To have a deep voice and to be assigned female at birth is to be monstrous.
It happened in the first grade, first.
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via AXS
To have a deep voice and to be assigned female at birth is to be monstrous.
It happened in the first grade, first.
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Cameron DeOrdio lives in Astoria, Queens. He writes comic books and short prose stories, along with copy for business-to-business technology clients. His work has appeared in The Rampallian and V23 Magazine, among others. His comics credits include Archie Comics' Josie and the Pussycats. He received an MFA from Sarah Lawrence College, where he studied comic scripting alongside fiction writing.
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Joanna C. Valente is a human who lives in Brooklyn, New York. They are the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Sexting the Dead (Unknown Press, 2017) & Xenos (Agape Editions, 2016), and is the editor of A Shadow Map: Writing by Survivors of Sexual Assault (CCM, 2017). They received their MFA in writing at Sarah Lawrence College. Joanna is the founder of Yes, Poetry and the managing editor for Civil Coping Mechanisms and Luna Luna Magazine. Some of their writing has appeared, or is forthcoming, in Brooklyn Magazine, Prelude, BUST, Spork Press, and elsewhere. Joanna also leads workshops at Brooklyn Poets. joannavalente.com / Twitter: @joannasaid / IG: joannacvalente
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Joanna C. Valente is the author of Sirs & Madams, The Gods Are Dead, Marys of the Sea, Xenos, and the editor of A Shadow Map: An Anthology by Survivors of Sexual Assault.
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Norma Watkins is the author of That Woman From Mississippi, out this month from Nautilus Publishing alongside a paperback reprint of her first memoir, The Last Resort: Taking the Mississippi Cure. She teaches creative writing at Mendocino College in Fort Bragg, California.
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Poet and performer Valerie Hsiung is the author of three full-length poetry collections: e f g: a trilogy (Action Books, 2016), incantation inarticulate (O Balthazar Press, 2013), and under your face (O Balthazar Press, 2013). Her poetry and interviews can be found or is forthcoming in an array of places, including American Letters & Commentary, Apiary, Black Nerd Problems, Cloud Rodeo, Cosmonauts Avenue, Bone Bouquet, Denver Quarterly, DIAGRAM, Diode Poetry Journal, Hayden’s Ferry Review, Mad Hatters’ Review, Moonshot, New Delta Review, PEN Poetry Series, Prelude, RealPoetik, Tammy, and VOLT. She has performed at Casa Libre en la Solana, Common Area Maintenance, Leon Gallery, Poetic Research Bureau, Rhizome, Shapeshifter Lab, and Treefort Music Festival, among elsewhere. Born in Cincinnati, Ohio, Hsiung studied literary translation at Brown University and is currently based out of Brooklyn, New York, where she works as a modern-day matchmaker. She serves as an editor for Poor Claudia.
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THE HIGH PRIESTESS
i am a diamond thief waiting for the end of the world
what will i love when there is just dust?
a door opens to an empty house, forgotten
family photos w/ smiling teeth & in
that house, the stairway leads to a bedroom
& the house has grown into a stranger
& i might just caress the jewelry meant for a neck
or a wrist, a glimmering asteroid lost in my pocket.
THE EMPEROR
i’m forever:
shelling quarters
under my tongue
never early, but
never quite on time.
THE LOVERS
Q. what if the world ends?
A. we’ll still keep our tattoos & branch crowns — magic,
at short notice. but baby, we’ll need our parlor tricks.
Q. do you believe in ghosts?
A. i talked to a spirit once — a voice full of mother.
got me the hell out.
Stephanie Valente lives in Brooklyn, NY. She is a Young Adult novelist, short fiction writer, poet, editor, content & social media strategist. In short, she wears many hats. Especially if they have feathers. She is the Fashion Editor at Greenpointers, Associate Editor at Yes, Poetry, and Style Blogger at Kitschy. Some of her writing has appeared in Bust Magazine, Electric Cereal, Prick of the Spindle, The 22 Magazine, Danse Macabre, Uphook Press, Literary Orphans, Nano Fiction, and more.
Via Historic Fresno
I have learned to write and submit with more confidence...
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Depeche Mode really get it. With their latest, and 14th studio album Spirit, they go back to their goth punk roots and get political. This comes at a time where we need to be political, both with what we say and definitely with how we act. The album is a clear reaction to Trump and Brexit, especially with their song "Where's the Revolution?"
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Monica Rico is a second generation Mexican American feminist who writes at www.slowdownandeat.com. Her chapbook “Twisted Mouth of the Tulip” is available from Red Paint Hill Publishing.
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A lot of people don't like to admit the "bad" art or music or movies or TV shows they enjoy. I personally don't care (because entertainment is entertainment and we all need to take a break sometimes). One of mine is the Netflix show "Salem," a show that was cancelled after three seasons, airing its last episode in January 2017 after starting in 2014.
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Via here.
"Here ye, here ye, we, the EXPERTS of poetry, therefore judge you cliche and hackneyed."
Read MoreMy mother once told me that young girls who live without their fathers always seek a father. First we seek our real father, sometimes we seek our spiritual father second, but always we search for a father. I have learned that you cannot pin the word father to a man’s jacket and expect him to remember to answer to the title or even to wear the jacket. Uncles and grandfathers have stood in line for me to pin a title to and all have failed. So why not pin the title to a man I never met? One I’ll never meet.
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Button Poetry is one of the best and most innovative presses and organizations around right now. They run a video/reading series of poets performing their work, and it's so amazing.
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Pan’s Labyrinth (2006
Thus, these films below present young women creating an alternative reality to the limited structures or paths enforced upon them. These protagonists often find themselves willingly entering a rabbit hole, so to speak, to freely explore the nuances of their selves. Through magics within the self, these protagonists return to the familiar world ready to assert their narrative.
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