At some point in my development, before I entered high school, I’m sure, I knew two fundamental facts about myself: I am a writer, and I wasn’t one to marry until I was at least 28.
via Being Photographed
via Being Photographed
At some point in my development, before I entered high school, I’m sure, I knew two fundamental facts about myself: I am a writer, and I wasn’t one to marry until I was at least 28.
Aela Labbe
I’ve often wondered how to move away from heteronormative parenting. I want to give my kids choices — to leave room for them to be themselves, whoever that turns out to be. But it takes a conscious effort to back away from what I was raised with and what I see around me, from what is provided for us and staring us in the face. It requires forethought to present the alternatives.
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Jesse Kalozsa
I want movies that will give me the same feeling of dread that I experience when faced with making basic life choices. The same dread I experience when the manicurist uses what looks like a filthy towel to wipe the exfoliating slop off my feet. The flushing of my face, dropping of my heart, and drying of my tongue when I get ready to teach a new class. Give me the creature from the swamp, but don’t force me to confront the hairstylist who has stridently shamed me for chopping my own bangs.
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If the Oscars looked in the mirror--and the Oscars really, really need to--the Oscars would see white men. Haven't they learned anything from last year's diversity gap (and that's putting it nicely)?
This year, the committee pulled the same nonsense.
While the racial breakdowns are SCARY problematic, here's a tiny, tiny glimpse into just how bad it is: Creed (written AND directed by a black man) and Straight Outta Compton (starring black actors) were recognized. But it was the white men in the mix that were nominated. The white men.
This is not a test.
It's hard to understand the bias against people of color and women that the Academy of Motion Picture Arts & Sciences has--considering all of the amazing art being made--but one thing is certain: they're not too concerned with changing it.
In 2015, the Academy welcomed 322 new members to counter its diversity problem (overwhelmingly made up white males over the age of 50; in 2013, it was 93% male.)
Are these new members making a dent?
The problem is with all of Hollywood and all of America; it's sexist. When it comes to women, the numbers are awful: 22% of the Academy are made up of women--women who are underpaid and undervalued (props to J-Law for speaking up). The Academy is blind to the fact that people of color need to be represented more (watch this excellent Hollywood Reporter roundtable with Amy Schumer, Gina Roridguez, Tracee Ellis-Ross, and more) and too propped up by its own systemic privilege to make change. So when you're looking at what happens on the outside (like the Oscars whitewash) it's a good indicator that the problem is from the inside.
When are we going to stop letting people in positions of power make the wrong decisions? We've got another #OscarsSoWhite situation. Keep speaking up.
Charoula Stamatiadou
In 2002, Manolescu Loan, a Romanian man who was walking cross-country after his truck broke down, found 8-year-old Traian, legs splayed from rickets, eating from the carcass of a dog. He was the size of a three-year-old and huddled for warmth in a cardboard box; his circulation slowing because of the frostbite--inevitable in the freezing Transylvanian forest. Three years prior, it seems Traian had been abandoned by his 20-year mother who had been abused by the man to whom she was married under Gypsy law. The doctors who observed the case (and who nicknamed the boy Mowgli) believe that he was fostered by wolves: he barked, howled, growled and bit.
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Kavan the Kid
I didn’t consciously make my protagonists white when I began to write fiction. There were times I swore I didn’t think about my characters’ races. But really, they were. Even when I claimed they were utter inventions of my imagination, removed from a context of race, I re-read my stories and see how they really weren’t of anything else. They were all cut from the same cloth.
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Helmut Newton
But when you’re in your early twenties and on the kind of quick rebound Serena Williams might appreciate, you think differently. I had recently come back from a Midwest breakup with a long-distance boyfriend. Several gallons of ice cream later, I was still feeling empty. It was springtime, and the idea of getting through the approaching summer on my own wasn’t something I wanted to do.
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I was 21 years old when I had my son. His father and I were utterly unprepared, not nearly mature enough to have a baby together, and ultimately not a good match. Within 6 months of our son’s birth, we had split.
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Your guide to shopping for the entire coven.
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I have always been struck by the scarcity of material that circulate on the topic of female relationships. I say this in the context of today's bottomless internet stock of think pieces, articles, listicles and advice columns: What proportion of them revolve around the theme of romantic heartbreak, and how many focus on another kind of break up, that of a friendship, that might involve fewer tears and less longing--but just as much, if not more, cutting pain?
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Michelle Longo
If you know anything about mercury retrograde, you know that it brings changes & all sorts of delays to your personal, professional, & creative life. Most people hate mercury retrograde simply because everything seems to go wrong. If you make major purchases, there may be manufacturing problems or delays with shipment; expect miscommunications to arise between friends & family; do you seem to notice that people or concerns from your past are resurfacing? If so, you are correct in your observations.
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BY LISA MARIE BASILE
When James Deen was accused of raping or sexually assaulting several women—including his ex-girlfriend, the performer Stoya, the internet exploded. Some people wondered if porn actors could actually be raped (of COURSE they can; and never read the comments), while some people wondered how they could have ever supported him. Reading through the "we were wrong" headlines, it's clear that the masses are wondering: How could it be that someone who was public and likeable! and funny! and into consent was allegedly raping his co-workers and other women?
When Deen started becoming porn-famous around 2012, women - some of them devout "deenagers"—thought of him as a feminist icon. Jezebel said he was "dreamy," painting him as the guy next door who wants to hold your hand and watch Clueless. The media at large took Deen off of the faraway internet sex pedestal and put him into our lives as a hybrid entertainer-cum-women loving dude friend. His own social media engagement helped hone that image as well, even when he made ignorant rape jokes. The Frisky even hired him to write an advice column (they've since stopped publishing him).
When someone is given the feminist seal of approval by the media, it can burrow itself into the psyche of readers and fans. It's hard not to be excited about someone who doesn't appear to denigrate women; we naturally want to celebrate them and make a public case in the hopes that it will influence others. However, it creates this idea that James Deen is a disappointment because he was deemed such a cool guy, not solely because he possibly committed a series of serious ethical crimes against women and humanity.
When the porn actress Stoya tweeted that Deen had held her down and ignored her safe word, other women came forward and alleged that Deen had assaulted them as well, leading Deen to take part in an email interview with The Daily Beast, saying he was "honestly shocked" by the allegations and that “I have never claimed to be a 'feminist' or 'the boy next door.'"
This is a guy who previously told Elle, "I wouldn't consider myself a feminist….At the end of the day I want everyone to have the respect that they deserve and to respect people's civil liberties and rights. I don't know, maybe I am a fucking feminist!"
Simply, as figures in the media and consumers / retweeters of media, need to rethink the way we categorize public figures. We bestow upon celebrities our seal of approval and then we taketh away, but the reality is we need to look at lots of variables to know if a person is a) a good human being, b) a feminist and c) not a criminal.
It seems like all men need to do is throw a bone towards women and they're suddenly in the clear. Bloggers need to know this isn't enough. Not online and not in real life.
The Internet is the quickest to vilify. If an actor (who happens to be a woman) says she’s not a feminist, we write dozens of responses, critiquing their ignorance or kicking them out of the Feminist Club that we’d put them in ourselves. Sometimes we call them feminist heroes because of something they said and sometimes we just decide they're the It Feminist and good for clicks. Just as wearing sneakers on the red carpet doesn’t guarantee you’re in feminist club, being a porn star who says he respects women doesn’t make you feminist. Being feminist just isn't enough anymore.
Whether or not these allegations around Deen are true—and we’re standing with the women who say they were victims to what sounds like Deen’s sexual entitlement or dangerous blending of real world vs. porn world—we know that we need to treat this like a criminal case and not like an, "Turns out he's NOT so feminist anymore, you guys" headline.
Interacting with feminism online should be done in an ideological way, not in a way that works for page views. When we pump content onto the Internet, even us feminist journalists and bloggers, we need to be ethical and responsible enough to say, “Do I actually know 10 reasons X is a feminist?" We should always be thinking about what we’re saying, why we’re saying it and what affect it has on society. Deen could possibly be very guilty; don't let all the headlines make you question the victims.
BY ALECIA LYNN EBERHARDT
I enjoy “going out.” I like dancing, I like music, I like drinking, I like spending time with friends. And I like meeting new people, chatting with them, making friends. I also understand that many people (men and women) go to bars and clubs in hopes of meeting a romantic/sexual partner, and of course, there is nothing wrong with this, in theory.
That’s why, if someone attempts conversation with me, I try not to immediately write them off as a “creep.” I welcome conversation and believe that the more people in my life with whom I can converse, the better off I’ll be. However (as most women know) there sometimes comes a point in a conversation with a man where it becomes necessary to draw the line and indicate that you are in no way, by any means, at all interested in pursuing anything further. There are also times when it is clear that friendly conversation is not in the cards (i.e., those men who substitute grabbing your hips and attempting to “dance” with you for a polite introduction). This is about those times.
If you do a Google search for “how to avoid being hit on at a bar,” you’ll get several articles with “helpful” tips on skirting conversation with men you are not interested in. The majority of these list pretending to have (or actually having) a boyfriend/fiance/husband as the number one method for avoiding creeps (second to “pretending to be a lesbian” or “pretending to be crazy,” a la Jenna Marbles). In response to my complaints about men creeping on me at dance clubs in college, an ex-boyfriend of mine used to get cranky that I refused to whip out this cure-all excuse (one of many reasons he is an ex).
Yes, this may be the easiest and quickest way to get someone to leave you alone, but the problems associated with using this excuse far outweigh the benefits. There is a quotation that I’ve seen floating around Tumblr recently (reblogged by many of my amazing feminist Tumblr-friends) that goes as follows:
Male privilege is “I have a boyfriend” being the only thing that can actually stop someone from hitting on you because they respect another male-bodied person more than they respect your rejection/lack of interest.
This amazingly puts into one sentence what I have been attempting to explain to ex-boyfriends and friends (male and female) for years, mostly unsuccessfully. The idea that a woman should only be left alone if she is “taken” or “spoken for” (terms that make my brain twitch) completely removes the level of respect that should be expected toward that woman. It completely removes the agency of the woman, her ability to speak for herself and make her own decisions regarding when and where the conversation begins or ends. It is basically a real-life example of feminist theory at work--women (along with women’s choices, desires, etc.) being considered supplemental to or secondary to men, be it the man with whom she is interacting or the man to whom she “belongs” (see the theory of Simone de Beauvoir, the story of Adam and Eve, etc.). And the worst part of the whole situation is that we’re doing this to ourselves.
This tactic also brings up the question of the alternative. If the woman in question was boyfriend-free, would she automatically be swooning in the arms of the creep harassing her? Unlikely. So why do we keep using these excuses? We’re not teaching men anything about the consequences of their behavior (i.e. polite, real conversation warrants a response while unwanted come-ons do not). We’re merely taking the easy exit, and, simultaneously, indicating to men that we agree, single girls are “fair game” for harassment.
So what can we do? I think the solution is simple--we simply stop using excuses. If a man is coming on to you (and you are not interested--if you are, go for it, girl!), respond with something like this: “I’m not interested.” Don’t apologize and don’t excuse yourself. If they question your response (which is likely), persist--”No, I said I’m not interested.”
“Oh, so you have a boyfriend?”
“I said, I’m not interested.”
“So you’re a lesbian, then?”
“Actually, I’m not interested.”
“You seem crazy.”
“Nope, just not interested.”
Et cetera. You could even, if you were feeling particularly outspoken, engage in a bit of debate with the man in question. “Why is it that you think that just because I’m not interested, there must be an excuse? Why is it not an option that I’m simply not looking for a sexual encounter and/or something about the way that you approached me indicated to me that you have very little respect for women and therefore I would never be interested in having a sexual encounter with you regardless of my sexuality or relationship status?” (Or, ya know, switch it up as you see fit.) Questioning them back (if you have the energy) puts you back on an even playing field. I’m not saying this is easy. I’ve gotten into my fair share of arguments with men during what were supposed to be fun nights out with friends over whether or not I have the “right” to tell them to buzz off, boyfriend notwithstanding. However, there are a few reasons I continue:
1. So that maybe, possibly, the man I’m speaking to, or other men observing the encounter, may learn something about the agency of women,
2. So that maybe, possibly I might be inspiring other women observing to do the same so that one day, we can be a huge kickass collective of ladies standing up for our right to go crazy on the dance floor without being hassled, and
3. So that I can go home that night, sweaty and tired and happy, and know that I gave myself all the respect that I deserve.
Editor's Note: This is republished from our old site, lunalunamag.com
Alecia is a logophile and a library bandit wanted in several states. In addition to feminist rants, she also writes essays, short stories, bad poetry, recipes and very detailed to-do lists. She currently resides in a little blue cabin in Woodstock with one fiance, one Dachshund and one pleasantly plump cat. Find her tweeting @alecialynn.
Today is the day that our very own advice columnist, Word Witch Rebecca Cook, offers up advice for your lovely little heart. This is our first installment. If you need advice, you can email her (lunawordwitch @ gmail.com)
Dear Word Witch,
My love has left me. What must I do?
Please help,
Lonesome
Dear Lonesome,
You must buy many lime-green and purple umbrellas and go out into the rain. And walk. And slap through puddles. You must wear shiny red rubbery slick boots and you must listen to whichever wind calls to you. You must stand facing to the east in the evening and the west in the morning and you must cry out for your lover. But you must whisper. And you must wear white gloves with tiny buttons all the way to your elbows. And nothing but lemon water must pass your lips for forty days. And you must lie down and press your mouth against the throat of the sky and kiss her, kiss her, and your love will return to you.
the moon is dripping
fat like candlestick wax on the countryside below