Kai Coggin is a queer Filipino-American poet living in the valley of a small mountain in Hot Springs National Park, AR.
Read MoreNatalia Drepina
Collaborative Poem by Alexis Bates & Logan February
pomegranate
with a neck bent / like prayer
I clung to the fruit as though I was
a part of it / a seed needing to be cut
away / I stared at food the way
murderers look / at their victims
the way God looks upon his creations
a single pomegranate
holds hundreds of decisions inside
its skin & eating was always
the wrong one / but it was sacred
sliding pulped flesh past my lips
spitting out seeds / just like it is
holy / to claim the self:
sickness / success /
I am hundreds of little / red decisions
scattered on the kitchen floor
& so what / if they don’t all taste good
I stare in the mirror / take a knife
to these delicate ideals
split them open wider
& wider / avoid the body
grip the fruit tight
it does not taste killer
I do not feel victimized
this is still progress
Alexis Bates is a poet and writer that uses words to become intimate with an audience. You can read her words in Luna Luna Magazine, Five:2:One, Vagabond City Lit, and elsewhere. Her micro-chap, When Cars Touch, is forthcoming from Ghost City Press.
Logan February is a happy-ish Nigerian owl who likes pizza & typewriters. His work has appeared or is forthcoming in (b)OINK, Wildness, Vagabond City, and more. His chapbooks, Painted Blue with Saltwater (Indolent Books) and How to Cook a Ghost (Glass Poetry Press) are forthcoming. Say hello on Instagram & Twitter @loganfebruary.
In Order To Write Poetry, Don't Treat It Like Poetry
Poetry isn’t a grand mystery. It can be, and there are certainly moments where you want ambiguity, but it doesn’t have to be confusing, for either the writer or reader. Writing poetry, like fiction (and really, making any kind of art), is about utilizing all aspects of your brain, your body, your craft. I regularly teach poetry workshops (and I used to be a high school English teacher), so I'm constantly thinking of new ways to challenge myself and others—and finding ways to keep pushing myself to explore the nuances of poetry.
Read MoreElisa Scascitelli
On Fortune Telling
When I was little someone told me that only the devil could tell the future. Anyone who claimed to be a fortuneteller, anyone who seemed to know things before they happened, were that of the devil. I wondered if I would go to hell because I always knew things before they actually happened. My mother said that she didn’t know of such a verse and she said I was just lucky: She said I had a lucky "gift" of knowing possibilities and knowing truths before they materialized. It never felt lucky: it felt like rocks in the pit of my stomach dragging me closer to hellfire. I could ask myself is this really going to happen? And I would always know the answer. I felt guilty for having the gift of knowing.
Read MoreHear Luna Luna Staff Read At Clash Books Reading in NYC
BY LISA MARIE BASILE
Excuse me for the love fest, but Clash Books is having a reading at NYC literary institution KGB Bar September 15. And there will be a bunch of Luna Luna editors and writers present—so come out and show the love. Let's cuddle.
Details below:
CLASH Books is proud to present this stellar lineup of authors reading from Tragedy Queens: Stories Inspired by Lana Del Rey and Sylvia Plath, This Book Ain’t Nuttin to F**k With: A Wu-Tang Tribute Anthology, The Anarchist Kosher Cookbook, A Confederacy of Hot Dogs, and Dark Moons Rising in a Starless Night. *Editor Lisa Marie Basile will read from her Clash Books novella-in-progress.
Readers from Luna Luna include Loren Kleinmen, Christine Stoddard, Trish Grisafi, editor Lisa Marie Basile, Christoph Paul of Clash Books and Leza Cantoral of Clash Books.
LOREN KLEINMAN has published four full-length poetry collections: Flamenco Sketches, The Dark Cave Between My Ribs, Breakable Things, and Stay with Me Awhile, and a memoir The Woman with a Million Hearts. Her nonfiction appeared in The New York Times, ROAR, Cosmopolitan, Redbook, Woman’s Day, Seventeen, USA Today, Good Housekeeping, and The Huffington Post, while her poetry appeared in Drunken Boat, The Moth, Columbia Journal, Patterson Literary Review, and more.
CHRISTINE STODDARD is a Salvadoran-Scottish-American writer and artist who lives in Brooklyn. She is the founding editor of Quail Bell Magazine, an art and culture magazine. She is also the author of Naomi and the Reckoning (Black Magic Media), Jaguar in the Cotton Field (Another New Calligraphy), Hispanic & Latino Heritage in Virginia (The History Press), Ova (Dancing Girl Press), Chica/Mujer (Locofo Press), Lavinia Moves to New York (Underground Voices), Harlem Mestiza (Maverick Duck Press), and other titles. Her work has appeared in national magazines and anthologies by Candlewick Press, Civil Coping Mechanisms, ELJ Publications, and other publishers.
LISA MARIE BASILE is an editor, writer and poet living in NYC. She is the founding editor-in-chief of Luna Luna Magazine and the author of APOCRYPHAL (Noctuary Press, 2014), as well as a few chapbooks: Andalucia (Poetry Society of New York), War/Lock(Hyacinth Girl Press), and Triste (Dancing Girl Press). Her book NYMPHOLEPSY (co-authored with poet Alyssa Morhardt-Goldstein), was a finalist in the 2017 Tarpaulin Sky Book Awards. Her poetry and other work can be or will be seen in PANK, Spork, The Atlas Review, Tarpaulin Sky, the Tin House blog, The Huffington Post, The Rumpus, Rogue Agent, Moonsick Magazine, Best American Poetry, Spoon River Poetry Review, PEN American Center and the Ampersand Review, among others.
PATRICIA GRISAFI, PhD, is a New York City-based freelance writer, teacher, and poet. Her work has appeared in Salon, Bitch, Bustle, Ravishly, The Rumpus, The Establishment, and elsewhere, and she is a contributing writer for Luna Luna Magazine. She is passionate about pitbull rescue, cursed objects, and designer sunglasses.
LEZA CANTORAL is a writer and editor from Mexico with a B.A. in Cultural History. She is the author of Cartoons in the Suicide Forest and the editor of the upcoming CLASH Books Anthology Tragedy Queens: Stories Inspired by Lana Del Rey and Sylvia Plath. She hosts a literary podcast where she talks to cool ass writers atgetlitwithleza.podbean.com. You can find her on Facebook, Twitter, and Instagram @lezacantoral
CHRISTOPH PAUL is the author of Horror Film Poems and Slasher Camp for Nerd Dorks. He is the editor of CLASH Books Anthologies including Walk Hand in Hand Into Extinction: Stories Inspired by True Detective and This Book Ain’t Nuttin to Fuck With: A Wu-Tang Tribute Anthology. He is co-publisher and editor of CLASH Media and CLASH Books. He plays in rock band Mandy De Sandra and The Deviants but still wishes he was a gangsta rapper. Twitter @ChristophPaul_
MAXWELL BAUMAN is a halfway-decent Jewish boy from the Bronx. He is the Editor-in-Chief of Door Is A Jar literary magazine. His collection of Jewish humor stories, The Anarchist Kosher Cookbook is coming out later this year from CLASH Books. Follow him on Twitter at @maxwellbauman
MAME BOUGOUMA DIENE is a Franco –Senegalese American humanitarian living in Brooklyn, New York, and the US/Francophone spokesperson for the African Speculative Fiction Society (http://www.africansfs.com/), with a fondness for progressive metal, tattoos and policy analysis. You can find his work in Brittle Paper, Omenana, Galaxies Magazine (French), Edilivres (French), Fiyah! Magazine, Truancy Magazine and Strange Horizons, and in anthologies such as AfroSFv2 (Storytime), Myriad lands (Guardbridge Books), You Left Your Biscuit Behind (Fox Spirit Books), This Book Ain’t Nuttin to Fuck Wit (New English Press), and of course Clash Media. Follow him @mame_bougouma on twitter.
Poetry by Jordi Alonso
Jordi Alonso graduated with an AB in English from Kenyon College in 2014 and was thefirst Turner Fellow in Poetry at Stony Brook University where he received his MFA. He is the Gus T. Ridgel Fellow in English at the University of Missouri where he is a PhD candidate studying the cultural transmission of nymphs in literature. He’s been published in Kenyon Review Online, Noble/Gas Qtrly, Roanoke Review, Levure Littéraire, and other journals. Honeyvoiced, his first book, was published by XOXOX Press and his chapbook, The Lovers’ Phrasebook, was published by Red Flag Poetry Press in 2017.
Read Morevia Dark Skin Women
Poetry by Jasmine L. Combs
Cause Black girl wouldn't need to be magical anymore
and finally Black girl can just be Black girl
and call herself enough.
Original art image found here.
August 2017 Poetry Contest Winners: Barber, Räihä, Hall
BY LISA MARIE BASILE
“Today you are there like any other emptiness. — Freke Räihä”
Introducing Luna Luna's three August 2017 flash poetry contest winners, Freke Räihä, Cornelia Barber and Erin Marie Hall.
I loved their poems because they all approached the idea of death from unique standpoints—their language was crisp, and surprising, and heartbreaking. I could feel the grief. I am so grateful to be publishing this work.
I took each of the images from sacred places, places where I had meditated on life and death, places that are of significance in my own life. With a topic such as death, and with work so vulnerable, I thought it was important to make sure the presentation came, all around, from a place of intent.
Please share the images and talk about the poems.
15 Presses & Journals That Will Make You Weep With Pleasure
BY LISA MARIE BASILE
I'm sure plenty of you know a few of these, but allow me, for those who might not, to introduce and love on the presses that are currently sending me into literary-body-psychic overdrive. What does this actually mean? It means I've been devouring their books for some time or that I've discovered their new work, or am re-reading their older work and losing my mind over it again and again. I believe that these presses and journals are doing beautiful, unique things, and I love the voices and work they're putting out there. To blood and beauty!
If you could press your hand against my chest, you would feel my heart fluttering. Wakefield Press is one of my new favorites, and it should be yours, too. Devoted to 'overlooked gems' in translation, literary oddities, and elegant packaging (oh god they are so good to us), this press is bringing immense beauty to the literary landscape.
I just got my hands on:
Spells by Michel de Ghelderode
Murder Most Serene by Gabrielle Wittkop
The Cathedral of Mist by Paul Willems
2. Siren Songs
Joanna C. Valente, managing editor here at Luna Luna, runs an imprint on Civil Coping Mechanisms—and they're publishing Devin Kelly, Cooper Wilhelm, Jayy Dodd, and Omatara James. Literally am waiting on the edge of my fucking seat. The press seeks work by queer, trans, nonbinary, women and people of color.
OK. So Inside the Castle runs a residency in October called Castle Freak. Do you feel that? That's me having an orgasm. This press is deliciously dark and strange, and everyone should check out their dedication to literature that does more. They publish 'difficult poetry and prose poetry.' Wouldst thou pick me up from the floor?
I just discovered this gem—they publish women artists and writers, and the magazine itself is filled with unique, beautiful work. It feels like you're flipping pages as you move through the beautiful site.
Full disclosure: I'm in a full-on romantic relationship with this press and journal. They might not know it, but I do. They've always been my go-to for good reading, they publish superb books, and they even chose my manuscript Nympholepsy as a finalist in their 2017 book awards. Their work is tight, well-crafted, and aesthetically inclined.
6. Occulum
Just click click click and indulge in the beauty. Their about page says, "Unreliable sources have claimed that OCCULUM is David Lynch’s favorite lit journal. This in turn, is also unreliable." Which, yes, please. They're ok with 'semi-normies' (lol no one here) but they publish speculative fiction and 'species' of poetry. Their peculiarities are why I dearly love them.
7. Monstering
As someone with a chronic illness, I love the fact that Monstering Mag makes a space for discussions around the body, disabled experiences, nombinary voices, and illness. Their work is vulnerable, necessary, and thoughtful.
RELATED: 6 Online Lit Mags For Ladies Who Love Creepy Poems
8. Spork Press
Run by Richard Siken (I know he's your favorite, too), this lit journal and press puts out some fantastic work. Each issue is like a mini car crash you can't look away from. The work is always tight as fuck.
9. Paragraphiti
Just discovered their 'Romanian poet' issue, and I'm in love. It's so important that we are treated to translated work, and I'm so glad to see journals like this one do the heavy lifting.
10. Action Books
One of my favorite all-time presses, Action Books makes books that make me weep and then go write books that make other people weep. And repeat. There isn't a single solitary book in their catalogue that won't break your heart and threaten your ideas of the literary status quo. You will realize what you've been missing. You will drown in it. The work is transcendent of what we know and understand and accept.
With their focus on the radical and mystical, this queer collective produces books that are loud and heavy in your hands. And always beautiful. Also, they've got a "west coast lean," which, to a New Yorker, means there's a hazy intoxicating palm tree ocean spray magic to it all. Their books also LOOK delicious. And, they focus on giving a voice to identities often excluded from the conversation.
12. Grimoire
Grimoire, like Luna Luna, makes a space for the occult alongside their literary selections. The work is stellar, and their little spell-treats and seances are especially to die for. I love this journal and can't wait to keep reading each new issue.
13. Dreginald
So apparently I was late to the party with Dreginald. Just discovered how awesome they are, and I am blown away. Their selections are carefully crafted, insanely unique, and they prick at you—leaving you feeling the wound long after you've left the site. Also, DREGINALD. Just say it.
Bonus Round: new journals
14. Bad Pony
This magazine is brandy-new, insanely beautiful, and not yet live. Their mission says, "We are a very bad pony. Maybe we have always been that way. Maybe we had a particularly bad childhood where instead of hay or grass, we were fed a large amount of Starburst," which has done me in. I am ready for this bad bad pony.
Our very own Nadia is launching her own literary magazine this Friday—and we can't wait. Nadia's eye for beautiful, audacious work helps shape Luna Luna, so I can't wait for her dreamy creation.
Lisa Marie Basile is an editor, writer and poet living in NYC. She is the founding editor-in-chief of Luna Luna Magazine and the author of APOCRYPHAL (Noctuary Press, 2014), as well as a few chapbooks: Andalucia (Poetry Society of New York), War/Lock (Hyacinth Girl Press), and Triste (Dancing Girl Press). Her bookNYMPHOLEPSY (co-authored with poet Alyssa Morhardt-Goldstein), was a finalist in the 2017 Tarpaulin Sky Book Awards. She is working on her first poetic fiction novella, to be released by Clash Books/Clash Media.
Daniel Vazquez
Second Goodbye, Non Fiction by Ron Gibson, Jr.
With other emergency room patients watching, I retched, filling and overfilling the tray. A janitor was sent for to mop up around my feet. The nurse brought over two trays this time, but it was the same story: I retched, filled, then overfilled them. The nurse and the janitor's body language seemed to indicate (at least to me) they were growing increasingly alarmed at the volume I was spewing.
Read MoreFor Babes Who Kiss Wet On First Meeting Especially Liana
BY LAURA MARIE MARCIANO
A persistent dry spell
no wet
for two months mollycoddle
He was like a musician and all like had a music video
Orange leaves on window or asking
Will you meet me in the park
and wake with grass stains on lips
He texts and I texted
something about legs being fine as hell
The prophet suggested that bee saving was better than dick picks
sent me enough so many - enough to fill a whole room
traveling in my pocket for three weeks like a dead ass prayer
And this empty prescription bottle like a fish that saved me
in empty empty water
I met you in the park first fucked on knees from behind
told to be quieter when I screamed through green
and grey light
ambient city nature buzz and cool spit off small but plump mouth watched your pleasure twisted face below me
It was the best sex I had in three years Or some shit
but then you came
got up and asked me if I always kissed men that passionately when
I first met them when i first allowed them to stretch my adidas track pants off in the summer suss garden
shame or
near home
Said if you knew I had a car you would have made me drive you
I don't know what a prayer is but Mary I do know how to bend on my knees for 15 hot minutes and repent
I asked all my girlfriends to text bomb you when you ghosted
I asked Solange to stop letting you perform in her show
I asked the whatever to tell your girlfriend about your habits
I just wish for the culture
sunflower seed stuck in teeth pretending not to weep into brown
leather seats
I just wish
This could be different or
I asked for Ana that we all know she was an actual victim of hot dead boys
#alreadydead
What did I expect - perpetuating rape culture with my wet pussy in your fuckboi hands way after bedtime for
girls who don't kiss as passionately when they first meet anyway
ever
they never Quazz
your name? is that your name I swear those other girls
they never do that
Laura Marie Marciano is a poet, performer, educator and media artist. She is the founder of gemstone readings and the author of Mall Brat ( CCM 2016). She received her MFA from Brooklyn College and is a PhD candidate at URI. She works as the managing editor of Barrow Street Press. She lives on the Internet.
Daniel von Appen
Poetry by Janice Lobo Sapigao
Janice Lobo Sapigao is a daughter of Filipina/o immigrants. She is the author of like a solid to a shadow, forthcoming from Timeless, Infinite Light, and microchips for millions (Philippine American Writers and Artists, Inc. 2016). She is a VONA/Voices Fellow and was awarded a Manuel G. Flores Prize, PAWA Scholarship to the Kundiman Poetry Retreat. For more info, please visit: janicewrites.com
Read MoreGirlhood Ramblings
The way the last words spoken at a sleepover hang in the darkness. How it feels to wake up first. How your sleeping bag feels itchy-hot in the morning. How your insides feels itchy-hot, too. How your friends breathe in their sleep. Their messy hair. How the morning light is so orange-pretty you could cry.
Read MoreRen Hang
Fiction By Ellen Chai: Misfit
"Misfit" is one of Lidia Yuknavitch’s favorite words. In her beautifully harrowing, unabashedly celebratory TED talk, she says that she likes the word because it’s so literal: "it’s a person who sort of missed fitting in. Or a person who fits in badly." The weight of her past, of her string of conventionally framed failures (e.g., reeling from the effects of growing up in an abusive household, having two failed marriages, flunking out of college twice, her daughter dying the day she was born) could be assembled, isolated, symbolically deployed with one word: "misfit."
Read MoreRachel Lauren Photography
Fiction by Lydia A. Cyrus: Lycanthropy in Appalachia
I am a werewolf of sorts: awakened at night by a hunger and a desire to roam. I have spent most every night in the rain, snow, or just plain quiet walking alone in the dark. In Appalachia, we don’t talk about lycanthropy: we don’t talk about the crossing of identities where wolf meets woman. And yet, the people here will talk about me—will talk about the way I walk through the night and my darkness—and they will call it by any other name, any other affliction.
Read More