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delicious new poetry
'quiet grandfathers  in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
'quiet grandfathers in dark tuxedos' — poetry by Scott Ferry
Dec 19, 2025
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
'earth’s marble cage' — poetry by Annah Atane
Dec 19, 2025
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
'made a deal / with Azrael' — poetry by Triniti Wade
Dec 19, 2025
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
'The birth of a body that never unraveled' — an excerpt by Hillary Leftwich
Dec 19, 2025
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
'There is no choir on the mountain' — poetry by Dawn Tefft
Dec 19, 2025
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
'to anoint the robes' — poetry by Timothy Otte
Dec 19, 2025
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
'a stone portal in the woods' — RJ Equality Ingram
Dec 19, 2025
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
'crooked castle wanting' — poetry by Lindsay D’Andrea
Dec 19, 2025
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
'silent, Sunday morning' — poetry by Nathalie Spaans
Dec 19, 2025
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
'Time's metronome blank' — poetry by Rehan Qayoom
Dec 19, 2025
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
'this strikes me as a Rorschach' — poetry by John Amen
Dec 19, 2025
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
'Love is a necessary duty' — poetry by Tabitha Dial
Dec 19, 2025
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
'O, to bloom, to arch open' — poetry by Karen L. George
Dec 19, 2025
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
'the sky violent' — poetry by Robert Warf
Dec 19, 2025
Dec 19, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
'the doors of the night open' — poetry by Juan Armando Rojas (translated by Paula J. Lambert)
Nov 29, 2025
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
'we can be forlorn women' — poetry by Stevie Belchak
Nov 29, 2025
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
'I do whatever the light tells me to' — poetry by Catherine Bai
Nov 29, 2025
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
‘to kill bodice and give sacrament’ — poetry By Kale Hensley
Nov 29, 2025
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
'Venetian draped in goatskin' — poetry by Natalie Mariko
Nov 29, 2025
Nov 29, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
'the long sorrow of the color red' — centos by Patrice Boyer Claeys
Nov 28, 2025
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
'Flowers are the offspring of longing' — poetry by Ellen Kombiyil
Nov 28, 2025
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
'punish or repent' — poetry by Chris McCreary
Nov 28, 2025
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
'long, dangerous grasses' — poetry by Jessica Purdy
Nov 28, 2025
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
'gifting nighttime honey' — poetry by Nathan Hassall
Nov 28, 2025
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
'A theory of pauses' — poetry by Jeanne Morel and Anthony Warnke
Nov 28, 2025
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
'into the voluminous abyss' — poetry by D.J. Huppatz
Nov 28, 2025
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
'an animal within an animal' — a poem by Carolee Bennett
Nov 28, 2025
Nov 28, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
‘in the glitter-open black' — poetry by Fox Henry Frazier
Oct 31, 2025
Oct 31, 2025
'poet as tarantula,  poem as waste' — poetry by  Ewen Glass
Oct 31, 2025
'poet as tarantula, poem as waste' — poetry by Ewen Glass
Oct 31, 2025
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
'my god wearing a body' — poetry by Tom Nutting
Oct 31, 2025
Oct 31, 2025

Interview with Sarah Forbes, the Curator of Sex

April 11, 2016

Sarah Forbes was the curator of the Museum of Sex in New York City for twelve years, from shortly after its inception until the beginning of 2016. In her new book, Sex in the Museum: My Unlikely Career at New York’s Most Provocative Museum, Forbes chronicles the growth of what is now a major cultural landmark in New York and recalls how she and the museum grew up together, from her background in anthropology through her first fumbling introductions to curatorial work, through her fascination with collectors of sex memorabilia, the difficulties of being a sex curator in the NYC dating scene, exploring the vast world of kink, love and marriage, condom dresses, motherhood, and much more. The book is a fun but informative read that will entertain readers while also teaching them volumes about the world of sex through the eyes of one of its most dedicated students. 

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In Interviews Tags sarah forbes, sex, interview
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Joe Heaps Nelson's Art Exhibit at Reservoir Art Space Is a NYC Gem

April 8, 2016

What is humanity? A farm? A Goodyear blimp? The DeBlasio’s? Is it the sky or sea? Is it pop culture? It’s pop culture, isn’t it. ­­Goddammit. Joe Heaps Nelson, a painter whose work has shown at P.S. 1, Scope Art Fair and more makes us wonder with a series of hashed­ together collages that look both current and retro. They manage to be playful, bright and ignite a sense of nostalgia. Twelve new works of his will be on view for a limited time at Reservoir Art Space in Ridgewood. We highly recommend paying this show a visit!

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In Art Tags art, joe heaps
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Leanne Benson

Leanne Benson

Interview with Writer Ben Nadler on Jewish Literature & 'The Sea Beach Line'

April 7, 2016

Ben Nadler is a masterful storyteller--he weaves words together in a way that makes me believe I am right there in the story, in real life. Nadler's latest book, The Sea Beach Line (Fig Tree Books, 2015) took me by surprise--I wasn't expecting to fall in love, but I did--I fell in love on the first page. I suppose we are never expecting to truly fall in love when we do, but once you do, there's no going back. Sometimes, I believed I was the main character in the story, feeling all of the turmoil and emotions Izzy felt, as if Izzy was stealing my body for the time that I read the book. 

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In Interviews Tags ben nadler, books, fiction
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via Ghost Diaries

via Ghost Diaries

Poetry By Kevin O'Connor

April 7, 2016

so that the petals bleed in darkness
where a child overturned a bag

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In Poetry & Prose Tags Poetry, Poems, Kevin O'Connor
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The Death of the Female Friendship

April 4, 2016

BY ALAINA LEARY

This piece is part of the Relationship Issue. Read more here.

It’s happening again. That’s what I remember thinking as I sat across from my best friend on her Queen-sized bed and listened to her describe her ex. I was starting to have feelings for my closest female friend.

This was a pattern I knew well, and I’d been holding my breath that it wouldn’t happen again. I was incapable of having a best friend. I fell in love with all of them. I loved every moment that came before—long nights, sitting up in the dark, telling our shittiest life stories back and forth without judgment; laughing at the same inside jokes over and over again; catching glimpses of one another and understanding what was being felt without a single word.

It was everything that happened afterward that haunted me: the death of the friendship. I just wasn’t meant to have a best friend, I figured.

About a month ago, I read a fantastic personal essay called “I’m Having a Friendship Affair,” in New York Magazine’s The Cut, and I almost had my answer. Almost. Somewhere in the middle of the essay, the writer has an identity crises and wonders, “Am I into women?” and her friend urges her to think about whether she wants to have oral sex with a chick. No, she doesn’t. The writer shakes her head and moves on with her life.

While I appreciated so many of the complexities of female friendship described in that essay, they didn’t quite add up to my lived experience. When I say I’ve fallen in love with my last four best female friends, I mean it. And I hate that I do.

Fast forward to the point where my best friend at the time, Macey, learned about my feelings for her. This was usually the beginning of the end in my vicious friend cycle. If the friend found out, she was usually not into girls, or even just not into me in that way. I’d apologize, so would she, and we’d stay friends—but not quite in the same way. Once I’d bared every vulnerable part of myself to someone and then fallen in love, I couldn’t go back from that. The friendship would remain, but we’d never get back those eye-catching moments in a crowd where we knew one another’s thoughts. I was always guarded.

To my surprise, this best friend liked me back. And suddenly everything I knew had changed.

Before, I’d always been a witty cynic, the kind of person who didn’t quite believe in fate, and definitely did not believe in relationships. I grew up with separated parents, who took their turns raising me (my mom, before she died, and my dad, after) and as a result, had internalized that independent, single-forever mindset.

For the next few years, my best friend and I carved out what it meant to be dating from the ashes of our friendship. I was surprised to find that our best friendship didn’t die. Even under the pressures of dating—sex, romance, coming out, transitioning to college, choosing a career path, jealousy, competition—our friendship was what kept us steady. If anything, our friendship was the priority. Sometimes, I’d be in the middle of fighting with her, stubbornly unwilling to give up my perspective, and then I’d step back. Would I fight with my best friend about this? No. And we’d laugh, and turn on American Horror Story with our roommates and laugh some more.

Being best friends first meant some weird things. It meant we talked about hot guys still, especially if they were actors or fictional characters. We claimed ‘boyfriends’ and we had a few that we shared—our ‘polyamorous’ ones, if you will, that we both would not let go of. It took us a little longer to talk about other hot girls, but we got there, too. We had all the strange, in-depth discussions that friends would have, but we altered them. Who would you date out of all our friends, if I weren’t an option and you had to pick? What if it were just sex, who would you pick then? Our answers varied depending on the day, but we always ended up in a heap and a fit of laughter, out-of-breath.

A few years into our relationship, my first new female best friend entered my life. I knew what was happening as soon as it started. She and I took a day trip to visit a nearby college and we talked the entire ride. We couldn’t shut up. I stayed over her house that night, in her old bunk bed from childhood, and we passed stories back and forth, her on the bottom bunk, me on the top. I didn’t doze off until past four in the morning.

The next morning, the fear was prominent: would I fall in love with my new best friend? Was this inevitable? Would I slowly fall out of love with my girlfriend, all the while falling for my very straight, very unavailable new closest friend?

Six months passed, and then a year. My best friend was beautiful: she had thick, blonde hair and big brown eyes. She was stubborn, but knew how to speak her mind. She was a feminist with a stark point of view. She was argumentative and funny, with a silly streak that emerged at the most random of times. One night, we spend hours looking up videos of spiders and purposefully trying to freak ourselves out, and then hiding under the covers. I was so certain it would happen again, just like it always did, as I slowly stripped away the layers of my soul to her.

When it didn’t happen, I was both relieved and confused. This was how it felt, I suddenly knew, to have a best friend without the romantic feelings lingering in the background, calling for the death of my female friendship. I didn’t dig a grave for this one. As time wore on, naturally, my best friend and my girlfriend also became close. Since my girlfriend was also my best friend, we lacked the normal third-wheel awkwardness when we spent time with others. It seemed more like a group of best girl friends than one single woman and a couple.

I still consider myself cursed to fall for my friends, but maybe the falling isn’t always a trap. It isn’t always a death sentence. In fact, it started to happen with a best friend while I was in college. And I was already in love with my girlfriend, so my immediate response was, “Is this emotional cheating? Is our relationship over?”

Friendship and love are complicated. How do we define them? If I love someone and I want to protect them with my whole heart, and I also find them aesthetically pleasing, is that romantic love? Or is it only love if I want to have sex with them? Or if I want to marry them? Is it only love if I would actually break up with my girlfriend—with my best friend, my soul mate—to be with them?

I loved my girlfriend, and I loved my best friend. But how could I know if I was in love with her? In the most basic sense of the word, I was. I wanted to spend the rest of my life with her. But I didn’t imagine the things you’re supposed to imagine, the signs that tell you, “This is definitely romantic love.” I didn’t imagine owning a house together or having a child. I just knew that I always wanted her to be in my life. She mattered.

Did I have to give up my friendship? Was it wrong to want more than just one person in my life forever? Did this make me a cheater, or polyamorous? We’re not taught, especially as women, that we’re allowed to prioritize more than one person in our lives. For the most part, after we settle into committed relationships and get married, we make decisions with our romantic partners. How to live, where to work, what car to buy, how many cats to have—those are all questions we examine with our spouses. But why do we limit our lives in this way? Why couldn’t I factor my best friend in, or any of my friends in? Why couldn’t I want to spend the rest of my life with someone, but not want to sleep with them or to open a mutual IRA?

According to society’s rules, I was either in love with my best friend or not. I was either in love with my girlfriend or not. But the truth is that it’s more complicated than that. The lines between friendship and romantic love are thinner than I imagined they could be, because so many of my close friends are beautiful. And I love them. And I want to factor them in, and make decisions in consideration of them, even though all the usual rules don’t apply.

Did I end up having to choose between a friend and my girlfriend? No. I chose myself. I chose to live my life in a way that doesn’t have a pre-existing formula. My girlfriend and I make major decisions together, but I factor my friends in, or at least the ones who matter. I factor her family and my family in. And our relationship is never just the two of us. It’s the two of us, plus our two adopted cats, plus our hamster, plus our friends and families, plus our celebrity and fictional crushes. It’s the two of us, plus everyone else who matters.

If I fall in love with my female best friends now—and I do, often, usually in the smallest moments, like when I catch them crying or I see them defending someone else—there is no mourning period. It doesn’t feel like I’m standing on a cliff; it feels like I’m jumping into darkness and then landing, and then jumping again, and the cycle repeats.

My girlfriend and I entered a weird new dimension when we started dating. We broke all the rules. We made up our own rules, about how we love each other, how we love other people, how we love the world. Sometimes, we even laugh at other couples—not because we think they’re doing a single thing wrong, but because we have no idea what we’re doing. There’s no script for how to love someone with your whole soul as a best friend, and then slowly introduce physical romance, sex, long-term commitment, sharing finances, living together, making joint decisions, adopting cats, and eventually, raising kids, into that relationship. We redefined what it means to be in love with each other, and in doing so, I broke the curse. 


Alaina Leary is a native Bostonian currently completing her MA in Publishing and Writing at Emerson College. She's also working as an editor and social media designer for several brands and publications. Her work has been published in Cosmopolitan, Seventeen, Marie Claire, BUST Magazine, Good Housekeeping, AfterEllen, Her Campus, Ravishly, The Mighty, and others. When she's not busy playing around with words, she spends her time surrounded by her two cats, Blue and Gansey, and at the beach with her girlfriend. She can often be found re-reading her favorite books, watching Gilmore Girls, and covering everything in glitter. You can find her on Instagram and Twitter @alainaskeys. 

In Social Issues
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Love & Nappiness: On Hair, Race & Self-Worth

April 4, 2016

A lot of people of other races wonder, why the hell does hair matter so much to the black community? Well, it’s wrapped around a history of oppression and prejudice, and a whole bunch of stuff that would take another essay, extensive research and a PhD to thoroughly explain

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In Lifestyle Tags Hair, natural hair, race, culture, racism
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Karen Marshall

Karen Marshall

Letters To Paris: Two Writers Talk Creative Accountability & Feminine Power

April 4, 2016

Lyon: Together we invented something called The Accountability Institute—which is really two imaginary institutions, The Lyon Accountability Institute and The Tipton Accountability Institute, both of which are dedicated to holding us accountable. One practice that these institutes "sponsor" is the daily (or several-times-weekly) emails we exchange about what we've been up to, career-wise and creatively. When we want to talk about relationships or other, more personal matters, we use a different thread, which we call The Heart. I love this idea so much that I want to share it with everyone. On one level, we’ve organized our friendship into these two categories, and that feels very clean to me. But on another level, I am just so delighted by the idea of the Accountability Institutes. I love feeling like I am the sole member of this one little institution whose whole purpose is to hold me accountable. It makes my creative work so much more playful. I even had a designer friend make me a logo.

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In Interviews Tags Rachel Lyon, Rachel Tipton, Friendship, Creativity, Female Friends, Creative Accountability
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Elias Goldensky, 'Portrait of Three Women,' ca. 1915.

Elias Goldensky, 'Portrait of Three Women,' ca. 1915.

Polyamory Commands Intimacy, Not Just a Fling

April 4, 2016

BY GHIA VITALE

This piece is part of the Relationship Issue. Read more here.

As someone who has been polyamorous for seven out of the 11 years I’ve been with my partner, I can say with utmost certainty that polyamory is not an experiment for me.

It is the path in life my heart wandered down and never turned back. And suddenly, the mainstream dating world knows about polyamory. Now that I can simply check off the “polyamorous” box in an OkCupid profile, I am still hesitant to dip my toe into the icy waters of online dating.

One of their most recent additions is a feature that allows you to link your account to a partner’s account in order to let users know whom you’re currently dating on the site. It’s actually no better than how Facebook only lets you be in one relationship. In other words, to Hell with the rest of your lovers if you’re poly because according to these websites, only one of them is worth mentioning. The threesome requests were frequent enough when I confessed that I was bisexual in my profile. I’m worried that no matter how much I stress that I’m not looking for flings, that’s all others seem to want me for. That’s how it went in the past, anyway.

One of my biggest hang-ups about poly dating is the same issue other experienced poly people struggle with: the risk of becoming collateral damage in someone else’s quest for self-discovery, novelty, freedom, and most importantly, love. A recent spike in popularity has saturated the poly community with widespread interest. That means the poly-curious population is increasing. While that might mean there’s more to love, it also means there’s more people there to mess it up. Many newbies embark upon their poly journey with pure intentions; others mistake our permanent lifestyle for whatever they wish would fulfill their temporary and misguided desires. How do I know their desires are misguided? I know this because I’ve been directly implicated in these personal quests for self-fulfillment that end in nothing except breakups.

I let everyone know that polyamory is the only way I roll. While people are more than happy to enjoy my company as a fling, the idea of having multiple significant others that are actually significant is beyond most people’s comprehension and it seeps through their behavior. Once I let them know there’s zero chance of a monogamous future happening (or even a monogamish one), the tone of our interaction change drastically. All of the sudden, our relationship is no longer headed in any kind of committal direction and I lose my viability as a “serious” partner whom they envision a future with. Don’t get me wrong; I’m not pressing for commitment before it’s appropriate. I’m all about free love and I believe each relationship being a unique expression of love. But even though we’ll both claim we want poly relationships, I’m the only person who means it. What they actually mean is that they want to indulge in multiple relationships at once without strings attached. That’s fine, but that’s not polyamory.

It’s always different variations of the same scenario: I meet someone who claims to be poly-curious, poly-friendly, or “open to being with a poly partner.” Then they realize they’re not as poly as they thought they were, that they just wanted to date around and explore before meeting a monogamous partner. Whether or not I consented to this involvement never mattered, so I’ve learned how to recognize the unique smell of this trainwreck smoke so I don’t have to stand the heat later on. I understand that these people usually mess up because they don’t know better. As the person who’s actually poly, I basically have to be the person who knows better. It just sucks to become seriously invested in someone because they seemed to say the right things at the right times and gave you the impression that polyamory was a long-term consideration for them. It no longer felt like a carpet being pulled from beneath me once I developed a healthy sense of paranoia about it. Even educating these people about poly doesn’t seem to make them go back into the hookup culture that better suits their yearnings.

Polyamory is about maintaining multiple relationships, not just the freedom to have as many flings. Too many people enter polyamory with the “playing the field” mindset. They’re more than happy to practice polyamory, but never actually be polyamorous. If they were actually living polyamory as opposed to practicing it, they would see polyamory as a part of their future rather than a quick fix. That’s just the problem: They don’t see polyamory as a part of their future. They only see polyamory as a situational means to their temporary ends. Yes, polyamory absolves you from having to choose 1 person over another, but there’s so much more to it than that. Polyamory is far more about building and maintaining connections than it is about driveby romances and hooking up.

As a polyamorous person, I want more than a good time. I want love.


Ghia Vitale is a writer from Long Island. She graduated from Purchase College with a BA in literature as well as minors in psychology and sociology. She has written for Ravishly and Quail Bell Magazine.

 

In Lifestyle Tags polyamory, sex, dating, relationships, love
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Here Are Some Women Directors Whose Beautiful Work Deserves More Love

April 1, 2016

CURATED BY EMMA EDEN RAMOS

Each Women’s History Month, The Library of Congress, The National Archives and Records Administration, The National Endowment for the Humanities, The National Gallery of Art, The National Park Service, The Smithsonian Institution, and other institutes pay homage to pioneers in The Women’s Movement. As this celebratory month just came to a close, we want to acknowledge a group of female artists who deserve (more) recognition and (more) admiration. So, given that it's Friday today (which means you can Netflix ALL weekend), we are proud to offer you, our lovely readers, a “playlist” of films directed by women. Put these films on your queueor Amazon wish-list. You won’t regret it. Trust us.

Agnès Varda: Cléo from 5 to 7

"I'm too good for men."

Sally Potter: Orlando

Orlando: "If I were a man...I might choose not to risk my life for an uncertain cause. I might think that freedom won by death is not worth having. In fact..."

High Art Trailer 1998 Director: Lisa Cholodenko Starring: Ally Sheedy, Patricia Clarkson, Radha Mitchell, Tammy Grimes, Gabriel Mann, Official Content From Universal Pictures Lucy Berliner, a once famous photographer, finds her career has been revitalized when she meets Syd, a beautiful young assistant editor for a prestigious photography magazine.

Agnieszka Holland: Copying Beethoven

"Forgive me. I may be a woman, but I am the best student."

Faces of Classical Music http://facesofclassicalmusic.blogspot.gr/ * Copying Beethoven (2006) - Trailer A film by Agnieszka Holland A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony.

Ava DuVernay: Selma

"Our lives are not fully lived if we're not willing to die for those we love, for what we believe."

Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt Selma Official Trailer #1 (2015) - Oprah Winfrey, Cuba Gooding Jr.

Lisa Cholodenko: High Art

"I'm Greta. I live for Lucy... I mean, I live here, with Lucy."

High Art Trailer 1998 Director: Lisa Cholodenko Starring: Ally Sheedy, Patricia Clarkson, Radha Mitchell, Tammy Grimes, Gabriel Mann, Official Content From Universal Pictures Lucy Berliner, a once famous photographer, finds her career has been revitalized when she meets Syd, a beautiful young assistant editor for a prestigious photography magazine.

Laurie Collyer: Sherrybaby

"From the ages of 16 to 22, heroin was the love of my life."

Informace o filmu na http://www.sms.cz/film/sherrybaby Drama, USA, 2006, 96 min. Režie: Laurie Collyer Hrají: Maggie Gyllenhaalová, Michelle Hurstová, Sandra Rodríguezová, Anna Simpsonová, Giancarlo Esposito, Caroline Clayová, Rio Hackford, Brad William Henke, Vivianne Bucherová, Bridget Barkanová, Ryan Simpkinsová, Stephen Peabody, Danny Trejo, Cassidy Hinkleová, Sam Bottoms, Kate Burtonová, Michael Dillon, Helen Coxeová, Jayden Vargas, Heather Schachtová, J.D.

Deborah Kampmeier: Hounddog

“If you don’t you keep on singing, keep on feeling the spirit. If your dreams go underground for a while, buried so deep in the earth so they can survive, you just keep feeling the spirit even in the dark.”

Official Theatrical Trailer of "HOUNDDOG" starring DAKOTA FANNING, ROBIN WRIGHT-PENN, DAVID MORSE and PIPER LAURIE. Directed by Deborah Kampmeier, and produced by Kampmeier, Scott Franklin, Jen Gatien, the Motion Picture Group, Deerjen Productions, Full Moon Films, etc. Released to theaters by Empire Film Group, beginning Sept.

Leah Meyerhoff: I Believe in Unicorns

“I have so much to say… but I don’t know where to start. Maybe when I learn how to breath.. I’ll know how to speak."

Web: http://blogdecineindie.com/ Tráiler Subtitulado en Español de la película 'I Believe in Unicorns'. Una de las últimas películas en ser rodadas en formato de película de 16mm. Escrita y dirigida por Leah Meyerhoff. Protagonizada por Natalia Dyer, Peter Vack & Amy Seimetz.



Emma Eden Ramos is a writer from New York City. Her middle grade novella titled The Realm of the Lost was published in 2012 by MuseItUp Publishing. Her short stories have appeared in Stories for Children Magazine, The Legendary, The Citron Review, BlazeVOX Journal, and other journals. Ramos’ novelette, "Where the Children Play," was included in Resilience: Stories, Poems, Essays, Words for LGBT Teens, edited by Eric Nguyen. Three Women: A Poetic Triptych and Selected Poems (Heavy Hands Ink, 2011), Ramos’ first poetry chapbook, was shortlisted for the 2011 Independent Literary Award in Poetry. Still, At Your Door: A Fictional Memoir (Writers AMuse Me Publishing, 2014) is Ramos' third book.
 

 

In Art, Social Issues Tags film, cinema, Cleo from 5 to 7, Agnes Varda, Sally Potter, Orlando, Copying Beethoven, Selma, Ava DuVernay, High Art, Sherrybaby, Hounddog, Leah Meyerhoff
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Photo credit to: Haoyan of America

Photo credit to: Haoyan of America

Interview With Perry Baron Huntoon About Her 'How I Feel Today' Art Project

April 1, 2016

After that performance, I was exhausted. Having been accustomed to keeping my emotions to a minimum, this act of defiance took a lot of out of me. For the next few years, I kept trying to return to the metaphor of landscape with varying results. I became reluctant to confront the pain that was bubbling beneath the surface. This reluctance showed in my work.

When I moved to New York in 2013, the intensity of the city forced my hand: I had to deal with my immediate anxieties and continue to sort through my trauma and grief. I developed an isolated, meditative practice, in which I laid out huge pieces of canvas on my bedroom floor and marked them to oblivion with charcoal and pastels. The calm that I achieved from such physical, repetitive work was absolutely necessary to my survival in the city.

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In Art, Interviews Tags Perry Baron Huntoon, Artist, Illustrator, NYC, Queer, How I Feel Today, Illustrations, Interview
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Dear Dudes: Stop Telling Me Not to Wear Lipstick

March 30, 2016

How dare you not be fuckable when you could have so easily been fuckable?

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In Lifestyle, Social Issues Tags makeup, lipstick, harassment, sexism
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via Goodreads

via Goodreads

What My Compulsion to Write Actually Means

March 29, 2016

I’ve thought a lot lately about writing as an inherently inward and narcissistic act--my thoughts, my interestingness, my hidden depths. Joan wrote that we spend our lives being told we are less interesting than everyone around us so I write: It is nighttime, and I am in Rome, pretending everyone around is far less interesting than me.

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In Poetry & Prose Tags Writing, Literature, Words, Words Shape Life, Words Shape Identity, Identity
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A Review of Poetry Collection "In Leaves of Absence: An Illustrated Guide to Common Garden Affection"

March 28, 2016

In Leaves of Absence: An Illustrated Guide to Common Garden Affection (Red Dashboard Publishing) with poetry by Laura Madeline Wiseman and art by Sally Deskins, our capacity as women to thrive or wilt, is revealed through daily garden life. In between these detailed poems and exuberant paintings, there are paragraphs of facts and plant history, to teach and temper the budding words. It is a reminder that caring for nature, like caring for a person, is an investment. As Wiseman writes in “The Family of Magnolias,”

“planting the wrong tree or doing it in the wrong way is something better left undone.”

When one plants a tree from seed, it is a lifetime commitment or at least half a lifetime. The gardener is caregiver: watering a seed, protecting a sprig from frost, watching for signs of disease or insect invasion. After many years a tall sturdy tree is a crowning achievement while a failed plant can be heartbreaking. Like life is with relationships. Yet we plant again in the spring, measure out garden plants, look for new loves. To garden is to hope. All living things, however, die, or “leave,” eventually. But isn’t biting an apple or smelling a rose worth it?  Wiseman and Deskins explore this journey through these intricate poems and bursting water colors.

One of the first metaphors in the collection is “A Wrong Tree.” The tree is almost described as a stumbling Civil War soldier, suffering without anesthetic:

“Limbs are sawed off as amputated stumps and oozing wounds.

The canopy won’t shade you no matter where you stand.

…Evenings on the lawn chair you slouch with cheap beer.

You gaze at the green lawns around you—

You imagine hopping the fence to a new home…

I could leave…”

We assume the underdog status through “A Wrong Tree,” judging it’s low hanging branches, it’s lack of leaves and structure. The tree is a symbol for living the wrong life: the wrong yard, wrong car, wrong house, wrong neighborhood.  We hunger for the other: the perfectly manicured lawn or mini barn shed. Even though disdain is present for this ugly duckling, there is some sympathy. The tree is surviving, it does not appeal to the masses, have “curb appeal.” But it is unique. These hiccups in nature reflect on our own quirks and flaws as humans. We must “go on” too, no matter what.

Deskins splatters her drawing of “A Wrong Tree” with the brightest colors imaginable: greens and blues, pinks, and oranges.  Her tree is a helpful reminder that beauty is found in unconventional shapes and places.

Likewise, another painting that shines with self-love is “Take Leave.” (There is lots of “leave” and “leaf” word play throughout the book and one can also not help but think of Whitman’s Leaves of Grass while reading these poems.) In the painting “Take Leave,” a curvy female shape stretches her limbs within a tree trunk.  She is proud, blissful to enrapture the tree’s magic, her torso blending into the bark. She is serene and one with the tree. It is powerful.

Today, with all women’s rights and freedoms  under attack this image is refreshing. If only all women could arch their elbows to the sky, strong: feel their power. This painting is a wish.

In the following two poems: “Leave off Husbandry,” and “Weeping Hawthorn, A Friend and Neighbor,” tree and woman blend but manifest that all allusions to trees are not beautiful. In “Leave off Husbandry,” Wiseman writes:

“you axed us in my dream. I awoke

to my heart scudding, a thicket of birds.

Your will to destroy left me shaken…

I was putting out roots, leafing at the base.”

Arms are swinging an imaginary ax., cutting off our limbs, our ability to run, our ability to flower. Giving something “the ax” is a synonym for finishing it. Wiseman uses the tree as a symbol in this relationship, the stress dream pulling intimacy’s roots out of the ground. The tree is powerless to the ax, does not see it coming, like anyone blindsided by an emotional trauma. (Again Deskins paints an effective image to be paired with this poem: a flesh colored woman, slumped by a tree, looking over her shoulder at the reader, forlorn.)

In “Weeping Hawthorn…” the natural world is a metaphor for assault. Wiseman writes:

“her limbs bent to his need, a hot, blind

forcing that once opened would scar.

She scratched at him to stop…”

“…Each of us wants

to blossom, grow, ripen, be

plucked—consent—never like that.”

Through representing the women as trees, the reader experiences not only how our environment cannot speak for itself, but also how women are silenced, how casual violence is prevalent. Like a new sapling, a girl, a woman should be cared for, should feel free to shout her voice to the world, not prove how her existence should just be tolerated. At least the trees have the forest.

Whether these poems are witnessing women’s plight, or a childhood memory (Wisemen playfully quotes “let the wild rumpus start,” from Where the Wild Things Are and there are allusions to a swing hanging from an oak tree,) or exploring word play, Deskins accompanies these fevered words with light and spirituality.

In “Common Prayer to Tree Gods and Goddesses,” the outlines of women are in a forest with the orange/reddish colors atop the tree canopy. One does not know if it is dawn or dusk and it doesn’t matter. These tree spirits are timeless.

Our tree lined streets or lone tree in a yard or tree standing tall in a park are us. Wiseman teaches us the mind might forget certain slings and arrows, but “…the body can remember what we carved.”  

This collaboration is a tour de force of word and color, a wonderful blending hybrid creation, as can only be found in nature.


Jennifer MacBain-Stephens went to NYU’s Tisch School of the Arts and now lives in the DC area. Her chapbook “Clown Machine” is forthcoming from Grey Book Press this summer.  Her first full length collection is forthcoming from Lucky Bastard Press.  Recent work can be seen or is forthcoming at Jet Fuel Review, Pith, Freezeray,Entropy, Queen Mob’s Teahouse, Right Hand Pointing, Cider Press Review, Inter/rupture, and decomP. Visit her here.

 

 

 

 

In Art, Poetry & Prose Tags books, Red Dashboard Publishing, Laura Madeline Wiseman, poetry, illustrations
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The Orchid Show at The New York Botanical Gardens Is a Magical Paradise

March 28, 2016

The Orchid Show at The New York Botanical Gardens creates, yet again, a world of fantasy and color in show ­stopping arrangements. The conservatory is transformed into a fairy tale, with color and scents in every corner thanks to the visiting clusters of orchids. The show is open until April 17th located on 2900 Southern Blvd, Bronx NY.

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In NYC Tags orchids, flowers, nyc, things to do
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An Interview With Icelandic Film Editor Elisabet Ronaldsdottir

March 25, 2016

I’ve been editing now for almost 25 years and editing is all I need. I always have great respect for what everyone brings to the film and I put a lot of emphasis on carving out all the love; may it be the script, the costumes, the cinema photography, make up, acting etc. I consider my work to be an interpretation of the script and of the work from other key contributors who are also interpreting the script and in doing so I'm careful never to lose focus on the director´s vision. In that sense I regard editing as a valuable part of the script writing.

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In Interviews Tags Elisabet Ronaldsdottir, Films, Film Editor, Cinema, Feminism, Sexism, Iceland
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