I can recall a kaleidoscope of Alice.
Read MoreVia Phantomwise
Via Phantomwise
I can recall a kaleidoscope of Alice.
Read MoreWhen I was a young wife, sugarplum / and corset elegance of primrose,
via Hongkiat
Ode to a Parallel Universe in Which We Are Animated by Centripetal Force
Once, seeking something to capture you,
I bowed my head at the feet of a priestess
wearing all blue in a desert. Her robe, flowing,
milky horizon. Melding with milky horizon.
I asked for a snare and she handed a vial. I wore
it around my neck. A choker, a ribbon chain.
Thrumming over my heart. Belief: a common theme
here. An ardent desire to bind to you, fastened around
my throat. As if a pounded rhythm: a female
guided by want. Days later we are dragging off
a bottle near the freeway. The shadows syruping walls
with headlights render you zoetrope. A man shifting
in and out. In and out of light. Glass bottle a fallen star,
amber liquid honey. I hold the vial out to you. I know
this is kid stuff, I say. But it’s potion. Potion to bind us
together. You exhale smoke and inhale vial. Zoetrope,
spinning, unknowable if stilled. Sequence of images,
fracturing, that add up to something beloved. Passing
headlights strobe your throat, jugular bobbing
with swallows. Belief: a common word for love, one
frequently interchanged. One attached to electrode,
that sings with illuminating volts, as if in praise.
Ode to a Parallel Universe in Which Two Young Ladies Jailbreak
We climb the tree to escape
the ground. Its verdant and
fetid decay. Its earthworms
squiggling, spaghetti meat
strands. The beetles that chomp
with pincers. Scavengers who
eat the dead. We were not intended
to know of the treehouse. We
in our petticoats. We in our pinafores.
We with our shined, round shoes.
But we do know now. We spied it
out the window. Waving its arms
like a tormented saint. Beckoning
through the mist. So our round shoes
tread over slippery grass, over dewy
caterpillars. Our small hands grip
the ladder planks. We ascend like
parfaits, like gumdrops. Skirts
pink petits fours. The wooden floor
is within sight, but we must not
disturb the hornets. Those who would
hunger for plums. Those who would
feast ceaselessly on their flesh if
awoken by foot on board. The hornets
are dozing, metallic wings folded.
The plums are all around. Hanging
like pale green uvulas waiting for license
to speak. We are waiting for license
to speak. These lace collars cloister
our words. We scale the tree and
unfasten each other’s. We shed the
pinafores. We stand in our bloomers
and camisoles. Barefooted rebel dolls.
The sky is lightening in the east. You
reach your hand out toward it. The tree
issues a massive groan. One thousand
hornets snap awake. Two thousand
webbed wings whir. But we are glint-
eyed. We are not afraid. Moss and leaves
shudder down to earth as treehouse
untangles from roost. It hovers, creaking
in the air, dragging snapping branches.
I gather as many green plums as I can
in the satchel of my shorn dress. You quietly
mouth an aubade, staring toward the sun.
The swarm is outraged, searing toward us.
Screaming, Get inside. You are not meant
for movement, for motion. You were made to
be eaten. You are ours to consume. You shake
your head. Steer toward the horizon. The
cirrus clouds sodden with violet. The swarm
falls away like livid gold dust as we slowly pick
up speed. We undo our ribbons, final vestiges
of domicile. Wind stirs, tousles our hair.
Catherine Kyle holds a Ph.D. in English from Western Michigan University. She teaches literature and composition at the College of Western Idaho and creative writing at The Cabin, a literary nonprofit. She is the author of the hybrid-genre collection Feral Domesticity (Robocup Press, 2014) and the poetry chapbooks Flotsam (Etched Press, 2015) and Gamer: A Role-Playing Poem (dancing girl press, 2015). She also helps run the Ghosts & Projectors poetry reading series. Her poetry, fiction, nonfiction, and graphic narratives have appeared in The Rumpus, Superstition Review, WomenArts Quarterly, and elsewhere. Her writing has been honored by the Idaho Commission on the Arts and other organizations. You can learn more about her at www.catherinebaileykyle.com.
Yekaterina Golubeva and David Wissak in Twentynine Palms (2003)
While working in the desert on one of his films, French auteur Bruno Dumont (much, perhaps, like Liv Ullman in Ingmar Bergman's Persona) “suddenly became afraid, and stayed that way.” According to the director, the sudden manifestation of this existential horror was the impetus for 2003's Twentynine Palms, a riveting, allegorical, terrifyingly unclassifiable foray into the Mojave, and into the sun-drenched, pitch-black center of Yeats’ The Second Coming.
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AUTUMN DE WILDE
This week's Melancholic Mondays delves into the tragic, beautiful work of Elliott Smith.
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Joanna C. Valente is a human who lives in Brooklyn, New York. She is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (2016, ELJ Publications) & Xenos (2016, Agape Editions). She received her MFA in writing at Sarah Lawrence College. She is also the founder of Yes, Poetry, as well as the managing editor for Civil Coping Mechanisms and Luna Luna Magazine. Some of her writing has appeared in Prelude, BUST, The Atlas Review, The Feminist Wire, The Huffington Post, Columbia Journal, and elsewhere. She also leads workshops at Brooklyn Poets.
Read More“The prophecy said we would unite the people of the world . . . Look around,” Jamie continues, desperate with hope.
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Rosita Delfino
When your best friend is in a coma you can drive out to the suburban hospital after visiting hours; five weeks later, they know you're the closest thing to a husband she might have. After all, you two are not religious and only 23, sharing a February birthday, yours the 15th and hers the 21st. You can close the door of the room and scream wake up wake up wake up wake up. The way when she used to visit, you’d turn over your plump happy body towards her in the mornings, and wake her up by sticking your naked finger in her nose or ear, until she made that crying sound and stuffed her head under the pillow. The way you showered and then dripped wet hair into her open hand. Her tiny palm which you now squeeze, saying do you feel this do you feel this do you feel this; the way you too have lost feeling with her. The way you always told yourself you'd die if she died.
Read MoreBY LISA MARIE BASILE
My heart is aching like yours is. And I know that if I let myself, I'll fall into a well of perpetual worry, despair, resentment and anger. A little anger is OK. In small doses. See: my Facebook statuses circa November 2016. But life, as we know, can't always be led by those emotions; living in a state of constant negativity isn't healthy, and studies show that prolonged bouts of negative feelings and stress can lead to real health problems.
One of the things I do that helps me counteract the mindfuck that is America is to create a space that nurtures creativity and provides a sense of sanity.
For me, that means surrounding myself with things that are good and beautiful — from photographs and perfume bottles to books and natural things. I've fallen madly in love two books that inspire me to tap into my magical side.
I received Hygge: The Danish Art of Happiness as a gift, which makes complete sense as far as I'm concerned — I'm definitely the kind of person you buy 'cheer up' books for.
Hygge (pronounced hue-gah): is all about cozying up with a book during a winter storm or lighting candles. The mythos says the Danes create the concept of hygge to get through brutal, dark winters. English doesn't quite have a word for the happiness attained from cozy, simple, healthy things in life, but the Danes do! The book doesn't just go into what hygge is all about or where it came from, it shows you how to be hygge — complete with recipes and decor tips. If you're in any way attracted to DIY, decor or ritual, this is the book for you.
The same gift-giver above knows me pretty well, because I also received The Magpie & the Wardrobe: A Curiosity of Folklore, Magic & Spells. Yes, the cover is a bit hectic (and, if I'm honest, a tad childish), but the book itself is fantastic. Filled with prophetic rituals and potion how-tos, any one page lets you get lost for hours.
So if you need any inspiration at all, I would so recommend these books. They're not just just gorgeous (they will look very pretty on your shelf!), they're useful. You can take it page by page - no need to read in order.
Here are just a few examples of what you'll find inside:
The Magpie and the Wardrobe's November section — a little bit on the evil eye
From Hygge, on the magic of plants in your space
Hygge's look at winter rituals
The Magpie's bedtime rituals.
Lisa Marie Basile is the founding editor-in-chief of Luna Luna Magazine and moderator of its digital community. Her work has appeared in The Establishment, Bustle, Bust, Hello Giggles, Marie Claire, Good Housekeeping, Cosmopolitan and The Huffington Post, among other sites. She is the author of Apocryphal (Noctuary Press), war/lock (Hyacinth Girl Press), Andalucia (The Poetry Society of New York) and Triste (Dancing Girl Press). Her work can be found in PANK, the Tin House blog, The Nervous Breakdown, The Huffington Post, Best American Poetry, PEN American Center, The Atlas Review, and the Ampersand Review, among others. She has taught or spoken at Brooklyn Brainery, Columbia University, New York University and Emerson College. Lisa Marie Basile holds an MFA from The New School. @lisamariebasile
If you, too, find yourself struggling with family and the surprising pains of growing up this holiday season, take an hour to listen to this mixtape full of not-so-sweet nostalgia. Hold on to your strongest memories, the ones that helped shape who you are today. Then embrace your identity - the one you've worked your ass off for - and never let it go regardless of how much others may disapprove.
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Dietmaha
Don’t ask a woman to not talk about her period...
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Jake Cunningham
Julien Baker's "Go Home" is an anthem for refuge.
Read MorePhotograph by Donnie Valdez: follow him on Instagram @esspressoslayer
Ashley Arabian is the owner of Wanderer, a boutique and apothecary in Taos, New Mexico. She describes the typical Wanderer customer as "the woman who immerses herself in nature, embraces the open road, and nurtures her creative spirit." In addition to clothing and accessories, Arabian's Wandering Apothecary features beauty and self-care products for the witchy woman who likes to keep her toiletries rooted in nature.
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Via BBC Films
...the gravity of male fashion politics.
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USA Today
Political commentator/comedian Bill Maher may have been right when he announced, about a month or so before the election, on his show Real Time with Bill Maher, that the Republican Party can no longer consider itself the "Socially Conservative Party." Republican candidate and, now, President-elect Donald Trump has been caught on tape agreeing with Howard Stern that his own daughter Ivanka is a "Piece of ass," has been quoted saying that pregnancy is an "inconvenience" and, finally, was recorded in 2005 bragging about sexually assaulting women and getting away with it because, as he put it, "When you’re a star they let you do it." It strikes me as a contradiction that, despite all the evidence excluding Trump from the socially conservative category, 88 percent of evangelical voters, notorious value voters, backed him as their nominee.
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