletcher probably doesn’t give a damn what she looks like. She’s on a mission to get her daughter back, and in the meantime she’s all about cradling dolls in abandoned houses. That calls for minimalistic pieces you can throw on in a hurry. Her signature red sateen dress has a sequin trim that makes a subtle statement, and also suggests costuming— perhaps to mirror her feelings about her current role as a mother. She also wears a large, vintage cameo choker.

For something similar, try:

This red dress.

Or this sequined one.

This choker.

2 & 3. Mildred “Millie” Lammoreaux & Mildred “Pinky” Rose in 3 Women (1977)

2.ThreeWomen.jpg

What it’s about: After getting hired at a spa in California, the shy Pinky (Sissy Spacek) becomes immediately attached to her co-worker Millie (Shelley Duvall). In a dreamlike desert town, both women evolve into and away from one another. Their identities are at once distinct and interchangeable to the point where both characters meld completely with Willie, a third woman who delivers a still born child. The world surrounding them is inscrutable unless examined through the lens of a women’s magazine. And even then, the perception of womanhood is increasingly disrupted through scenes of chaos & misogyny. It’s considered an avant-garde drama, and if you didn’t realize when I said it earlier it bears repeating that both Sissy Spacek AND Shelley Duvall star in this together!

How to get the look: This film has pastel goth written all over it. Both Pinky and Millie wear a variety of candy-colored co-ords, mid-century gingham prints, and flawless pigtails. While the film is tense, every outfit is calm & cool, just as you’d imagine the softest of summer looks.

For something similar, try:

This pink two-piece dress.

This yellow gingham dress.

This coordinating pants set.

4. Florence Tanner in The Legend of Hell House (1973)

3.LegendofHell.png

What it’s about: Let’s just say this movie isn’t all that short, but the ending sure is! (Please watch to understand just how corny that joke was.)

Inspired by Richard Matheson’s novel (and surely reminiscent of some Shirley Jackson classics), this movie follows an eclectic group of scientists & spiritualists who decide to venture into the mansion of a late millionaire in search of paranormal activity. Florence Tanner (Pamela Franklin), a medium and spiritualist minister (also a total badass), finds herself manifesting physical energy throughout the house. It’s not long before she’s blamed for the strange phenomena & alienated from the rest of the group, left to ward off the angry spirit of the millionaire’s son by herself. Without spoiling too much, it’s safe to say that Florence uses her spiritual gifts for the enlightenment of the group until the very end, often sacrificing herself for them despite their skepticism in her power and her accounts of harm & abuse.

How to get the look: Florence is decked out from beginning to end in sheer smock dresses, sleek bodysuits, and bold statement collars and ruffles. Perhaps most importantly, she accessorizes every one of her looks with metallic rings & of course, her large silver cross.

For something similar, try:

This ruffle-trim velvet dress.

This pink frilled smock dress.

This bell sleeve skater dress. 

This removable collar.

This vintage cross pendant.


Kailey Tedesco's books She Used to be on a Milk Carton (April Gloaming Publications) and These Ghosts of Mine, Siamese (Dancing Girl Press) are both forthcoming. She is the editor-in-chief of a Rag Queen Periodical and a performing member of the NYC Poetry Brothel. Her work has been nominated for the Pushcart Prize. You can find her poetry featured or forthcoming in Prelude, Prick of the Spindle, Bellevue Literary Review, Vanilla Sex Magazine, and more. For more information, please visit kaileytedesco.com. 

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Featured
‘in the glitter-open black' — poetry by Fox Henry Frazier
‘in the glitter-open black' — poetry by Fox Henry Frazier
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
'poet as tarantula, poem as waste' — poetry by Ewen Glass
'Hours rot away in regalia' — poetry by Stephanie Chang
'Hours rot away in regalia' — poetry by Stephanie Chang
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'down down down the hall of mirrors' — poetry by Ronnie K. Stephens
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'Grew appendages, clawed towards light' — poetry by Lucie Brooks
'do not be afraid' — poetry by Maia Decker
'do not be afraid' — poetry by Maia Decker
'The darkened bedroom' — poetry by Jessica Purdy
'The darkened bedroom' — poetry by Jessica Purdy
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
'I am the body that I am under' — poetry by Jennifer MacBain-Stephens
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