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delicious new poetry
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
Nov 29, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
Nov 28, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
Oct 31, 2025
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
Oct 31, 2025
'poet as tarantula, poem as waste' — poetry by Ewen Glass
Oct 31, 2025
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
Oct 31, 2025

My Grandfather Was Insufferable

August 4, 2017

BY LAURA DELARATO

My grandfather was insufferable.

He was the kind of guy that would say he pocket-dialed you while you're at work…but he was clearly calling from the house phone. Like, the coil cord phone that only people born in the 30s would still have.

I am incredibly lucky to have my grandfather in my life for three decades. My mother and father were never very good at parenting. Even now, talking to either of them lacks warmth — as if I’m speaking to family friends who just so happen to have been at the hospital when I was born.

My grandfather inserted himself into my life the moment I opened my eyes for the first time; even naming me. I’m told my grandfather held me in his arms and called me Laura before anyone had a chance to ooh and ahh at how a child of 100 percent Italian descent could be born so pale.

Life with him was tough, though. Overly nervous. Dictative. Obsessed with protecting me from the world. Every little move was more than a move — it was a way I could die. My youngest brother Richie did die in a freak drowning accident. I was 5. He was 3. I was the last to see him before he walked out the front door.

I remember the entire day from the moment I heard a neighbor scream next door to my aunt stroking my hair while I tried to fall asleep. The only thing that breaks my heart now is that was the day my grandfather changed into an overwrought old man. You don’t lose a grandchild and walk away whole.

It began with habitual concerns involving routine seatbelt checks and eyeing the halls in case I caught a motive to run in the house. Then, it was the bellowing outbursts if he saw me stare at a piece of hard candy. “WHAT ARE YOU, STUPID? You. Can. Choke!” He’d follow me in his green van the entire seven-minute walk from his house to the 6 train as a teen; shouting: “YOU’RE GOING TO MAKE ME DO THIS?! YOU COULD DIE OUT HERE!” You know when you’re eating peanut butter and you flip the spoon concave to rest on your tongue? For some reason, it tastes so much better like that. He would get upset, even when I was an adult, if he saw me do that because I could potentially break my front teeth. Suffice to say, driving lessons weren’t an option, dating was an unmentionable, and wearing anything that wasn’t a turtleneck would grant me a very tiring lecture on looking like a nice girl.

College should have given me the room I needed from my grandfather. I went to school in lower Manhattan — just a 45-minute train ride away from him at the tippy-top of the Bronx. Far enough to where he couldn’t just pop over, but close enough to make sure I was reachable.

Within the first few weeks of my freshman year, I volunteered with my university to help paint classrooms at a local high school. I was standing there — paint-clad; trying curb my anxiety to make new friends — when I got a call from the RA saying that two police officers were at my dorm room trying to figure out my location. I already knew who had called them. Silly me for not alerting the coast guard of my coordinates. I laugh about it now but in the moment, I stood amongst my peers stunned and unable to breathe.  

RELATED: My Doppelgramma

This was an act of dependency. He’s doing this on purpose and he was doing this to me. I keep trying to justify these actions for him to make peace with being stripped of a lifetime of autonomy, but even in my thirties I still hold a grudge. My mother floated in the background while all this parenting was going on. My father was somewhere. No idea where. And I fought my hardest for liberation but never given the resources to properly make a break for it.

This is all such a conundrum. I lived with my mother in Virginia when I was a teen and he would do the 7-hour drive from the Bronx every week just to make sure I was doing okay — then made sure to fill the refrigerator with food before begrudgingly leaving at my mother’s request. He took me to every single soccer practice and school play rehearsal. He made it to every graduation and smiled at me from the auditorium as I walked across the stage. And he always told me that women could do anything a man could do. Despite this, his stress made me so anxious that a month after I moved into my first apartment, a friend looked at me and commented, "Your hair isn’t thinning anymore."

I would make a daily call at 8:45am to him every single day; except the weekends and holidays I spent there. He would never ask about my life. Just say statements at me like, "Lock the door." "Don’t be out late at night." "If you lived with us in the Bronx, you wouldn’t have to pay rent." There were days I skipped that call out of spite just to make him worry about me. When I finally picked up the phone from his incessant "pocket dialing," he would fearfully ask me questions about my life — as if I cut off some part of his nervous system for a few hours and never wanted to feel that ever again. Is it selfish to make your grandfather worry just to be heard?

Don’t misunderstand me in anyway. My grandfather was a great man. I have so many amazing memories of us going to Yankee Stadium, and Disney, and every family party where he would explain how he got to try out for the White Sox. I also have a lot of harsh memories. I lot of memories that cause me to visibly wince at the remembrance. He was so scared of the world that he’d rather me resent him then possibly be in pain from an experience.

I buried my grandfather recently. I gave the eulogy, walked right behind the coffin, and cried uncontrollably. I’ve never felt so alone while simultaneously so calm in my life. No more 8:45am phone calls. No more following me with the car. No more of the man I considered my dad.

Before he died, he stared off at the hospital wall and began muttering through the Yankees game playing on the overhead television. "I’m proud of you." He said he was proud that I was independent and refused to fear the world as much as he tried to keep me to himself. He looked at me with total trust, as if the whole thing was an incredibly tragic test I had to pass.

I keep forgetting that he’s gone. I still have my timed routine each morning so that I can call him exactly at 8:45am. I’ve done it a few times but mostly I stare at the phone at 8:44am remembering that this is not part of the cycle anymore. I can’t forget his fretfulness and the way he’d hover in his chair; waiting for a crisis to strike. But — everything is silent now and there is no one to worry about me anymore. I’d give anything for him to call me even if it was just to talk at me; even if it was just a lecture — just to feel worthy of his worry one last time.


Laura Delarato is a New York writer, artist, and video creator specializing in body image, fitness, sexual health, travel, and personal essays. Her work has appeared in Refinery29, London Glossy Magazine, Kong Magazine, Luna Luna Magazine, Seventeen, Details, XOJane, Martha Stewart Living, and Martha Stewart Weddings. She is also a staunch body positive activist — beautifully committed to furthering the female cause.

In Personal Essay Tags FAMILY, MEMORIES, DEATH
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The Luna Luna August 2017 Flash Contest: Winners

August 4, 2017

BY LISA MARIE BASILE

I started the Luna Luna monthly flash contest for two reasons: one unselfish—and one selfish. First, I wanted to create a recurring 'contest' where a theme would be announced on-spec, without any notice, on the first day of each month. Why? To bolster creativity and spontaneous response. To create a sense of a goal we could all work toward together (creative work!) and to, well, create a sense of community. Because whenever I've entered a contest—whether I won or didn't—it was always nice to see who did win, and to read their work. I hope this contest can be something you look forward to monthly, a little light in the dark, a little something strange and fun you can do at the beginning of each month. And because the contest runs at the beginning of each month, it's like a little birth, or a little ritual of creative welcoming. 

(That said, there is no monetary prize, and no print publication—but Luna Luna will publish your work digitally, pair it beautifully with art, design it, and promote the hell out of it on social).

The second reason was more selfish: I wanted to read your work—lots of it, and quickly. I wanted to just drown in idea and voice and variety, and I wanted to move through my own feelings about the topic (death) by exploring your approach to it. It was so worth it. Thank you all for submitting.

160 of you submitted. I narrowed the finalists down to about 15, and from there I picked three. It was difficult, and I am truly honored to have read all of your work. I loved each and every poem for different reasons. The poems I picked I chose because they were carefully and thoughtfully constructed, the language was startling and surprising, and the treatment of 'death' was unique. All of the poems lingered on my spirit—their shapes, their voices, their pain, their craft, their music. I did NOT pick poems based on the poet or their bio (which I do not read or care for with the slightest). I picked the poem itself. 

With no further ado, the winners are below. The poems will be live within the day, and will be widely shared on social media. Stay tuned for the next contest, which will be revealed on September 1 across our social media and on this website.

— Cornelia Barber
Cornelia Barber is a New York writer. In her duel writing and healing work she investigates lineage, intimacy, race and the psychic and physical ecologies of people, plants, places and animals. Her work can be found in Prelude, The Felt, Berfrois, Fanzine, The Poetry Project Newsletter, Entropy, Weird Sister and more. She is an editor at Queen Mobs Teahouse and currently works on her late father, author and political theorist, Benjamin Barber's archive.

— Erin Marie Hall
Erin Hall is a poet and visual artist from South Bend, IN. She earned a BA in English at Indiana University. Her work, which explores sexuality, mental illness, the body, and the apocalyptic, has appeared or is forthcoming in Unlost Journal, After the Pause, Rust + Moth, and your nightmares.

— Freke Räihä 
Born in 1978. Educated as a baker. Debut in print 2001. Studied five years at two of the most prestigious creative writing-schools in Sweden: Skurups Folkhögskolas Skrivarlinje and Författarskolan at Lund University. And a course in Comparative Literature Fantasy at Växjö University where I wrote a paper on The alienation of the Hero/Villain: Uppsats om utanförskapet hos hjälten/skurken. Also, amongst other things, former literary curator at Tidningen Kulturen and lector at Telegrafstationen. In 2012-2014 I studied ways of publishing at Malmö University and the publishing business at Lunds University where I wrote essays about literary criticism and the dominant currents in Publishing education. 2016-2017 I attended the Skurups Skrivarpedagoglinje which made me a better teacher of poetry. I normally teach poetry on a freelance basis. 2016 was also the year I debuted as a news journalist and I have written articles for Kristianstadsbladetsince then. Since 2017 I am also a student in creative writing at Konstfack. 

Stay tuned for the poems!


Lisa Marie Basile is an editor, writer and poet living in NYC. She is the founding editor-in-chief of Luna Luna Magazine and the author of APOCRYPHAL (Noctuary Press, 2014), as well as a few chapbooks: Andalucia (Poetry Society of New York), War/Lock(Hyacinth Girl Press), and Triste (Dancing Girl Press). Her book NYMPHOLEPSY (co-authored with poet Alyssa Morhardt-Goldstein), was a finalist in the 2017 Tarpaulin Sky Book Awards. Her poetry and other work can be or will be seen in PANK, Spork, The Atlas Review, Tarpaulin Sky, he Tin House blog, The Huffington Post, The Rumpus, Rogue Agent, Moonsick Magazine, Best American Poetry, Spoon River Poetry Review, PEN American Center and the Ampersand Review, among others.

In Flash Contest Tags poetry contest, contest, cornelia barber, freke Raiha, erin marie hall
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Ren Hang

Ren Hang

Fiction By Ellen Chai: Misfit

August 4, 2017

"Misfit" is one of Lidia Yuknavitch’s favorite words. In her beautifully harrowing, unabashedly celebratory TED talk, she says that she likes the word because it’s so literal: "it’s a person who sort of missed fitting in. Or a person who fits in badly." The weight of her past, of her string of conventionally framed failures (e.g., reeling from the effects of growing up in an abusive household, having two failed marriages, flunking out of college twice, her daughter dying the day she was born) could be assembled, isolated, symbolically deployed with one word: "misfit."

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In Poetry & Prose Tags Ellen Chai, LGBTQIA, Non-Fiction, Creative Prose, Non-Binary
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When Someone Dies by Suicide, Headlines Sensationalize Their Death

August 3, 2017

Lior Zaltzman is a person-thing of shape and color. Her pictures and words have been published on the Forward, JTA and Haaretz, among others. 

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In Social Issues, Pop Culture Tags chester bennington, music, suicide, mental health
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Rachel Lauren Photography

Rachel Lauren Photography

Fiction by Lydia A. Cyrus: Lycanthropy in Appalachia

August 2, 2017

I am a werewolf of sorts: awakened at night by a hunger and a desire to roam. I have spent most every night in the rain, snow, or just plain quiet walking alone in the dark. In Appalachia, we don’t talk about lycanthropy: we don’t talk about the crossing of identities where wolf meets woman. And yet, the people here will talk about me—will talk about the way I walk through the night and my darkness—and they will call it by any other name, any other affliction.

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In Poetry & Prose Tags Lydia A. Cyrus, Story, Creative Prose, Non Fiction
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3 Poetry Books With Strong Narrators That Are So Necessary Right Now

July 31, 2017

Here are some books that stole my heart and mind recently (and still haven't given them back):

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In Poetry & Prose Tags lynn melnick, ariel francisco, prerna bakshi, feminism, rape, race
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The incredible Petra Collins

The incredible Petra Collins

A Brief History of Your Bathroom Mirror

July 31, 2017

You start with water. The stream ripples your skin with its current, warps your eyes, leaves you colorless. Water leaves you colorless. Motionless water is better, you discover. A puddle, a lake, a shallow bowl. You obsess over your reflection—the curve of your jaw, the speckles on your cheeks you never knew existed. You sneak glances at yourself in the black pits of someone else’s eyes, the tiny round distortion, the tiny colorless you. These are your first mirrors—the water like a cup of liquid glass, the spheres that sit in your lover’s skull like two black moons.

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In Poetry & Prose Tags Fiction, Creative Prose, Lauren Spinabelli, Sisterhood
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Luna Luna can't find an image credit. Help us! 

Luna Luna can't find an image credit. Help us! 

Diagnóstico de cáncer: Poetry by Marjorie Maddox

July 28, 2017

Sage Graduate Fellow of Cornell University (MFA) and Professor of English and Creative Writing at Lock Haven University, Marjorie Maddox has published eleven collections

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In Poetry & Prose Tags Marjorie Maddox, Rei Berroa, Spanish, Poetry
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L'uomo Vogue

L'uomo Vogue

What Being a Caulbearer Means to Me

July 28, 2017

Finding out that I was born with the caul was like having an epiphany. I didn’t know exactly what it was as I sat in the passenger seat talking about Romanian werewolves and Frankenstein teenage girls with my mom that day, but I knew it explained something about me. It made me feel validated.

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In Poetry & Prose Tags Kailey Tedesco, Non Fiction, Caulbearer, Caul, Hemlock Grove, Magic, Witchy
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3 Poems by Alexandra Naughton — My Posey Taste Like: The Paradise Lost Edition

July 27, 2017

ALEXANDRA NAUGHTON

Alexandra Naughton's My Posey Taste Like: The Paradise Lost Edition (Bottlecap Press, 2017) includes poems from the original, highly-acclaimed collection My Posey Taste Like (Bottlecap Press, 2015) plus ten new poems. Watch this video.

 

maybe i don’t deserve it but i’m tired. i would like to just stop. i don’t really know what that means and i also feel the exact opposite. like i would just like to go. because maybe i don’t deserve it. so i go any where. i like feeling night time on my skin wandering but going some where it doesn’t matter why any thing can be an adventure when you let it and i let it, and it pulls me forward by invisible strings keeping the radio perfect to keep the momentum just right and i’m not even thinking any more just being part of an other body an other calling an other way to worship. and then when it feels right to stop. and then curling up to rest.

 

**

 

peeing in your shower when you’re not looking and drowning in self importance. later you’re underlining how little I mean to you, tracing fingers back and forth in the carpeting for emphasis. i’m propped up on pillows and yawning like i’ve waited for this moment all weekend. our similarities can only go so far, sing so much harmony. the difference between a poem and just something you wrote is just not saying something completely fucking ordinary, it’s how you say it too.

 

**

 

my posey taste like soiled tablecloths in a hamper heap. paradise lost or a parasite, lost. let the puppy lick your hand and quit being such a killjoy. touching myself in the mirror like this is the best i can do. i’m not wasting time, i’m not looking for any thing except what i can devour. straddling you on an apartment building rooftop watching the sun go down and drinking from cold glasses. i will take apart your face to find the morsels i like most, taking big bites from the sides like a dad with his kid’s ice cream cone because it’s melting. this is what love is, you say, peeling back my sweaty spousebeater to scream into my skin, my stains. every thing you do i just absorb you. staying so damn quit it makes you madder and i just take you in.


Alexandra Naughton is editor in chief of @baipress in California. Her first novel, American Mary, was published by Civil Coping Mechanisms in March 2016 . She’s a Libra. Follow her on twitter: @thetsaritsa

In Music, Poetry & Prose Tags alexandra naughton
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Tania Shcheglova

Tania Shcheglova

Poetry by Sarah Nichols

July 27, 2017

The Black Dahlia Dreams of Blade Runner

Last night, I dreamed of
Los Angeles.

Not as it was, when I
died. The promise and

sun of it.

I dreamed of its
now, a neon smear.

The city of
ghosts.

My voice in
its moving darkness,
saying

I’ve seen things you people
wouldn’t believe.



Sources: Ellroy, James. The Black Dahlia. New York: Mysterious Press, 1987; Hampton Fancher and David Peoples, Blade Runner screenplay, 1981.

 

Bloodline

My bloodline ends in
silence.

I circle back,
before my myth.

Slow now,

like conjuring a
storm.

Still in my descent,

a fury
beckoning.

I stir now,
watchful.

Someone’s out there.


Sources: Ellroy, James. The Black Dahlia. New York: Mysterious Press, 1987. Print, and James Ellroy, “My Mother and the Dahlia,” Virginia Quarterly Review, 82/3 (2006). N. pag. vqr online, Virginia Quarterly Review 19 June 2006. Web.

 

Dresses, Jewelry, Food

I wanted to be ready.

No one tells you what to
pack for the trip.

I met Cleopatra in
the underworld, and

she told me that
none of it

(dresses, jewelry, food)

matters down here.

Time cures everyone,
she says.

Whatever you thought
you wanted

dies or
goes away.

People worship you or
forget.

No one knows
that

until

they arrive.


Source: Ellroy, James. The Black Dahlia. New York: Mysterious Press, 1987. Print.


Sarah Nichols lives and writes in Connecticut. She is the author of four chapbooks, including Dreamland for Keeps (Porkbelly Press, forthcoming, 2018) and She May Be a Saint (Hermeneutic Chaos Press, 2016). Her poems and essays have also appeared in Thirteen Myna Birds, The Ekphrastic Review, Calamus, and The RS 500.

In Poetry & Prose Tags Sarah Nichols, Poet, Poetry, The Black Dahlia, Blade Runner
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Heather Simonds Photography

Heather Simonds Photography

Fiction by Lydia A. Cyrus: Coyotes

July 26, 2017

All coyotes are memories. With their skinny bodies and hungry mouths, they exist as a precautionary tale. They eat calves on my grandfather’s farm, or they used to anyway. I’ve never seen one outside of photos before, but I know that they are tricksters: they provide the world with chaos and fury. The men in my family have shot coyotes for nothing less than being seen. Like foxes, the coyote is a symbol of invasion or peril and they must be purged from sight. Coyotes steal bullets and memories. Coyotes eat youth and hide in dark, discrete areas sometimes never revealing themselves to the light of day.

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In Poetry & Prose Tags Lydia A. Cyrus, Creative Prose, Non Fiction, Story
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Via Spoken Black Girl

Via Spoken Black Girl

In Conversation with Rowana Abbensetts of Spoken Black Girl

July 26, 2017

INTERVIEW BY LISA MARIE BASILE

LISA MARIE BASILE: I love to hear about women creating amazing communities and making a space for voices that aren’t always provided a platform in mainstream media. Can you tell us a little about Spoken Black Girl?

ROWANA ABBENSETTS: Spoken Black Girl started out as my own little space on the internet to talk about struggles with anxiety and depression. During my lowest points in life, I felt completely alone and I wanted to create a space where I could discuss mental health freely and without stigma. I was amazed by the support that I received from my growing community of readers and fellow bloggers. Since then Spoken Black Girl has transformed into an online publication open to all women of color.  

LISA MARIE BASILE: What sort of vacancy did you see in the digital media landscape that spurred the creation of SBG?

ROWANA ABBENSETTS: There aren’t many publications dedicated to true holistic healing for women of color; by that I mean not only covering yoga and meditation, but allowing for women of color to explore mental and emotional healing from mental illness and or trauma. In the Black community, for example, the stigma of mental illness and mental health is strong. Black women are taught to be strong and to hide our pain and vulnerabilities.

This problem of stigma is reflected in the limited or warped focus on mental health that we see in popular publications. Mental health is often a passing topic that popular culture would suggest can be remedied by spa trips and candles. The truth is, the conversation is much deeper than that. Women of color need to heal, mind, body, and soul, in order to continue building together.

LISA MARIE BASILE: I have learned so much from the content SBG has published, and I really appreciate the words I’ve read. Diversity and inclusivity is so important to SBG—I know how marginalized voices have been silenced or reduced. What is your goal with SBG, to confront and disrupt that?

ROWANA ABBENSETTS: It’s important to empower young, marginalized writers. I know that for women of color in particular, it’s easy to become discouraged.  The world is always telling us that our stories don’t matter, that out skills aren’t good enough, and that we are somehow encroaching on a traditionally white, male space. This is not true, but there are many that think this way, evidenced by the severe lack of representation among women of color in the publishing industry. At SBG, we take our time to work with writers and help them develop their skills and grow as writers. We want writers to gain confidence by sharing their stories with a supportive community that sees the value of marginalized voices.

LISA MARIE BASILE: What sort of message would you like to send to potential contributors and readers alike?

ROWANA ABBENSETTS: Have an open heart and an open mind.  Spoken Black Girl is a platform that values and respects vulnerability. I feel privileged to be able to publish deeply personal stories of growth, so it’s important to me that we all show each other love and support as a community of readers and writers.

LISA MARIE BASILE: I always find that engaging readers and fans is probably one of the hardest and yet most important aspects of running a publication. How can new readers support SBG and its authors—and how do you want to support your readers?

ROWANA ABBENSETTS: To our readers, I encourage you to share and show love in whatever way feels right to you. We plan on having more events, so I would definitely encourage our supporters to participate in all of our events and initiatives. Our ultimate goal is to be able to pay writers at market rate so we can do even more to improve the lives of WOC writers.

SBG will continue to support its readers by helping them explore their own growth journeys, whether it’s through powerful content, events, workshops or challenges. We’re more than a publication, we’re a community, and we’re constantly striving to add value to the lives of our community members.

LISA MARIE BASILE: Something I find really interesting about the digital landscape is that people WANT to share their stories. Where that maybe used to be called ‘weak,’ it’s now strong and I love that. There’s a focus on well-being and healing from trauma at SBG. How did you come upon that focus?

ROWANA ABBENSETTS: When it comes to mental health, a lot of women, in particular women of color,  have experienced trauma that has impacted their mental health. Of course, there are many women who begin their exploration of mental health having struggled specifically with anxiety, depression, bipolar or other mental illnesses. It’s often impossible to tease mental health away from trauma, especially because marginalized women experience sexism, racism, and homophobia as a fact of life, and those microaggressions often amount to trauma. We also deal with generational trauma, having absorbed the pain and fears of our mothers and grandmothers. Heal one woman and you heal all those that came before her.  

LISA MARIE BASILE: What sort of submissions are you looking for?

ROWANA ABBENSETTS: We’re looking for authentic, uplifting voices. I like submissions that are informative and clear, but reads like advice between girlfriends.

LISA MARIE BASILE: You talk about the transformation from SBG the blog to the magazine in your piece, “How to Step Into Your Season of Transformation.”  What is SO good about this piece is that you straight up outline the reasons people don’t always move forward with their dreams. They’re afraid, or they have no confidence, or they haven’t found a way to set themselves free. Can you talk a little more about that and how people can tap into their ability to transform.

ROWANA ABBENSETTS: At a certain point in life, you have to let go of worrying about what everyone else thinks and listen to your intuition. Tap into what you want. Women in particular spend too much time sacrificing our own mental health and well-being out of a sense of obligation or duty to others. We’re so preoccupied with what we should be doing that we rarely pause to ask ourselves what we really want. I always find that the more honest I am with myself, the more likely I am to manifest the changes I want to see. My suggestion is to start with deep, personal reflection. Find the tools that will help you achieve this, whether it’s journaling, meditation or prayer. Discover the best way for you to reconnect with your innermost self.


Rowana Abbensetts started Spoken Black Girl in the spring of 2015 as a personal blog about her own struggles with anxiety and depression hoping to find other women of color who could relate. Two years later, realizing that women of color lacked a centralized place to share their mental and emotional journeys, Rowana decided to turn the blog into what is now Spoken Black Girl Magazine.

Source: spokenblackgirl.com
In Politics, Social Issues Tags spoken black girl, publishing, feminism
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Via Alma Rosa Rivera

Via Alma Rosa Rivera

Brown Is Boss: Poet and Zinester, Alma Rosa Rivera of Frijolera Press

July 26, 2017

"We exchanged energy and it was definitely a trade I’m grateful for."

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In Art, Interviews, Lifestyle, Beauty Tags Zines, Poets, Feminism, People of Color, writer, wellness
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Riccardo Melosu

Riccardo Melosu

Fibromyalgia: Three Instances Of

July 25, 2017

I think about how people usually only preach mind over matter when they don’t understand how to explain what’s going on with the matter.

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In Poetry & Prose Tags Fibromyalgia, Non Fiction, Creative Prose, Chronic Pain, Chronic Illness, Jay Vera Summer
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